No Smoking

One of the best hindi movie John 10/10 Paresh rawal 11/10 Anurag 20/10 Vishal Bhardwaj Music 50/10

I watched this movie once and couldn't resist myself from watching it again only 10 mins later. A black metaphor of life, which poses some serious questions to the thinking mind. Lust, and how far can you go to pursue your lust? What if some supernatural entity is destined to stop you from committing the lust? And what if the darker side of nature forces you to commit it?

Questions answered and many others unanswered.. this is a movie brilliantly crafted; though at times the pace is slackened. And who says its a copy of the Game? The questions this movie asks and forces us to think is totally different from the game. The treatment of this movie is very different, but i am afraid this difference will become too much for the general audience to grasp or to digest.

Kudos to you Anurag Kashyap, for giving hungry people like me ( those who have hunger for watching movies which are a class apart) a classic movie to feast upon, on the risk of losing most of your other customers.

Anurag Kashyap is the wannabe maverick genius of Bollywood. (I say wannabe because the official maverick genius is Ram Gopal Varma :-). His films either do not finish, or do not get released or release years later. After the solid 'Black Friday', it was difficult to ignore his next release and so I went to watch 'No Smoking'.

No Smoking is a puzzle. It is a maze through the uncharted territories in Hindi cinema. Kashyap has donned a David Lynch hat this time. He unpacks a bag of questions on the screen for you which you have to find answers for yourself. And that, he backs up with excellent technical support from all other departments, so that you are not distracted in your search for answers.

I'll be honest. I did not really understand the film but I guess that is the way Kashyap wants it to be. He wants me to unravel the layers of the film as and when I have time. In that process, when I'd have soaked myself thoroughly in 'No Smoking', I'll let it go, not caring to be bothered by it anymore. Just like K (John Abraham's character) does to his cigarette.

a) Is cigarette a metaphor for all the things we lust for which only destroy us at the end? (I'm reminded of the line from 'Pulp Fiction' where Bruce Willis' girl friend tells him how things that are good to touch are not good to look at, referring to a pot belly) b) Is Paresh Rawal's character actually God? Is he the villain because he does not let us pursue our lust and plays by his rules - rules which cannot be bent or broken? c) In the end, does someone always have to really loose his soul and conscience? Can this world no go round if everyone owns his soul till the end?

I don't know if these are the questions that No Smoking asks. But it did force me to think of these.

The film is a technical accomplishment. The camera work, the set designs and graphics are all top notch. Tin cans were stacked up to create amazing visuals (you don't always need Switzerland :-). Music is in tune with the film and Gulzar, as always, has written lyrics that are sign-posts in this maze. Kudos also to Kumar Mangat and Vishal Bharadwaj for having the guts to produce such a film.

John Abraham is good. He always manages to do well in caught-on-all-sides characters. Paresh Rawal shines in his role. It was a relief to see him at some place other than a mindless Priyadarshan muddle.

No Smoking, no doubt, is at par technically with the best in the world but sadly enough, it has very little conventional entertainment value. It may be one of the milestones that Kashyap had to cross in his path to higher glories.

You read thru the comments here, either its in 8-9-10 range or its in 1-2-3 range. Its funny to see the movie invokes such drastic reactions in different people. That itself talks a lot about the cinematic power of this masterclass movie of "A", (Anurag Kashyap).

To some extent, its a director's indulgence. He didn't make the movie for you or me, he made it for himself. It's a movie made for film school. The movie can be a textbook for various film-making subjects. Technically brilliant! A very dark movie indeed, probably first movie of the film-noir kind to be made from Bollywood stable. Anurag Kashyap is a sort of rebel in the industry. I am glad he was able to express himself cinematically through this movie.

Honestly, its really hard to understand the movie. And I didn't quite follow it either. But somehow, I really enjoyed watching it.

Vishal Bharadwaj produced it - who else but another master of dark movies will understand this movie.

Vishaal's music is infectious in the movie. He surprises me with his never-ending creativity. Musically I associated him with Omkara, Maachis type music, mellow, neo-classical, haunting. But his experimentation with Jazz in this movie is truly outstanding. Apart from the songs, the movie SHOULD get recognition for its background score. Deep rooted in jazz, I had to rewind the movie several times to listen to some background jazz scores. What else Vishaal has in store for us??? Its interesting to get a piece of director A's mind through his blog, where he really expresses himself, go to passionforcinema.com to read his blog. If you are anywhere close to film-making, you will love reading his writings.

Anurag Kashyap is a different class of movie director. I am not sure if he can make much money trying to follow his passion, because it is very hard to get accepted with this kinda movies. However, I wish he make a few semi-commercial movies to give him the money to experiment with true gems like No Smoking. Last thing I want him to be branded as a crazy lunatic of the bollywood.

Bravo Mr Kashyap!!

For all those illiterates (the numbers of these great unwashed I do not doubt, it is hardly surprising that the movie bombed) who give it 1-2 stars and talk about preserving sanity, a question: Ever heard of Franz Kafka? I saw this movie just after I had read The Trial and The Castle back-to-back. It is a brilliant tribute to the genius of Kafka: I wonder that is what Anurag Kashyap intended in the first place. The plot follows the same twists and turns that one would have in a Kafka novel, particularly the descent to meet the Baba. It is not just any shady place, it is a passage from The Trial faithfully replicated: when K first approaches his accusers (note the name: another Kafka hallmark). Sheer genius. Both the original writer, and the film-maker.