Khoya Khoya Chand

Khoya Khoya Chand - Its an attempted journey into the film world of 60s when writing was an important aspect of films and many writers became directors of their movies. The ambiance of the 60's film industry is captured rightly to some extent as its all mostly indoors and vintage cars. But the film does not impress and fails to make an impact. The viewer does not relate to the happenings and cannot feel anything for the characters. The story has its plots pointing towards the life of Guru Dutt & Gulzar. The script till the interval seems like pieces joined together. It only gets its grip after the interval but till then the audiences have lost hopes. Its as if we are watching a well made documentary on how the films were made in the 60s and how the artists related in their personal lives. After seeing the flick one is forced to believe that the casting couch existed in the film industry long time back too and everybody had illegitimate relations around them. Performances wise Soha Lai Khan tries her best which shows from her effort but she look too young and immature to play the role. Her act is satisfactory but she lacks the depth demanded by the script. Shiny Ahuja is impressive but gets loud at some places. The best act comes from Saurabh Shukla as the punjabi producer and he looks superb and very enjoyable. The music is good but doesn't have any memorable song. Only the title song scores the highest among the all.

Overall its an average movie with insights on the Indian Film Making System. But surely much more was expected from Sudhir Mishra who gave us "Hazaron Khwaishen Aisee" & "Is Raat Ki Subah Nahin"

Ratings : 2 Stars (Go for it if you want to take a look how films were made in the 60's)

'khoya khoya chand' prooves the amazing skills of the director sudhir mishra. although the writer sudhir mishra may still need to work a bit.

the movie style is amazing. the story being set up in the early 60s is amazinginly displayed using all details of the era. from wooden badminton rackets to clothing...... each detail has been taken care of.

the art direction and special effects also need an applause.

the first half of the movie has great dialogues and great story. the second half seems to be a bit stretched.

after the awesome movie ' hazaron khwaishien aisi', one expected an 'unexpected ending'. although the end could have been arrived earlier than it did, it was still 'unexpected'.

I am amazed by the realism of this movie. It is very good for its time. I think Sudhir Mishra is an excellent director. I did feel that the story was very well written with good character arcs but I do feel that Shiney's acting was a bit expressionless and the editing was also very wanky. I feel like the transitions were a bit noticeable which is a sign of bad editing. There was also absolutely no colour grading. I also feel that the cinematography was lacking as some shorts were very odd. I felt that the camera was often a little bit off which frustrated me immensely. 6/10. A good time back in time.

An excellent movie... wonderfully directed,with excellent characterization, screenplay... The story of a person as he realizes his naivety and attains maturity through the course of his life is depicted through the character of Zafar, the cinema industry of the fifties being an excellent backdrop. One can see how life is dealt with, differently by different persons as we look at the distinct personalities in Nikhat, Zafar and the superstar Prem Kumar. As we are taken through the movie we get a glimpse of the movie industry in the fifties in the perfectly made settings, giving the impression of an excellent classic in the current times.

Sudhir Mishra's 'Khoya Khoya Chand' is his tribute to the classic Hindifilms of the 1950s-1960s which is considered the golden era of Hindi cinema. It takes at the behind the scenes looks in the lives of actors, writers and filmmakers. It's not a voyeuristic satire of any sort and though one might notice the references from the lives of Guru Dutt, Waheeda Rehman, Dev Anand, Madhubala, Meena Kumari and even Hollywood stars like Dorothy Dandridge and Marilyn Monroe. The characters themselves are not based on any specific person. The title is derived from a famous song (of the same title) from the 50's film 'Kaala Bazaar'.

I liked Mishra's attention to detail both as writer and director. The costumes, props, colourful sets, mannerisms of the actors, choreography, the popular classic songs playing in the background and hummed by the actors, contribute very well. The art direction is just superb. Shantanu Moitra, recreates the whimsical jazz style of the 1950's and the 1960's which add to the atmosphere. Cinematography is solid, especially the long shots.

The characters are very well written. Even the supporting characters have a strong presence with little screen time (of course credit goes to the actors as well). Even though the film moves at a slightly slower pace than one prefers, there are several standout moments such as the exchange of glimpse between Nikhat and Ratanbala when Prem Kumar's engagement is announced. Nikhat catching Zaffar red handed with Ratanbala, the bond between Shyamol and Nikhat after Zafar's departure....and many more.

Soha Ali Khan is a bit inconsistent in the beginning but she embraces the character as the film proceeds. Perhaps a more experienced actress would have been more suitable for the role. Nonetheless, this is her best performance after 'Antarmahal'. Shiny Ahuja is brilliant as the tormented Zafar. Rajat Kapoor is a scene stealer. Ditto Sonia Jehan who is wicked, seductive and vulnerable as the sensual Ratanbala. Vinay Pathak is sublime. Sushmita Mukherjee and Saurabh Shukla provide some comic relief.

'Khoya Khoya Chand' was a visual treat for me and seeing current actors in this period piece made me feel as though I too had moved back in time and was watching a movie sometime in the 1960s. It might not be a film that adhere's to everyone's taste but it is a wonderful film to watch.