Canções de Amor

I've been a fan of Louis Garrel ("The Dreamers") and Ludivine Sagnier ("Swimming Pool") for a few years now, so when I heard they were starring in a romance musical, I was really excited. "Les Chansons d'Amour" aka "Love Songs" met, actually exceeded, my expectations. The film is a gorgeous, sometimes poignant and subtly funny look at love and (straight, bisexual, homosexual) relationships in contemporary Paris. Its adorably improvised musical sequences, the beauty of the music and locations, the chemistry of the ensemble cast (Chiara Mastroianni, who looks a lot like her father, the late Marcello Mastroianni, delivers a captivating performance as Sagnier's sister), all add up to the enchanting final result. This is the third film director Christophe Honoré makes with Louis Garrel (after 'Ma Mère' and 'Dans Paris'), and they announced a sequel for 2011. I will definitely check it, but it will be hard to top "Love Songs", since it ended perfectly in my eyes. Whether the sequel will disappoint or not is another story; for now, just enjoy the real gem that these chansons are... "love me less, but love me a long time". 10/10.

Just out of the theatre, I would like to share my impressions about "Les Chansons d'Amour".

This movie is a rare jewel which is even more precious as France is changing so quickly at the moment. It reminds us that, at the end of the day, we are the only ones able to chose our own lives if not death. Actors and actresses are just perfect. Brigitte Rouan and Chiara Mastroiani in particular make you believe in a very vivid way that this French family exists somewhere.

I don't want to say anything about the storyline which is so moving. I began to cry at the first picture in black and white which... but I'd better stop right here.

I'm glad I bought the cd, I'm going to listen to it all evening.

I am so happy that such a movie exists.

Thank you (again) Christophe Honoré.

A perfect blend of playfulness, joy, sexuality and complete and utter tragedy. All of this is weaved in through the story and, more importantly, the songs themselves. The actors expertly portray every moment of it all, pouring their hearts into the songs whether it's a bouncy battle between two lovers with another lover in between or a lonely sister wishing for just one more hour of hope. I don't want to spoil a really big moment that provides all of that tragedy, but something happens relatively early on that floored me. Louis Garrel is an excellent lead and portal into all of these different people, and the supporting cast rounds everything off without missing a beat. The beautiful Ludivine Sagnier, the heartfelt Chiara Mastroianni and one of the most gorgeous women I've ever seen, Clotilde Hesme, are all brilliant. It swept me off my feet practically right off the bat and kept me floating throughout the whole thing. A fantastic movie, one of my favorites of '08 and of all time, for that matter.

In my part of the USA, it is rare to come across a film like this. It makes no attempt to compromise its Parisian point of view for American audiences. This film allows an American audience the chance to get a glimpse from the perspective of the contemporary French young adult. There are plenty of French geographic and political reference to confuse, but they, like the Parisian scenes, just give the film its identity.

Others have provided detailed synopses of the story. I would rather you just take it as it comes and enjoy how different the plot development is. As a matter of fact, watch this film and try to appreciate how different it is from the ordinary American fare…no simple boy meets girl romance here. These beautiful people aren't young, chic urbanites wearing designer clothes they can't afford, living in apartments featured in Architectural Digest. We have three young women (Ludivine Sagnier, Clotilde Hesme, and Chiara Mastroianni) who lack the assistance of a personal shopper or a Beverly Hills stylist, but do not lack beauty or sensuality. Also, as a 59 year old man, I have to mention Brigitte Roüan, who shows how attractive a French grandmother can be. The men are similarly attractive. Louis Garrel demonstrates why he is currently the hottest actor in France. Newcomer Grégoire Leprince-Ringuet is disarmingly charming.

But this is a musical. You will find no potential American Idols here. The actors are not going to dazzle you with vocal gymnastics. The numbers have no clever arrangements or over produced orchestration. You have evocative lyrics set to a score reminiscent of US folk music in the 1960s or more exactly, French coffee houses. One word of caution, the English subtitles are quite misleading at times. My college French is a little rusty, but a review of the French subtitles gave me an appreciation of how descriptive the lyrics are.

Finally, there is no gratuitous violence or nudity, but look for the number Ma Memoire Sale (My Soiled Memory), where Ismael begs to be cleansed of the painful memory of his lost love. Some may be shocked at the scene, but you can't deny the passion and pain that permeates the number.

I have downloaded the soundtrack and ordered the DVD for this is like a good French dish, an experience to linger over.

I'm not sure that even at their most downbeat, Messrs Kretzmer, Boublil & Schönberg could have thought of singing about grey skies raining down thousands of needles - and they were talking about the French Revolution! Anyway, that's the type of lyric written for this quirkily entertaining story that starts with three in a bed. "Ismaël" (Louis Garrel), his girlfriend "Julie" (Ludivine Sagnier) and her friend "Alice" (Clotilde Hesme). That doesn't go so well, indeed life for "Ismaël" generally takes a turn for the worst when tragedy strikes and everyone has to make some practical and emotional adjustments to their lives. As time passes, though, the green shoots of recovery start to emerge - but not where anyone expects them. That's largely down to the enthusiastic "Erwann" (Grégoire Leprince-Ringuet) who takes this complex but amusing look at the nature of human relationships full circle. Most of the musical numbers don't translate so well into English - the scanning and rhymes can sound a bit contrived, but the gist is there as the songs infill the narrative with some quite emotionally charged scenarios played out amidst the scenery of Paris. It can be cheesy at times, but it's essentially a story about the resilience of the human spirit to reboot and find new love where an old one has gone. Garrel is on good form here, some of his facial expressions just have to be seen as his character attempts to muddle through determined not to take the more obvious routes to happiness - despite himself, half the time. It's not deep and meaningful, but there are some salient points to be taken about grief and rejuvenation - and I did like the ending.