Entrega de Risco

Jeffrey Dean Morgan is a specialist in delivering packages without questions in Hany Abu- Assad's, The Courier. The best in this niche industry, Morgan is forced to take on a job to protect those close to him by delivering a package to someone who is supposedly dead. A dark mystery unravels as he gets closer to discovering the truth about his target and himself.

With notable performances on the small screen in Supernatural and Grey's Anatomy as well as a significant contribution in Zack Snyder's, Watchmen, one shouldn't be surprised with Morgan headlining a suspense thriller. Thing is, you wish he had opted out of this feature. Even with recognisable faces, The Courier has that low-budget feel about it and the story never really hooks you. It's a respectable attempt but the plot really doesn't blow your mind away and may instead give you a headache. After a while it begins to get tedious and you decide to follow it to the end only to write a review!

Assad's attempt isn't amateurish but it certainly isn't award winning. Morgan gives a solid performance with what he's got but it's nowhere near enough. The story is, well, blah and this is one to miss.

... you can't be bothered to write a review. This is one of those films.

and now I have to fill out 10 lines of text for the minimum review length. Sometimes I sort of wish I never started doing something, so I guess in a way writing this review is very much like The Courier, essentially pointless and a complete waste of my time and not even getting to the level of 'so bad it's good'. It's actually amazing that I've managed to write this much to be honest, I only finished watching The Courier 10 minutes ago and it's already slipping out of my brain to the extent that I'm not entirely sure what actually happened at the end anymore (the first half has gone already). Normally this would be good as valuable brain space isn't being taken up by The Courier but I expect by the end of the day all memory of this very forgettable film will be erased from my memory which leaves the very real possibility that one day in the future I might see it's title when I'm looking for some rubbish action film to watch and actually waste my time by watching it again with a nagging sense of déjà vu and I won't be sure if it's because I've watched the courier before or that it's just generic rubbish.

So that's 10 lines of text done (in fact more than 10 lines which is a lot more than The Courier deserves) so I'm going to do something more interesting than watching The Courier such as watching paint dry or sitting in a dark empty room.

"Walking out the door doesn't mean it's over." The courier (Morgan) is the best at what he does. If you have a package that needs to be delivered he will ask no questions and get it there on time. When he is approached with a deal, deliver a briefcase and get a million dollars, but if he fails his family will be killed. Realizing he has no choice he accepts. When he finds out the recipient is a feared killer and people he meets are out to get him the job becomes much more then a simple delivery. I know what you thinking...this sounds like the "Transporter" and you couldn't be more wrong. The courier in this movie doesn't drive everywhere, he runs too. He doesn't find a girl in the trunk of a car, he just finds her. He doesn't try and deliver a briefcase to someone but ends up being a target himself....wait...never mind. This is not a 100% copy but it's close. I like Morgan but Statham is really the only one who should do this role. If you liked the "Transporter" then you will probably like this one. The ending did make it a little better and the second half was entertaining but this is pretty much "Transporter 4". Overall, not bad but they should have called it what it is. I give it a B-.

As a fan of 'the transporter', I looked forward to this, because it's 'the courier'...which means basically the same. Only this time, not so much with cars. The movie started out great, getting to know the courier and his type of work, just finishing a job. He is then forced into his next job, which is a bit out of his comfort zone - making an unknown delivery to an unfindable crime lord - played by Mickey Rourke! The premise allowed for so much, I was genuinely excited by now - but I soon got disappointed. As a whole, the delivered briefcase, the job, and the impossible plot made no sense. All the obligatory elements in the movie viewed apart - the sidekicks, the stolen airplane, the torture, the assassins, the bugged apartments, the murders, the arrests, anagrams, and much more... - had a feel of pointlessness and irrelevance to it, as if someone just grabbed some spy story ingredients and threw them together. Our courier stumbles through his unlikely adventure to complete his job and gets, true to the movie, an ironic surprise ending that made no sense. A total let-down.

The Courier is a strange little flick that dabbles in the kind of pulpy narrative which the 80's were famous for. One lone antihero sets out to deliver a package of enigmatic value to a recipient that is always one step ahead of him, proving to be quite elusive. Bad guys and gals hinder him at every turn and violence ensues, leading up to an inevitable confrontation and in this case a neat little twist that admittedly defies any sort of reason, yet is fun for the actors to play out and provides sensationalism, a trait that's commonplace in such films. Jeffrey Dean Morgan is a haggard presence in any role, a guy you immediately feel rooted to in a scene. He gets the lead role here, playing an underground criminal courier, passing along dangerous goods from one cloak and dagger person to another. His latest task comes from his handler (Mark Margolis): Deliver an odd case to a reclusive criminal mastermind known only as Evil Sivle. Little information is given beyond that, but it soon becomes apparent that his mission is a cursed one, as he finds himself a hot target for all kinds of weirdos. German live wire Til Schweiger plays a dirty federal agent who hassles him with that campy charisma and narrow eyed theatricality that only he can bring to the table. Miguel Ferrer and Lilli Taylor are priceless as Mr. & Mrs. Capo, a pair of married contract killers who discuss their dinner plans whilst hunting their quarry, and have devised some truly vile torture methods involving culinary instruments. Yeah, it's that kind of movie, where B movie mavericks are let off the chain and allowed to throw zany stuff into their otherwise pedestrian material that often borders on experimental. Morgan is assisted by a young chick (Josie Ho) who saves his ass more than a couple of times. Mickey Rourke shows up late in the game as Maxwell, a mysterious Elvis impersonator and Vegas gangster who plays a crucial role in Courier's quest. Trust Rourke to take a derivative, underwritten supporting character and turn the few minutes of screen time he has into utter gold that elevates his scene onto a plane which the film as a whole is sheepishly undeserved of. Morgan is better than the flick too, but he's great in anything. He ducks the heroic panache of the action protagonist and dives into growling melancholy, his grizzly bear voice and imposing frame put to excellent use. This one got critically shredded upon release. Yeah it ain't great, but it sure as hell ain't terrible. Worth it for a cast that makes it work, and for that classic genre feel that can't be beat.