Otis - O Ninfomaníaco

The 2008 edition of the SXSW Film Festival's 'Round Midnight section kicked off with the World Premiere of "Otis," the directorial debut of veteran television executive Tony Krantz. It would be redundant to state that this film is not for the squeamish -- just look at the screening time. That said, Otis is destined to join the ranks of Freddie and Jason among the most gruesome, twisted souls in horror movie history. The titular character is a rotund, middle-aged pervert who never quite matured past his senior year in high school. The pleasure he gets out of abusing the neighborhood's teenage girls has all the makings of classic torture porn. Yet writers Thomas Schnauz and Erik Jendresen have crafted a dark comedy, as impossible as it seems, and Krantz manages to keep "Otis" from straying into farcical territory. "Otis" is ultimately a character-driven piece, as the film's tone is achieved only with a careful balancing of performance styles. At one end are Bostin Christopher (Otis) and his "love interest" Ashley Johnson (Riley Lawson), playing their roles straight and chilling. At the other is Jared Kusnitz, as Riley's brother Reed, whose gallows humor provides many of the film's funniest lines and was clearly an audience favorite (Kusnitz' "Dance of the Dead" also has its World Premiere here this weekend). And smack dab in between the horror and the comedy are the parents, Illeana Douglas and Daniel Stern, who are the fulcrum. Veteran character actor Jere Burns leads a team of hapless FBI agents who throw the occasional farce into the mix. Add in the always on-the-mark Kevin Pollak as Otis' brother for more nervous laughter. "Otis" has an indie feel, with natural lighting and perfectly economical cinematography, relying more on powerful in-camera visuals than post-production effects. The soundtrack is killer (no pun intended) with Otis' high school years replayed over and over to tunes like Blue Oyster Cult's "Don't Fear the Reaper."

The twisted forty year old idiot Otis Broth (Bostin Christopher) delivers pizzas and is a pedophile serial killer. When he abducts a teenager, he calls her Kim and fantasizes that she is his sweetheart and date of the high school prom. After killing his last victim, Otis kidnaps the smart suburban teenager Riley Lawson (Ashley Johnson) and brings her to the basement of his house, hiding the girl from his brother Elmo Broth (Kevin Pollak). Their desperate parents Kate (Illeana Douglas) and Will Lawson (Daniel Stern) have friction with the arrogant and silly FBI Agent Hotchkiss (Jere Burns) that is in charge of the investigation. When Riley escapes from Otis's house and calls her family, Kate convinces Will and their son Reed (Jared Kusnitz) to seek revenge and punish Otis. However, the vigilantes confuse Elmo with Otis in their rampage getting into trouble.

"Otis" is almost a masterpiece of sick dark humor, with magnificent performances of the unknown Bostin Christopher and Illeana Douglas, very well supported by the great cast. The plot makes jokes with dramatic situations and is a sort of parody of the countless movies of torture that have been recently released. Unfortunately the weak open conclusion is not satisfactory and is disappointing. For my surprise, in the Extras of the DVD, there is an excellent alternate ending called "The Birthday Party" and in accordance with the explanation of the director, this would be the original conclusion of this movie. I really did not understand why this brilliant ending was not used. My vote is six.

Note: With the original "The Birthday Party Alternate Ending", my vote would be eight.

Title (Brazil): "Otis, o Ninfomaníaco" ("Otis, the Nymphomaniac")

Otis, released in 2008, is a darkly comedic horror movie that delivers a unique and twisted take on the traditional slasher genre. Directed by Tony Krantz, this movie offers a fresh and unexpected approach to the typical horror movie formula.

At the heart of Otis is a standout performance by Bostin Christopher, who portrays the titular character with a perfect blend of creepiness and dark humor. Christopher's portrayal of Otis, a socially awkward and disturbed man, is both chilling and strangely compelling, making him a memorable and unconventional antagonist.

The movie cleverly subverts audience expectations by infusing elements of black comedy into its horror narrative. The dark humor adds an unexpected layer of depth to the story, creating moments that are as unsettling as they are funny. This unique blend of genres sets Otis apart from other horror movies and keeps viewers engaged throughout.

