Einstein and Eddington

While most of the reviews here are spot on, there is always someone who had to take a contrary view based on 'their' grasp of science. NO ONE SAID THIS IS A DOCUMENTARY! It is though a very well made film, with a great cast, a good period piece, and the science is correct enough! Any movie that educates the general public - an IOTA - is doing its job. We should all expand our knowledge of the world around us, it is surprising how many people today know nothing of Einstein and role he played in shaping the 'modern' world. An enjoyable movie that takes some very hard to understand theories and makes them understandable and entertaining.

This is a superb drama, combining a well-presented scientific and historical explication of Albert Einstein's theory of relativity alongside a gripping portrait of the moral dilemmas that scientists have to struggle with as they try to reconcile the demands of country and conscience.

The twin leads –British scientist Arthur Eddington (David Tennant) and Einstein (Andy Serkis) – lead very different lives but face not only similar scientific opposition and derision but also similar pressures to back their country's efforts to win the First World War. Tennant shakes off the Dr Who expectations in pointing up the problems of a gay pacifist Quaker who tries to prove the new-fangled theories of 'enemy' scientist Einstein – a theory especially dangerous because it undermines the ordered view of the universe created by English scientist Isaac Newton. Einstein's complicated private life is compounded by his revulsion at fellow scientists' work in developing poison gas. Both Tennant and Serkis get right into the skin of their characters - two brilliant actors on top form.

The drama brings over very effectively the transition from the comfortable life of the scientists in pre-war Cambridge and Switzerland to the tragedies of war. Jim Broadbent as Sir Oliver Lodge and Donald Sumpter as Max Planck lead the scientific establishments in Cambridge and Berlin as they pervert their scientific beliefs to condone mass killing on a scale never before seen. The main female roles have rather less to do, but Rebecca Hall as Eddington's sister, Lucy Cohu as Einstein's abandoned wife and Jodhi May as his mistress all add an extra warmth to the production and help to avoid the danger of focusing only on clever men using symbols and formulae to bemuse their colleagues (and the audience).

The settings – Cambridge, Berlin and West Africa, where Eddington photographed a total eclipse of the sun to prove the Einstein's theory was right – provide a powerful backdrop to the human drama, making it all the more believable. All in all, a very successful and informative BBC and HBO drama that maintains tension and excitement throughout.

Einstein and Eddington is a very entertaining TV movie: well written, with decent cinematography and above average acting. David Tennant and Andy Serkis give really good performances as the younger Eddington and Einstein respectively and the remainder of the cast are outstanding. That said, I would like to comment on the misconceptions about Eddington's sexual preference and the ongoing debate about that. What sex has to do with the storyline is a mystery. Perhaps the homosexuality hinted at in the movie is there to gain a wider audience. In any event, the movie's intimation about Eddington's sexuality and the subsequent debate needs to be addressed.

Everything I have read or was told about Arthur Stanley Eddington indicates that he was a painfully shy, genteel, devout Quaker and an active pacifist whose sexual preferences are UNKNOWN. To suppose that Eddington, or any other male for that matter, is a homosexual because they never married or died young, is an exercise in jackass fallacy; probably the most stupid deduction I have ever heard proposed. Such logic would also make every woman who never married or died young a lesbian. This is really dumb thinking, folks.

Other posters and commentators have jumped on dialogue from the movie e.g., Eddington saying to his sister: "I really loved him!" as being prima facie evidence that Eddington admitted to his sister that he was a homosexual. First, for a person to declare that they love someone of the same sex, does not presume they are in a homosexual relationship with that person or that they are homosexual lovers. Second, people forget that these words were never said by Eddington himself and that they are actually just words put into an actor's mouth by a writer or a director. The fact is Eddington's sexual preference is UNKNOWN. It was never mentioned, indicated or hinted at by Eddington, his sister, his other family members, his friends or his colleagues at any time before, during or after his death. I don't understand the logic or rationale that because he never mentioned it, confirms he must be a homosexual. If Eddington was a homosexual it would be most unusual for him not to indicate this in his personal papers because homosexuals almost always leave behind some clear indication, or even proof, of their sexual preference. I cannot think of one homosexual who didn't. And Eddington didn't. Claiming Eddington is a homosexual sounds like just a lot of homosexual wishful thinking to me.

Sadly, this inference in the movie and subsequent debate really deters from the terrific story of Eddington's (definitely heterosexual and academic) relationship with Einstein and the problems he encountered trying to prove Einstein's Theory of General Relativity. This movie would have been more dramatic if the makers had pursued Eddington's (and Einstein's) endeavours to find a repeatable scientific method experiment which would prove the Theory of General Relativity supersedes Newton's Theory of Gravity, as well as providing greater detail of the reactions of the German and English scientists and their inter-relationships with Eddington and Einstein. Eddington's battle with the Royal Society was monumental and went on for many years. Details of the science and the scientific debate would have made a more exciting and interesting movie and far more satisfying than having Eddington's character race his bicycle along a road next to a train, with a strange expression on his face, in order to bid farewell to his (undeclared) lover. It's just silly. While the movie clearly hints at Eddington's alleged homosexuality, it glosses over the Einstein's heterosexual aberration in his courting and marrying his first cousin - she was a first cousin his mother's side and a second cousin on his father's side of the family, a double whammy which gives new meaning to Einstein's relativity! Then again, I'm thankful because it really doesn't belong nor does it add to the real story. If the drama of the scientific debate had been followed more vigorously, instead of raising the homosexuality red herring, this movie would have been better for it and far more interesting. People seem to focus more on Eddington's sexual preferences than his (and Einstein's) genius and their scientific breakthroughs and achievements. And that is a tragedy.

Nevertheless, this is a very good movie that I enjoyed very much despite these shortcomings. Enjoy!

