Single-Handed

Very good acting from all members of cast. Well above average script. So difficult to leave your mark on this saturated genre but this series manages just that. Has that added bonus of beautiful scenery like Shetland which always leaves you slightly breathless. Would highly recommend a watch to remind you how well these crime series can be made before they become overworked like Vera and become a shadow of their origins. Some of the episodes are comparable to the likes of Wallander or other Nordic classics for the strength of the story telling. This is an undiscovered little gem worth a binge watch. Give it a go, you won't be disappointed.

The Irish, like the Danes, live in a small country which has produced its fair share of theatre, film, and TV drama. This excellent RTE police series is no 'Celtic Twilight' story, but is instead a disturbing exploration of the under-surface of modern Irish society as it extends even to such a remote place as County Galway, beside the Atlantic Ocean. The hero of the series, superbly and quietly played by Owen McDonnell (who was born in Galway and has its soil in his bones), is a young sergeant in the Irish police, who are known as 'the Garda' (a Gaelic name). This review is of the entire 12 episodes produced so far, comprising Seasons One and Two. It is not known if there will be any more, but I hope so. It is a very absorbing series which goes at a gentle pace, revealing intrigues and crimes slowly, rather than at the breathless pace of a Hollywood film which has to squeeze everything into 90 minutes. McDonnell's father had been a senior Garda figure, and in Season One, McDonnell comes face to face with the fact that he had been dishonest and criminal in his job, as most of his colleagues had also been. McDonnell is a thoroughly honourable man struggling to keep his honest nose above sea level in this wholly corrupt place. The series is shot entirely on location and the scenery is remarkable for its bleak beauty, a nearly treeless landscape running down to a shattered sea and endless shimmering water dusted by drifting clouds, with spectacular sunsets. The area is extremely isolated and under-populated. The locals are deeply inbred and introverted, clannish, secretive, suspicious, brutal, and, well, Irish, which means they can also be charming and amusing while they are scheming against you. The wickedest character in the series is a perfect serpent, retired Garda Inspector Dennis Costello, played with sinuous menace and cunning by Sean McGinley. He runs the local pub called Mallons, a den of iniquity, scheming, and plotting. Everyone in the area seems consumed by greed, lust, perversity, or unnatural passions of one kind or another, and none of them are honest apart from stalwart Owen McDonnell, whose character is called Jack Driscoll. If anyone ever wondered how so many murders could possibly be committed in the small town of Oxford in order to justify the INSPECTOR MORSE series, try County Galway for limitless decadence. How can such a desolate place be seething with such much corruption, brutality, and quiet crime? The series is clearly meant to be a reflection upon contemporary Ireland, a country where all the politicians are said to be corrupt, where all the businessmen are said to be corrupt (and I have met some of those!), and where incest, rape, murder, brutality of every kind imaginable, and of course the sexual perversities and crimes of the Catholic clergy, are rampant. It is also a country where greed ran amok and resulted in the economic collapse from which Ireland is still struggling, with doubtful success, to make some kind of recovery. There are some powerful performances by supporting players in this series, especially the sinister and knowing mother of McDonnell, played by Ruth McCabe, who conveys as much by her eyes as many actors do when they scream. She refuses to condemn the immorality of her late husband and thinks her son is a fool for being such a 'good guy', which certainly is a new angle on the cozy mum theme, for she will sit down and have a nice cup of tea while justifying dishonesty and immorality. McDonnell's bewilderment and exasperation at the hypocrisy and dishonesty he finds on all sides never breaks him, but he looks sadder and sadder, and says a great deal when he does not speak, rather like those silent Danes in THE KILLING Part One (see my review). If the Irish can produce a series like this, they have not lost their touch. Let's have more.

At first skeptical of this lower-budget show, I was won over by the sophistication of the story line, peeling away layers of hidden sins and human frailties of the fallible but all too human characters.

This series concentrates on the reality of lives, exploring the undercurrent of motivations and foibles of human nature. If you looking for elaborate chase scenes or gunfights, this is not for you; instead sit back and be prepared to be won over but subtle but provocative treatments of the human condition, all presented with fresh scripts and fascinating characters.

There's only a first review, so I have to add another plaudit.

Reading the cast list, there are a lot of the "usual suspects" from Irish drama. And the location looks pretty, if a shade more marine than the Quiet Man. So you could be forgiven for passing through, and not watching. That would be your mistake.

This goldfish bowl may be geographically and scenically extensive, but it's emotionally claustrophobic. I live in the West, but it's not as intense as this (generally).

The cast is superb, and all the production values are excellent. But the real nod has to go to the scriptwriter (Barry Simner) and screenplay.

This is a dark, twisting, integration of (Sgt.) Jack Driscoll into his idyllic law enforcement posting in Connemara. Don't start thinking rural means isolation from the all the vices of modern urban society. They're all there, and have been for some time. But carefully disguised and hidden. And just when you think you see the next step, a left hook leaves you reeling. And often a hard and tragic revelation.

This is excellent material, and all the more surprising that it's "just" television. Excellent, and highly recommended.

Husband and I were really looking forward to the rerun of Single Handed. We set to tape and only got 2 programmes. What is all that about. Brilliant actors, especially Owen McDonnell (obviously). This guy was so obviously made for the part, as was his mother. It was great. Scenic and well acted, dialogue great, WHERE IS THE REST? We have so few good police based shows on British television, unlike America, and when we get a good one it disappears in a puff of smoke. 55 dgrees North was another basic policeman show. What happens to them? If you can't think of any story lines give me a call, ran an Irish club for 6 years - I'll give you a few.