As Crônicas de Nárnia: A Viagem do Peregrino da Alvorada
Quando Lúcia e Edmundo Pevensie, acompanhados por seu primo Eustáquio, são transportados para Nárnia, eles se juntam ao Rei Caspian a bordo do navio O Peregrino da Alvorada e partem em uma m... Ler tudoQuando Lúcia e Edmundo Pevensie, acompanhados por seu primo Eustáquio, são transportados para Nárnia, eles se juntam ao Rei Caspian a bordo do navio O Peregrino da Alvorada e partem em uma missão que decidirá o destino da própria Nárnia.Quando Lúcia e Edmundo Pevensie, acompanhados por seu primo Eustáquio, são transportados para Nárnia, eles se juntam ao Rei Caspian a bordo do navio O Peregrino da Alvorada e partem em uma missão que decidirá o destino da própria Nárnia.
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- 2 vitórias e 19 indicações no total
Avaliações em destaque
In this film, Edmund and Lucy Pevensie are currently taking shelter in a home owned by their uncle. But, through the magic of a mysterious painting, they're suddenly brought back into Narnia, and brought aboard the Dawn Treader, the strongest ship of the Narnia armada, but they also bring along their cousin, Eustace. With the help of Caspian, they seek seven legendary swords that can destroy a mysterious new enemy, a deadly green mist.
The film makes good use of its cast, and their performances are fine, and do their best to carry the film. Just like the first two films, Dawn Treader is handsomely produced, boasting impressive production design, costumes, makeup, sound design, and special effects, and some great battle sequences, such as a daring escape from slave traders, and a nail biting final battle with ferocious sea serpents.
But you know what? Those things can't save the film from it's pretty big faults. Most of the magic that seemed to make the first film, and to a lesser extent the second film, so special seems to have been lost through the film's unfocused narrative. This time around the magic feels kind of generic. I also found the editing by Rick Shaine to be inconsistent, as the pace of the film tends to hop infrequently between slow and developmental, to fast and offbeat.
As for David Arnold's score, not only was it a big no no to fire Harry Gregson-Williams, but his score also gets a little derivative at times. I couldn't help but be reminded of Pirates of the Caribbean and Edward Scissorhands at points. There's also a somewhat distracting end credits country tune performed by Carrie Underwood, which by itself is quite lovely, but in the context of the film, feels out of place to the fantasy of Narnia.
It really does seem like the series has gotten worse with each new film. Either the film makers need to get their acts together (And hire a new editor), or they need to hand it to more capable hands.
I give Voyage of the Dawn Treader ** out of ****
The movie begins with the Pevensies being transported to Narnia "least when they expected". This time, they have their cousin Eustace with them who takes some time to accepting the Narnian world filled with talking creatures and other such wonders. He reacts similar to how the Pevensies did when they first saw Narnia, only he's more scared than surprised. Since they've landed in Narnia unexpectedly, there has to be a reason for it. And there is, and a supposedly good one - one which will not only test their battling skills what with dragons, serpents and storms on the way, but also bring them face to face with their inner demons and fears.
As far as the similarity of the movie's plot with the book goes, I frankly admit to having no idea regarding that. I've viewed the movie as a movie, as a sequel to the first two and as such, won't be able to comment on how well the movie follows the plot of the book. On the surface of it however, the plot is fairly basic but filled with too many characters to confuse someone who isn't familiar with the books. All the cast members perform well though the star of the show has to be Reepicheep the mouse - he is so endearing that you'd often find yourself rooting for him. And then again there's Aslan the Lion who, in my opinion, is the best (CGI) wonder ever created in the Narnian movie universe. His mere presence in a frame makes it stand out. He appears responsible, wise, calm and like a father figure to the Pevensies and others - the character is so greatly conceived that his mere sight makes you respect him. He truly has the aura of a king and rightfully deserves to be one. And Liam Neeson does a fabulous job of voicing him as do the animators on making him appear life-like. And when the soft and soothing background score plays in the background during his presence, you're bound to feel a lump in your throat. You'll definitely hear a child scream "Aslan" in the movie theater when he first arrives.
Visually, the film is simply outstanding. Such is the richness of the effects that it makes me wonder how on earth can the film be made on a budget of "just" $140 million. I mean, the amount of visual effects present in the film and the quality of each shot is simply brilliant - from the dragon to the serpent to the wide shots of The Dawn Treader to the Islands to the waves to Reepicheep the mouse and finally, the great Aslan. Lighting, it seems has improved to the point that it is difficult to tell what is CGI and what is real. The main musical themes have been recycled from the past films which is a great thing since those themes were simply heart touching, especially Aslan's. The set design is also good although as mentioned, it is hard to distinguish between real and digital sets.
