Solstorm

Leif Lindbolm's film is a chilly Nordic thriller, filmed (with striking cinematography) in the far north of Sweden. A religious cult has taken hold of an insular town near the Arctic Circle; a former member, now a successful lawyer, returns home after the death of a priest, initially to help her sister, but she increasingly finds herself involved in the investigation. The atmosphere is tense and claustrophobic, and although (as with most thrillers) the plot is slightly contrived, a tone of realism pervades throughout. Having just seen the Swedish television adaptation of the 'Wallander' novels, I noticed its star, Krister Hendriksson, in a small role here - but whereas those stories are set in a very normal town in southern Sweden, the isolated nature of life in the far north gives 'Solstorm' a very distinctive feeling. Ultimately, it's hard to care too much about the natives, however, who keep their emotions very much to themselves (although the dead man was an interesting exception). But it's still a superior and haunting tale.

Although I'm not a religious person myself I was very touched by his film. Yes, I am a stranger to the church and Jesus but I really think that the story proves what can happen when you join any kind of sect or closed community. There is both love and hate, weak minds and strong minds, leaders and followers. Very thought-provoking film this one. Especially the way it dealt with delicate matters like for example the way parents deal with their children and how loyalties between friends can get corrupted over time.

And the film music, not to mentions the hymns altogether add an extra dimension to the tight and sweaty drama that is actually taking place in the most northern part of Sweden. A really beautiful and cold place to be. I think the footage really capture this vast and beautiful landscape.

Amen!

This movie may lack somewhat in how it's performed, but it didn't bother me much. The high vote is for its plot, and now I want to read the book after seeing the movie. What the book may not have though, is the beautiful scenery of northern Sweden.

This is a movie about good and bad. If you think good and bad is difficult before you see the movie, you will hopefully think it is even more difficult after seeing it. If you on the other hand believe that things can only be either good or bad, you will probably not like this movie.

The religious stuff in the movie is pretty far out, and very clear on that point, so I don't think "ordinary" religious people will feel offended by its (mostly) negative portrayal.

There's no glamorous international jet setting, no big names or well known locations. The story line is slick, tense and well paced. The setting alone adds the drama without Hollywood special effects or unbelievable court room antics thrown in. It's a gripping tight thriller that will satisfy the moviegoer that appreciates a good storyline without being told what to think. I also enjoyed the cinema photography - it would have been hard to brings this aspect of the film to life when you are dealing with a predominately white subject but it passes muster and adds a real sense of emotion and isolation. Food for thought - the setting in which the story takes place could be anywhere, any town any country - just proving how alike the world can be. A great rainy afternoon film and one that you could watch again.

A beautiful-looking film set in an icy Scandinavian backwater, where most of the men are evil, or weak, and most of the women are good (as in a lot of contemporary Swedish drama.) The lead character (Izabela Scorupco) is a beautiful young tax lawyer, determined to protect her best friend, who's been accused of murder. Scorupco faces the usual steely-eyed religious bigots, and has to untangle familiar murky secrets, but the plot has some good twists, which are parcelled out in a well paced and-structured way. Ms Scorupco is a bit one note, but she's competent. More interesting is the local detective..she's like someone you might meet in a small town, heavily pregnant, and quietly pragmatic. The solution to most of these murder mysteries seems to be always slightly depressing - destruction seems to be the only recourse of those who try to end their own or someone else's misery. You can't make fritatas without breaking eggs, I suppose.