Rating: 4/5 stars

There are not too many films which accurately depict the personal lives of historical figures. Try as they may, secret human peculiarities which are more readily acceptable or at least tolerated in our present age, are seen as huge obstacles in years past. Case in point, this film called " Einstein and Eddington " is only now surfacing to the American public and according to this reviewer, has done a masterful job. The story itself centers on two men of Genius who lived at the beginning of the Tweneith century. The first is Arthur Eddington (David Tennant) the British Mathematician and astrophysicist and German scientist Albert Einstein (Andy Serkis, superb characterization). This film captures both the social and a bit of their personal lives before they became known to the world. Einstein is seen searching for answers to his theories concerning gravitational phenomenon and it's relationship to light. Eddington is captivated by the scientific contradictions of the Planet Mercury and Newtons calculations of its orbit. The result is the communication between The Englishman and the Swiss scientist, both of whom shrug off their nationalities in lieu of scientific truth. With Eddington dealing with his personal emotional ties to his secret admiration and love for his dear friend William Marston, (Patrick Kennedy), Einstein, deals with his wife Malava who confronts him with divorce, due to his illicit affairs. Both men are seen in their moments of contentment as well as dealing with their doubts and tragedies. All in all, the movie is a great triumph for both actors and a notable milestone for their accomplishment. Easilly recommended to anyone who would like to peek into the personal lives of two men who shook the world. ****

What an extraordinary experience!

Both Einstein and Eddington wrote numerous books for the general public, and I read most of them when I was young. I was familiar with the famous 1919 astronomical expedition to test Einstein's General Theory of Relativity by measuring the position of Mercury during an eclipse, and even read old newspaper accounts from the archives, including the comments by Alfred North Whitehead. And I have read books on the history of science.

Yet I never knew about the context in which General Relativity was developed, both historical and personal. Now, in light of this program, it seems obvious: General Relativity was published in 1916, during the first World War. The Eddington expedition to measure Mercury occurred in 1919, shortly after the war ended. And yet, when we learn about science we assume that it rises above politics and conflicts like war and national pride, as though existing in another world.

What we see in Einstein and Eddington is that it does not. Politics and national pride played central roles, and it is only through individuals resisting social pressure that it does, actually, rise above transient political bias. Specifically, Britain's national pride was closely tied with Newtonian physics. Germany's national pride could be enhanced by having a scientist of their own overthrow Newton, namely Einstein. But both Eddington -- who, as director of the Cambridge Observatory was viewed as a protector of Newton's law of gravity -- and Einstein believed loyalty to scientific truth transcended national chauvinism.

These principles were put to the test as much as Einstein's theories because of the ongoing war between Britain and Germany. In Eddington we have a Quaker and true pacifist, and in Einstein we have a not terribly devout Jew who also does not believe in war, and wrote pacifist essays later in life. However, to say Einstein did not believe in God is mistaken, just not the anthropomorphic, personal God. This film brings out the curious parallels between the two scientists.

According to the film, it was a letter from Eddington prodding Einstein to use his Theory of Special Relativity to explain the anomalous orbit of Mercury that put Einstein on the road to writing his Theory of General Relativity, published in 1916. An examination of the dates of publication of his works in the intervening years suggests this is probably misleading -- say a literary device, though I am not sure; the chronology of events in the movie are vague. By 1911 he had already calculated that light from a star would be bent by the sun's gravity -- which was proved correct by Eddington's 1919 expedition. At any rate, Eddington should have had several other journal articles by Einstein to read.

This simplification of the story can be forgiven because the film does such a good job of conveying for the layman several concepts of relativity, particularly gravity bending space. An intelligent person should be able to follow this film. But a little more scientific context would have been helpful for novices.

There are many layers to this film, one being the invention of weapons by German scientists, which outrages both Einstein and Eddington's British colleagues. Yet, Einstein's General Relativity laid the foundation for the ultimate weapon.

I'm not sure the film precisely captures the character of the young Einstein, but it comes close. More recent biographies have told about Einstein's relations with women, and that he was sometimes, shall we say, manipulative. So it is good to show him as a human being. He was always a non-conformist, especially in his later years, when he could afford to be. The bit at the end with him going before the press looking disheveled was silly, and the shot of him sticking out his tongue was from many decades later. But chalk it up to literary license.

I was also annoyed by the snide comment about Eddington's irrelevancy at the end of the film. Eddington did solid, respected science and was very famous, the Carl Sagan of his time. It's been a century since the period presented in this film, and few scientists remain household names that long. Eddington was an early astrophysicist and one of the first cosmologists, so he was a pioneer who laid the groundwork for so much that we read about in the press today. It is a fine thing this film brought him back into public view.

It would have been nice if the actors could have pronounced Max Planck's name correctly. And why do the British kill animals on screen so often? It's very disturbing, especially for children.

What really bugged me about Einstein and Eddington was the goofy camera work by Julian Court. I can see hand holding the camera outside while moving, but inside while the actors are sitting at a table talking? If you can't hold a camera steady, put it on a tripod! It sure looked like they were jerking the camera up and down unnecessarily during static scenes, unless the camera had Parkinson's. This is not MTV or youtube; it is not even one of those wacky National Geographic documentaries.

This is an historical science drama, and it should have been treated with the appropriate polish. The jerky camera movement was distracting from the concentration needed to follow the ideas being presented. Aside from that, this docudrama really held my interest throughout. So one point off for the camera work, one point off for killing animals; otherwise, a 10.

Many of the works that Eddington and Einstein wrote for the layman are still worth reading today, and do not require prior science courses. Eddington's honest examination of philosophical questions related to science, particularly between consciousness and the physical universe, are still relevant. Eddington was among the best at explaining science and cosmology to the general public, and I think he would have been delighted by this film.