A Hora da Sua Morte

As this horror film opens a group of teenagers are at a party; one of them has downloaded a phone app, called 'Countdown', that claims to predict when the user will die; the others install it and one of them is somewhat disturbed when it says she has three hours to live; her boyfriend is only predicted slightly longer. This being a horror film she does indeed die. He is injured in a car crash and is worried because he is predicted to die at the time of his surgery. He tells newly qualified nurse Quinn Harris about the app and soon many of the staff have added it... it tells her she has three days to live. At first she laughs it off but when the boyfriend dies she starts to take it seriously. After a chance meeting with a man who has also been given a short time to live she sets about trying to find a way of avoiding her fate. This will involve seeking help from the likes of a nerdy priest and a tech support guy. If that weren't had enough a doctor at work harasses her.

The idea of having somebody trying to avoid a predicted death might not be that original; there are famous examples from antiquity, but having an app make the prediction is a nice update of the idea. The story gets off to a good if predictable start... we have to see a couple of people die as predicted to accept that anybody could take it seriously. The film provides some good tense moments but for a horror film I'd have preferred it if it were a bit scarier. The demons that came for those trying to cheat death should have been the scariest thing about the film; instead that honour goes to the sleazy doctor who tried to take advantage of Quinn. The characters were rather fun; most notably the priest who was really into demons and curses. The acting is solid; particularly Elizabeth Lail as Quinn. Overall I wouldn't say this is a must see but if you want a mildly scary horror film that will pass ninety minutes you could do a lot worse.

What I liked:

• interesting, original concept that feels strangely applicable to our modern society. Let's be honest: if we could really download an app like this, most people would.
• decent acting.
• surprisingly likeable and intelligent main character, which is kind of refreshing in this genre.
• not particularly scary to me but probably pretty creepy to someone who scares easily. Which is a good thing.
• no inconsistencies or plot holes I could find.

What I didn't like:

• unnecessary romance is unnecessary.
• the comic relief priest.
• the weird sexual harassment subplot. I feel like they could've done without.
• bit predictable at times, clichés throughout.
• a couple of dumb jump scares.

Overall not a terrible experience. Probably don't care to watch it again but if you're in the mood for a fun horror flick this'll do just fine.

A Nurse downloads an app, which gives a real time countdown timer of the user's death. The app has a worrying success rate.

I've seen a few films where a killer app is used as the thrustt of the horror, none of them has been great in terms of production or acting, what this one lacks in terms of originality, it makes up for with quality. It's very nicely put together, the acting is of a high standard, the scares are good.

There is some real depth to the characters, they have a back story, and they have appeal. Elizabeth Lail is the real star of the show, Peter Facinelli is good, his character is a monster.

Don't expect it to be brilliant, it's not, but it's is good, 6/10.

Great times when a movie completely surprises you by being good. PG 13 horror movies tend to be mediocre but #Countdown was really good. A bit more to the plot than the trailers implied. Witty (snarky) dialogue and a great group of unknowns, with two great veterans dropped into the mix, Tichina Arnold and Peter Facinelli, whom I didn't even know were in the film. As a teen movie, everyone is gorgeous *eye candy* but the twist in the movie gave it more depth than anticipated. Two peripheral characters added an unexpected comic appeal for a "horror" movie. I think the Happy Death Day franchise has spun off a new genre "com-horror" maybe? Anyway, on a regular movie scale this is maybe a 7? but for the PG 13 horror rankings, a solid 9. Great date movie, as there is no nudity, or a movie to see with a group of friends for laughs and jump scares.

This horror film does a surprising amount right, despite the attacks that modern times are not only inflicting on entertainment arts and pop culture. The basic idea (minus the cellphones and apps) could also have originated in the 90s, the jump scares aren't over the top and feel appropriate, the brutality of modern exaggerations gives way to the classic approach of not showing too much, but certainly not too little. The balance that director Justin Dec finds and implements in this film is an increasingly unusual sight. The effects are well done, the supernatural is well staged and the humor relies on lovingly written supporting characters who shine with dialogues that you can hardly find anywhere in films these days.

The actors are all okay to good. Elizabeth Lail in particular plays her role of a rather shy but quite powerful woman very believably. Jordan Calloway is okay, if a bit pale, and Talitha Bateman is at times a little over-the-top in her role. Byrne and Segura show that they have a little more experience in the film business and are small highlights in their very comedic supporting roles. Facinelli also plays his role as a secondary antagonist appropriately, if not particularly multifaceted.

The film might open up one or two secondary storylines, but doesn't let them distract it from its path, instead integrating them for the most part appropriately into the main storyline. This is interesting with its intersection of religious horror and modern technology, which often proves to be quite real horror of its own kind. The quiet narrative style is impressive, the mixture of frightening scenes and a good horror staging, which can be found in quieter moments, the conveyed film feeling, which through cinematography, lighting and scenery seems like a journey through time to better times in film history and the short playing time, the one really good pacing favors such a storyline.

Director Dec's feature film debut comes as a bit of a surprise. Although this is not a film that can be found in the ranks of great films of the genre, it is definitely a nice popcorn cinema that is fun and shows on many levels what so many modern productions lack: passion for the genre, a feeling for atmosphere and the courage not to take yourself too seriously.