Like many movies with excessive VFX, the movie tends to give a slightly more focus to the effects (maybe because it is a children centric film). Although made for children, adults shouldn't find this a reason to stay away from the movie. The movie might tend to get a bit boring at times. And the biggest drawback of the movie is the 3-D which, quite simply, is as good as not there. By all means, you'd be better saving some bucks and watching the movie in 2-D; it might as well also save you a headache. As a matter of fact, the commercial shown during my movie screening had better 3-D that that found in this movie. Despite its drawbacks, it is a good movie and can make for a good viewing with / without family. If not for anything else, I recommend it, For Aslan !!!
Score: 6.5 / 10
A brief history, for those who aren't familiar with the series. Narnia is a mystical kingdom in a magical world that can only be reached when it is of the greatest need. It is watched over by Aslan the Lion, who comes and goes as he pleases but always chooses champions who can protect Narnia in the face of evil. In the first movie, two brothers and two sisters from our world are brought to Narnia to overthrow a terrifying Witch-Queen. In the second, they help a young prince named Caspian ascend to the throne that his uncle had usurped. While only adolescents in our world, in Narnia these four young men and women had become great heroes, kings and queens of legend.
In this movie, the youngest two, Edmund and Lucy, travel to Narnia to find there is (apparently) no great need for their help. No wars are currently being fought, and King Caspian is now sailing on his ship, the Dawn Treader, to find seven Lords of Narnia whom his uncle had banished years earlier. Accompanying Edmund and Lucy, unwilling, is their cousin Eustace Scrubb, a thoroughly unpleasant boy who had never even read books about magical lands, let alone believed in them. His only delight in life seemed to be annoying others. Naturally, his attitude won him little friendship or sympathy when he found himself dragged along on a magical voyage in a land he'd teased his cousins for "inventing".
The ship's company sails to the east, following the last known course of the seven Lords. Along their way, they battle slave traders, encounter an island full of invisible creatures and buildings, and deal with all sorts of fantastical creatures and enchantments. They find themselves tempted by their greatest desires and threatened by their worst fears, even as they strive to discover the fate of the missing Lords.
The most valiant of the sailors is the brave Sir Reepicheep, a Mouse granted the gift of speech (and a new tail when his old was lost) by Aslan himself. Never one to back away from a fight, Reepicheep has a different motivation for embarking on this journey. As a young Mouse, he was told that he would some day travel to Aslan's Country in person. Delighted to see King Edmund and Queen Lucy once more, he finds it particularly difficult to tolerate Eustace. Reepicheep comments that, if Eustace hadn't been related to them by blood, he might have drawn his sword on the lad more than once (and from a Mouse who has faced dragons, it is no idle threat). Eventually, though, as Eustace is forced to face the reality of life in this strange and dangerous world, the noble Mouse becomes something of a guide to him, and even, oddly enough, a comfort from time to time.
There's certainly enough adventure and danger to create an epic, and the emotional and personal trials that each character faces make for interesting moral and dramatic scenes. However, the main difference between the book and the movie is the nature of the voyage on which the crew of the Dawn Treader embarks. In the movie, more than simply finding the lost Lords, the crew is told by a magician that they must bring the swords of each Lord to Aslan's Table and lay them upon it. Doing so would mean the end to a terrible curse that plagues the isles of the east and threatens to spread to the shores of Narnia in time.
Finding the seven swords grounds the movie more firmly in the epic fantasy genre, but it hardly seems necessary. Adding this element to the quest actually changed the dynamic of it. Certainly, it sharpened the focus of the dangers they faced, making the encounters with spirits and sea serpents seem less random; but it also called for changing the order of certain events, such as the order in which they visited the various islands. Also, it takes the focus off the characters themselves, even as the movie tries to bring their personal battles to the forefront, at times.
These aren't major departures from the book. The same issues are addressed, and the storyline is very similar. In the end, not much was changed, especially not the messages delivered by the Great Lion. That's the important part. The books, written over half a century ago, endure in large part because of the author, C.S. Lewis, and the lessons he hoped to teach through his characters. Like the fables of old, The Chronicles of Narnia have their share of talking animals, but that's just window dressing. What's important is what you can learn from the story itself.
(Originally appeared at http://fourthdayuniverse.com/reports/ )
The film felt like they took the original story, chopped it up, then threw it in a blender with seven magical swords and some ridiculous green mist!
While the film stayed true to main themes of the story, much of the character development and purpose to each of the minor island stories was lost. Unfortunately this meant that most of the magic of the story was lost as well.
I gave the film 6 stars due to the redeeming qualities that were the stunning visuals, some excellent acting (notably by Will Poulter as Eustace), and a beautifully executed final scene.
If you haven't read the book, then you may enjoy this film immensely, but if you are a true Narnia fan, don't go in with very high expectations.
