Nick & Norah: Uma Noite de Amor e Música

Michael Cera reprises a role he does best (a good-natured dork) as high school student Nick O'Leary, the only straight guy in the mostly gay-punk group The Jerk Offs. Nick makes 'closure' CD soundtracks (up to Vol. 12!) for his bitchy ex-girlfriend Tris (Alexis Dziena, another stereotype for most annoying girl ever--originally hated her in Fool's Gold). Nick meets Tris' best friend Norah Silverberg (Kat Dennings), a mysterious, brooding type, when she asks him to play her boyfriend for a few minutes (another old trick in the book).

Just like the characters' purported awkward age, Nick and Norah's Infinite Playlist was painfully awkward in its acting, story and editing. There were a few highlights and seriously funny moments, but they are a sad sprinkling. Ari Graynor's antics as Caroline, Norah's drunk and ditzy friend, seemed genuine but it wasn't established how and why they remain friends. Some of the dialogue is hilarious but you are rewarded by these handouts only if you're patient enough not to sleep through this infinitely long-drawn out teen flick.

Oh, the soundtrack was perfectly ambient but not particularly memorable (which is the saddest part!), however, I thought the escalator kissing scene was really sweet.

For years, teenagers have connected with one another through music and the discovery of new and different bands. Even though technology has allowed music to be more widespread and portable, there is still the thrill of late-night adventures seeking live performances from favourite bands. In Peter Sollett's Nick and Norah's Infinite Playlist, he brings this out on screen in a fun manner that shows you do not necessarily need crude humour or death-defying encounters to make a night out with friends an interesting and worth telling story. Throughout the film, the audience becomes more enriched by the characters and their ideas. Nick and Norah could have easily become a smug "teenagers rule over all" tale like this year's Charlie Bartlett, but is instead is a sweet romance between two individuals that most people can easily relate to.

Nick (Michael Cera) is the guitarist for a queercore band with his two friends Dev and Thom (Rafi Gavron and Aaron Yoo). He is currently grieving over the separation between his former girlfriend Tris (Alexis Dziena), but decides to join his friends for a performance out in New York City. In an act of desperation, he encounters Norah (Kat Dennings), who asks Nick to be his boyfriend for five minutes. After her drunken friend Caroline (Ari Graynor) runs off into the city, Nick and Norah along with his friends scour the city in search of her. Meanwhile, Tris is decides to go after Nick to find out if it truly is over between them.

One of the key successes of this film lies with the ensemble cast of talented young actors. Adults are barely featured in this film, as the teenage characters are given the overall spotlight here and Peter Sollett has hired some very good actors to play these parts. Michael Cera is still playing the awkward individual he has been doing since Arrested Development, but he still grows into the part well, as his character is not quite as nervous as previous roles. He proves to be likable and relatable in the part and his chemistry with the other actors comes off very well. Kat Dennings surpasses him, though, giving Norah a sarcastic wit and coming off as very easy to relate to. The way Nick and Norah progress throughout the film is handled very well by Cera and Dennings. Ari Graynor deserves some acclaim for her wacky, but still nuanced performance as Caroline. She is given the bulk of "stunts" in this film, particularly when sharing the screen with a piece of gum that ends up becoming a separate character by itself. Aaron Yoo, Rafi Gavron and Jonathan B Wright allow their best friend roles to become more than just simple stereotypes as they prove just as likable as the leads. Jay Baruchel also does a fine job in a small role that is definitely very far from the meek actor he played in last summer's Tropic Thunder.

Credit should also go to first-time screenwriter Lorene Scafaria, adapting the original source material by Rachel Cohn and David Levithan. She writes a funny and intelligent script with well-developed characters who evolve effectively and realistically as the film goes on. She also does not go the Adventures in Babysitting route by showing New York after hours as a grungy underworld, instead opting for a more light-weight approach to the material. She understands the independent musical scene of the Big Apple and she portrays it effectively throughout the course of the film. Director Peter Sollett and Cinematographer Tom Richmond also do well in lighting the city and allowing it to breathe. Even though the large majority of Nick and Norah takes place at night, there is still plenty of light that shines through, particularly in showing the vast culture. Legendary locations like the New Jersey Turnpike, Times Square and Pennsylvania Station also make appearances to give the film an even more New York feel.

Nick and Norah's Infinite Playlist simply wants to be a fun, breezy ride through New York's music scene and the audience is happy to go along with it. The characters are easy to relate to, the writing is intelligent and the direction is solid. Though there have been plenty of "one night in the city" films, Nick and Norah's Infinite Playlist manages to stay fresh and original and unique through its running time. Overall, this is definitely one to watch at the evening showing with the buddies.

On one particular night in New York City, an elusive band by the name of Where's Fluffy? have announced a secret concert. The word spreads through the city's underground punk scene faster than it can go out of style and before long, it reaches Nick and Norah. Nick and Norah don't know each other when this news reaches their ears but before the end of the night, they will each find something infinitely more important than Fluffy. NICK AND NORAH'S INFINITE PLAYLIST is a contemporary romantic comedy that sets itself in an entirely unconventional place and time (can you think of another way to describe a straight romance in the queer punk underground?), but presents itself in a sometimes far too conventional fashion. While it can at times be too cool for school, it is the roughness around its edges that give it an unexpected and genuine warmth. Like any finely balanced playlist, it works its way into your head and your soul.