In addition to its strong performances, Otis features well-executed suspense and tension-building sequences that keep the audience on edge. The movie's pacing is tight, with a series of escalating events culminating in a thrilling and satisfying conclusion.

Overall, Otis is a hidden gem in the horror genre, offering a fresh and twisted take on the slasher movie formula. With its standout performances, dark humor, and effective blend of horror and comedy, this movie is sure to leave a lasting impression on viewers looking for something different in the world of horror movies.

Otis Broth loves pizza, Froot Loops and Kim. And Kim. And Kim. Multiple times now he has tried to make a girl love him by chaining her up in his basement and calling her Kim. His latest victim, Riley Lawson (played by Ashley Johnson, perhaps best remembered from "Growing Pains" or "What Women Want") isn't ready to die like the others. And her family doesn't trust the police, preferring to take matters into their own hands.

I keep seeing the quotation comparing "Otis" to "Juno" and I don't know what to make of that. I really liked "Juno" and I really liked "Otis". But I don't know that they have all that much in common. The tone is completely different, the humor is different, Otis doesn't talk like he lives next door to Pacey Witter or Josephine Potter. I would love to know the reasoning behind this claim, as it seems a bit of a stretch. I see it as a darkly humorous take on other horror films -- but "Juno"? "Otis" has a rocking soundtrack (best of the 1970s), a dark humor that many will not appreciate, and takes on horror motifs of today. Want a girl imprisoned in a basement (like Jack Ketchum's "Girl Next Door")? Want torture ("Saw")? You'll get it, but without all the rape and gore. All of the torture takes place off-screen. Or, at least, almost all of it. Your imagination might leave you feeling grossed out, but the film doesn't cross the boundary. How do you balance rape, torture and humor? I don't know, but the makers of this film came as close as anyone probably ever will.

The actors were great. Bostin Christopher (Otis) couldn't have been cast better. Ashley Johnson (Riley) is both sexy and yet girl-next-doorish, alternating one scene to the next. Daniel Stern (Mr. Lawson) is a welcome addition, although one wonders where all the extra weight and gray hair came from. Are you getting older, Stern? Has Kevin McAllister worn you down? It's understandable.

The special features on the disc are decent. The obligatory audio commentary appears, which I'm always a big fan of. There's an alternate ending (which is even more grim than the standard finish, though not as satisfying). And there's an "Otis Broth Joint" (thanks, Spike Lee) called "Suite 16" that seems ready-made for placing on YouTube as a promotion, but is worth at least one watch (it's short).

Of the horror movies I've seen this year -- and it's quickly approaching 100 -- this ranks in the top three, alongside Ryan Harper's "Circulation" and Ryan Nicholson's "Gutterballs". If you see only one horror film this summer, I suggest "Otis". Warner Brothers and Raw Feed make a compelling case that horror can be fresh and new no matter how stale the genre seems to be getting with each passing day. How this skipped theaters and went straight-to-video is a modern mystery.

Having been reasonably impressed with other Raw Feed films, I was keen to check out 'Otis.' It has a promising, quite original storyline that should make for good entertainment in any horror fan's eyes. But I was rather disappointed.

The acting was good for the most part. Ashley Johnson and Bostin Christopher both nailed their leading roles, and Jere Burns as the left-of-field agent was an awesome injection. Illeana Douglas, on the other hand, er. She stood out amongst the pack as a let down, and even though this is a genre that doesn't get by on its acting merits, I had a problem with her performance.

In terms of soundtrack, I thought the licensed music used throughout was great (ie (Don't Fear) the Reaper), and so too were the few softer, touching pieces. Everything else felt out of place or too dramatic, and in a couple instances, music ruined entire scenes for me (much like Douglas' acting).

I can't rate this movie much above average, and that's coming from somebody who isn't a Horror cynic. Masses complain about modern-day horror flicks being unoriginal or just plain stupid and I never see the value in that. I know there are some bad ones out there, but they do get unfairly bashed on for the most part. So yeah, I'm not anti-slasher or anti-psycho material. 'Otis' just wasn't done right in places, whether that blame be laid down on the script or whatnot. It has its share of bright glimpses, don't get me wrong, but it also has its share of dull, cringe-worthy "you idiot" moments, where I just have to put my fist down.