The movie doesn't really make much sense. This really bothered me since I read the books, and I was expecting something along certain lines, but the movie doesn't really follow it. The acting really wasn't all that good which was really distracting, and the dialog wasn't all that better. None of the characters except for possibly Reepacheep, and maybe Eustace when he was a dragon, were likable.
For some reason when reading reviews I keep on reading silly comments about how this movie had good visuals. This confused me greatly, because when you see the green mist for the first time it looks awful. I mean really bad. Actually the green mist looked bad in every scene. Why did it look bad? It's mainly because it wasn't integrated well into the scenes. You could tell the mist was put in badly, so when someone looks at the mist floating overhead it looks like the mist isn't even on the same plane. Since the mist was a big part of the movie, seeing it constantly really ruined it for me. The dragon was cool at some scenes, but in others didn't look too good. Now the serpent was pretty cool, but it seemed a bit cartoony, along with the dragon. That was my biggest issue is that both of the monsters in this movie look cartoony, and really bright. Now the water effects in this movie are real good, especially near the end, and when the serpent is splashing.
Probably the biggest issue in this movie was the camera. Let me tell you I have never seen camera work this bad. The scenes flowed horribly, and the camera angles were all boring. There were no dynamic camera angles, and emotional shots except for maybe one which was near the end. The camera was also really shaky. I was kind of wondering why they didn't try getting a crane, or something for moving shots. But in all of the moving shots it is someone holding the camera, and when the person holding the camera moves the camera starts rocking back and forth. This was unbearable during conversations, or sword fighting sequences.
The scenery was also a bit stale in this movie, especially in the city on the desert island place. It just seems like this movie could have no vegetation which really got old fast. The sets seemed boring, and just ordinary. Only (again) near the end did the sets get a little bit more interesting like on the ancient forest island.
IF there is one thing everyone can agree on, it's that the slave catchers battle was incredibly bad, and put together horribly. None of the people in the battle look like they are taking it seriously, and there is almost no threat. The slave capturers just run around, it doesn't seem really intense. The sword combat is pretty lousy, and their moves seem slow. So bad combat scene+bad camera really makes this scene even worse.
Now the movie didn't really explain the plot really well, so it wasn't until about the last 20 minutes of the movie did it make some sense. Still it seemed like the plot was thrown in. Why not just keep the plot of the original? I guess it wasn't good enough. Either way the movie did get much better in the last 20 minutes as well. The combat improved with a goofy looking serpent, in a well done dark mist realm that was not green mist. Though since the dark realm did have green mist in it, it started forming green figures that looks quite off. The movie does get better at the end when talking with Aslan and the nice water effects.
All in all the movie was a real let-down. This movie has almost no artistic perspective with camera shots, so the movie is overall boring to look at. The effects are good when they need to be, but they are generally bad. I feel like this is evidence that WETA must make all action movies' effects which they already do. The plot was changed, and this left the movie quite confusing. I really feel bad for having to review this movie with a low rating, but trust me, if it weren't for the final last 20 minutes, this would've been a 4/10 and I'm still arguing with myself if I should change it to that.
Você sabia?
- CuriosidadesThe drawings of the characters during the end credits are the exact drawings that appeared in the book. This is a tribute to Pauline Baynes, the series' illustrator, who passed away on August 2, 2008, at 85.
- Erros de gravaçãoIn As Crônicas de Nárnia: Príncipe Caspian (2008), Caspian (Ben Barnes) spoke with a pronounced Spanish accent, as did the other Telmarines. In this film, Caspian now speaks with an English accent. This is done purposefully by the filmmakers, who no longer needed to match Caspian's accent to the other Telmarines, so they chose to use the actor's more realistic natural British accent. People's accents change over time in real life as well.
- Citações
Lucy Pevensie: Will you come and visit us in our world?
Aslan: I shall be watching you always.
Lucy Pevensie: How?
Aslan: In your world, I have another name. You must learn to know me by it. That was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.
- Versões alternativasGerman theatrical version was cut by 76 seconds (primarily the end fight) to secure a "Not under 6" rating. This version was also released on DVD and 2D Blu-ray. However, the 3D Blu-ray release contains the uncut version - in 3D AND 2D.
- Trilhas sonorasLangham Place (Elegie) [London Again (Suite)]
Written by Eric Coates
Performed by New Symphony Orchestra, Eric Coates Conductor
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
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- As Crônicas de Nárnia: Viagem do Peregrino da Alvorada
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 155.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 104.386.950
- Fim de semana de estreia nos EUA e Canadá
- US$ 24.005.069
- 12 de dez. de 2010
- Faturamento bruto mundial
- US$ 415.686.217
- Tempo de duração1 hora 53 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1