Ironiya sudby. Prodolzhenie

Before watching the film we have read the reviews: this is a continuation of the Irony of Fate 1, but a bad one; no, this is a good continuation; still different, this film should not be considered as a continuation. There is an 'objection' that a hero drives a certain car; was he supposed to change cars every 20 minutes to give "equal rights" to different car manufacturers ? There is another 'objection' that the heroes behave as they did in Part 1; should nice people now become nasty and vice versa ? There is a still different 'objection' to lights in the city and fireworks on New Year's Eve. Rarely one sees such a diversity of views, many mutually contradictory and some outlandish.

Now that we have seen Part 2, I can comment on it: on people, devices, locations and situations.

There are actors known before from Part 1: Barbara Brylska as Nadya; Andrei Myagkov as Zhenya; Yuriy Yakovlev as Ippolit; Aleksandr Shirvindt as Pasha (mostly Pavlik in Part 1); Aleksandr Belyavskiy as Sasha; as well as Valentina Talyzina as Valya. It was so good to see them again ! Now we also have Elizaveta Boyarskaya as Nadya Number 2, the daughter of the original Nadya; Konstantin Khabenskiy as Kostya Lukashin son of Zhenya; Sergey Bezrukov as Irakliy (note a carefully chosen name, similar to Ippolit). There are naturally more new faces, including Igor Savochkin as Kolya the Border Guard; he makes his unique contributions – largely because most of the time he is as confused as a hungry baby in a topless bar. While Nadya Number 1 now wears large glasses, her smile is the same as before. While Zhenya now has less hair, his smile is also the same as before.

As for devices, frequent use of cell phones makes this means of communication look nearly ridiculous. An original comic approach, while in more and more locations around the world there are limitations on the use of cell phones, including driving.

Obviously Apartment # 12 in House # 25 on the Third Constructors Street plays its role again, as does the elevator there. We also see again the train station from which trains go to Moscow as well as two airports. This helps the impression of continuity – as does music repeated from the first film (except for the song at the end which is new).

The situations are sometimes similar as before, but with interesting twists. It is not easy now to send Zhenya to St. Petersburg; this becomes a clever two parts operation executed by Sasha and Pasha. Zhenya starts to figure things out when Pasha phones to reserve "another" plane ticket. There are also new situations – well connected to Part 1. Nadya Number 2 is asked by Grandfather Frost to play his Snow Girl. She gets instant advice not to agree. However, in a wonderful twist of action, Nadya says: when I was five years old, I had to do things I hated; when I was 10 years old, it was the same; enough is enough; I agree. When one knows that Ippolit is her father and one knows his character from Part 1, the fact that he has been a despotic father is anything but surprising. Thus, events in Part 2 are admirably rooted in Part 1.

One sympathizes so much with Kostya - who can hardly get a moment alone with younger Nadya. One admires his ingenuity in creating opportunities to talk to Nadya. When Grandfather Frost walks into Nadya's apartment, one wishes that inside the costume covering largely the face should be Kostya. One hears later an explanation of the original Snow Girl: he agreed to take over and complete the Grandfather Frost route but on the condition that he will have his own Snow Girl. Incidentally, I recently learned something about Grandfather Frost: Santa Claus was strictly forbidden for a number of years in the Soviet Union – until Stalin found the tradition too strong and allowed him but renamed Grandfather Frost and wearing blue instead of red. The vote of five children on who should marry the Princess is new and fresh - in spite of centuries of fairy tales.

We have seen recently a US movie called "Fast Five", with virtually nothing left to imagination and much noise most of the time. Here both Part 1 and Part 2 have two levels; the amusing or moving surface level, but also a deeper level where the viewer has much food for thought. This is one more common feature of both films. Timur Bekmambetov as the director, Emil Braginskiy as the story writer – together with Eldar Ryazanov himself – have much to be proud of. One needs to say this: the richness of Part 1 has much helped the creators of Part 2 to make such a good film.

Let me provide at least an example of two levels in this film. Kostya asks: "are we in Moscow or in St. Petersburg ?". Younger Nadya provides a charming – but also a profound – response: Does it matter ?".

A one-joke 3 hour marathon of boring agony which would have made a worthy 20-30-minute film. Utter travesty that just gets stupider & more braindead as it goes. The last 2 hours were unbearable. Only the English subtitles kept me from zooming through the entire thing. If this is the best of Soviet cinema--myyyyy looooord--no wonder the system collapsed. They had no sense of humor.

I'm not one who cares for cold showers or jumping into icy water in the dead of winter which some think is good for one's health, but I would have preferred that to the torture of watching this idiocy. Many other types of torture also come to mind as preferably to this din of mental nothingness.

The movie is not really fun to watch, because originally the movie was really good it had a meaning, this movie? Its like someone just copy pasted the whole thing and just added some new charecters. The soviet times was really good for movies, they made sense had diffrent endings, but nowadays there is just some guy that messes up, something bad happens then they save the day, and thats it. I mean all the movies nowadays arent that bad, its just that people have to stop making sequels of good movies like these. They are originals!!!!!

My wife and I used to watch the original every new year but gave up a couple of years ago. Watching of film evry new year became a tradition in Russia many years ago as it put people in the party mood because of it's New Year's storyline and romance factor.

We found the sequel recently and have just finished watching it (again) and have to say this is absolutely brilliant. We lent it to some friends a few weeks ago and they enjoyed it so much that they went and bought their own copy which even their friends have borrowed. It's great fun, great laughs and great irony. We consider it deservedly gets a 10/10 in our family's books.

Personally, I thought that this movie will be а usual fake оf the first part. Thanks god that I was wrong! The second part has fanny dialogs, nice songs, good actors, New Year's magic and happy ending – all that what we liked so much in the firs part. I very much enjoyed the plot; It is closely connected with the first movie but is interesting and surprising. The atmosphere in the cinema during the film was fantastic – the move helped people to feel the beginning of the celebration.

I should recognize, that the film is close only to the Soviet spectator. Most people, not knowing Russian traditions simply will not understand details which are so important. The idea, the characters - all this strongly influences those to whom the concept of wide soul is close. Acting is great...the main hero is a real «nice very nice gay», which you will like and a girl in the movie is gorgeous!!! The film is worth seen: it will make you laugh at the beginning and cry at the end. Only one thing is not liked by me – it is the mixture of styles in camera work. Also advertising in the movie is too obvious and annoys.

Concerning everything, it is a great present for New Year!