Nick (Michael Cera) has been down as of late. It seems his fragile heart has been trampled by Tris (Alexis Dziena), a girl so clearly wrong for him but whose physical beauty is apparently capable of diverting people from noticing her lack of a soul. Norah (Kat Dennings) has some trust issues as she naturally assumes that any man interested in her is likely more interested in her connections (her dad is an enormously successful record executive). As a result, both Nick and Norah have withdrawn – not externally as they both still function amongst the other humans but they do so at arm's length. Like sleeping beauties though, they are both awoken from their waking comas by a shared impromptu kiss. Suddenly, worlds they never knew existed have become possibilities and an ordinary evening becomes an adventure. While the twists the evening takes are at times unrealistic, they do give the night and the film a sense of spontaneity that makes the viewer believe that anything can happen.

Peter Sollett is a delicate director. His first feature, RAISING VISTOR VARGAS, in which a group of Hispanic youths in New York's lower east side figure out how to stop playing and how to be themselves instead, was a singular revelation. He created a strong sense of hesitation in face of the unknown and a desire to be something more. He has an ease with creating simple, real spaces that foster intimacy and humble his characters and Nick and Norah are no exception to his treatment. Outside of these two though, the remaining ensemble are little more than comic relief and functional plot progression pieces. They can come across as occasionally transparent and one-dimensional but thankfully never enough to distract from the delightful romance budding at the center of all the chaos. Cera proves his versatility once again by showing that there are hundreds of facets to being an awkward teenager, that awkwardness does not define you but is rather just how who you are can come across. Dennings is his perfect counterpoint; she is sharp and strong, a worthy adversary, but frightened underneath it all, an ideal match. The two are so strongly suited that they transform the sometimes too facile script into something much more mature and meaningful.

NICK AND NORAH'S INFINITE PLAYLIST made me want to fall in love. It also made me laugh and swoon, delight in the magic of music and believe in the transformative properties of one crazy night. It made me long to be in New York City. It made me wish that I was that young again and that believing in possibilities was that easy to do. It may not be perfect but it is almost better that way, more real. There is something so genuine at the heart of this film that makes it almost impossible not to want for Nick and Norah to realize their potential – a potential that is just as infinite as the playlist they are about to create together.

In New Jersey, the straight high school student Nick (Michael Cera) plays guitar in the gay band Jerk Offs with his gay friends Thom (Aaron Yoo) and Dev (Rafi Gavron). Nick misses his sweetheart, the bitch Tris (Alexis Dziena) that despises the CDs he gives to her. The teenager Norah (Kat Dennings) that studies in the Sacred Heart school with her best friend Caroline (Ari Graynor) and Tris, has never had a boyfriend and does not know Nick but loves his musical taste, and collects the CDs that Tris throws in the garbage.

In the weekend, Norah and Caroline hang around to see the concert of the Where's Fluffy band and they meet Tris dating Gary (Zachary Booth). Meanwhile, Nick drives his old Yugo to meet Thom, Dev and his boyfriend Lethario (Jonathan B. Wright) and play in the same club where Norah, Caroline and Tris are. Tris gibes the lonely Norah and she asks Nick to be her boyfriend for five minutes without knowing that he was the ex to Tris.

When the alcoholic Caroline is completely wasted, Thom and Dev offer to take her back home and ask Norah to date the brokenhearted Nick. Along the night, they learn that they are soul mates.

"Nick and Norah's Infinite Playlist" is a typical teen romance for teens. However, it is possible to an older guy like me enjoy this forgettable film. It is just necessary to remember that one day you were a teenager and you may enjoy this teen romance. The characters are very charismatic and it is only hard to believe that a pretty and cool girl like Kat Dennings does not have a boyfriend. My vote is six.

Title (Brazil): "Nick & Norah - Uma Noite de Amor e Música" ("Nick & Norah – A Night of Love and Song")

In this age of super-broad comedies and sexed-up teen films, there comes Nick and Norah's Infinite Playlist. It's all-too-easy to groan at the thought of sitting down to a high school film these days, yet 'Nick & Norah' attempts to make you rethink that. It tries to achieve that so rare of an achievement; it tries to make a genuine and honest teen comedy.

It succeeds.

Michael Cera, that king of adorable dorkiness, stars as Nick, the sole straight member of a queer-rock band. Kat Dennings plays Norah, a rocking rich chick who is just as unattracted to teenage pettiness as the rest of us are. These two meet through a random encounter and together set out to try and find the secret show of the aptly titled rock band Where's Fluffy? They cruise the town like grown adults, yet underneath both are incredibly naive. They argue, fight, flirt, and, yes, fall in love; what makes the film great is how mature and honest a relationship they create. We know from the beginning that it is the destiny of Nick and Norah to get together, yet when they do it is nothing short of soulful. With a wonderfully witty script along for the ride, it's apparent that this is much more than your average teenage comedy. 7/10 stars!

Jay Addison