Em um mundo futurista onde os humanos vivem isolados e interagem através de robôs substitutos, um policial deixa sua casa pela primeira vez em anos para investigar os assassinatos de substit... Ler tudoEm um mundo futurista onde os humanos vivem isolados e interagem através de robôs substitutos, um policial deixa sua casa pela primeira vez em anos para investigar os assassinatos de substitutos de outras pessoas.Em um mundo futurista onde os humanos vivem isolados e interagem através de robôs substitutos, um policial deixa sua casa pela primeira vez em anos para investigar os assassinatos de substitutos de outras pessoas.
- Direção
- Roteiristas
- Artistas
- Victim
- (as Danny Smith)
Avaliações em destaque
Having accepted the implausible environment, i.e., a world where 98% of humankind stay at home with their minds plugged into their surrogate robots that they live their life through, the rest of the plot is pretty damn riveting. The mood of the film is more akin to Minority Report and certainly feels like a Philip K Dick narrative. The future depiction is not overly futuristic in technology other than the Surrogates themselves so don't expect a big budget effects ridden movie. Having said that, the Surrogates robotic power makes for a couple of excellent action scenes comparable with the Will Smith vehicle "I, Robot".
But as usual, it is the awesome Bruce Willis who carries the movie both as surrogate (a disturbingly young look with a frightening wig!) and in human form. Thank god he carries it though because there are hardly any significant supporting characters in the story as it focuses on him most of the time as he investigates a rise in rare human murders. There is just something re-assuring about watching him on screen, regardless of the film quality. Going into the 4th decade since Die Hard, he is still in my view a bona-fide movie star.
I said there were flaws in the whole concept. Well, I find it impossible to even speculate the possibility that 98% of humankind will love sitting at home plugging their minds into a surrogate robot that they can live their lives through and let their natural bodies wither away with no exercise or self esteem. It seems they prefer to have sex as robots, and flirt with young women surrogates who may be controlled by an old man or...well you get the gist. The appeal is supposed to be a 99% reduction in crime rate where accidents or crimes against a surrogate does not affect the human host. That concept is too flawed even for science fiction. What is stopping a surrogate from burgling a house killing its human owner for example? I don't knock the concept of surrogates itself, its an excellent one but I don't buy the social environment.
All in all this was a very very decent entry in the intelligent Sci-Fi movie library. Despite my gripes I enjoyed it and I expect most Sci-Fi lovers will too.
On the effects of a remote life, thanks to the interwebs and Uber.
And a surprisingly contemporary ending, with people in their dressing gowns coming out in the streets -- is this what the end of the Covid confinement will look like?
Ps-yes, Bruce Willis is scary with that wig. Get over it. In 10 years we won't even have actors.
I see some complaining about the wooden performances throughout the film, ignoring the fact that this is the point. The surrogates emote very little, and are uncanny to us, who rely so much on non-verbal language to understand our interactions. The moments where actual humans are allowed to emote, especially the brief scenes with Rosemund Pike, shine all the more for it.
Is this movie high art in film form? No, but it's entertaining, it's fairly well paced, and its message is cogent. I recommend watching it at least once.
The potential is there in the plot and the various things they put in around it (Tom's marriage, the loss of a child etc) but it doesn't really deliver on much of it. The subject matter isn't really that thought provoking, partly because it doesn't hold out a lot for consideration by the viewer but partly because the film doesn't even seem happy with its own world creation. The whole idea is full of holes to the point that the film can't hide them or distract from them for very long and you get the sense that it is rushing a bit before it all runs out through its cupped hands. This is a shame because it niggles the whole way through and becomes worse whenever we see what surrogates can do (their speed, strength etc) because you wonder why the world looks the same as it does when full of "normal" people. Outside of this though it is still an action film of sorts so one hopes for thrills of that side.
Unfortunately this doesn't really spark either. The running/jumping effects are not perfect and the scale of some of the action sequences means that some come over as being remote and not engaging or thrilling – a bit like watching someone else playing an video game that you don't really care about. It isn't bad though – the effects do still work, the action is still noisy and the plot is decent enough to at least not irritate – but that is the sort of level of film we're dealing with, one where my "praise" of it includes me saying its not too irritating! The performances sort of match the patchwork feel to the world and the film – it doesn't seem to be sure of itself and neither are they. Willis does his best (despite the wig etc he has to wear) but doesn't manage to balance the action with the character stuff and, thanks to the material, doesn't really deliver on either. Mitchell is so-so, as is Pike, while Cromwell essentially dials in a character he has sort of played before (but it made sense in other films) and Rhames is just plain odd.
Surrogates is not an awful film – but it is a distinctly average one thanks to the amount of things it half does. Whether it is the action, the substance, the effects, the performances or whatever, it all appears to be "OK" but never pushing for more than that. Improved focus, a stronger script and a longer running time could have made this a better film but ultimately it was just average.
Surrogacy is a perversion. It's an addiction. And you have to kill the addict to kill the addiction.
The action scenes are what you would expect for a multi-plex appeasing popcorner, loud, colourful and owing great debt to modern technology. Yet to dismiss this totally as one of those easy money making blockbuster movies is most unfair.
Surrogates oozes intrigue, even if it doesn't quite deliver on the smartness written on the page. The idea that in the future robotic alter egos can carry out our everyday mundane functions is cracker-jack, and it opens up a whole can of berserker worms.
This is not merely an excuse to have Bruce Willis running around exploding surrogate robots, as much fun as that is of course, there's a deeper emotional core pulsing away as Willis fights the good fight to make sure being human is not cast aside like a thing of the past, that as flawed as we are, hiding away in a surrogate is not the answer.
This axis of the story is beautifully realised by the plot strand involving Willis and Rosamund Pike as his wife, with both actors doing fine work to give it the required emotional heft. It may ultimately lose itself to a standard conspiracy plot, but there's intelligence within to make Surrogates a better film than it first appears. 7/10
Você sabia?
- CuriosidadesBecause an uncooperative Bruce Willis refused to re-record several lines of dialogue when the movie was being restructured, a sound-alike voice-over actor had to be brought in.
- Erros de gravaçãoAfter Greer gets beaten up up by the Prophet's guards, his scars keep moving and changing severity for the rest of the movie.
- Citações
Older Canter: I changed the course of human history when I created surrogates. Now I'm going to change it back.
Tom Greer: You don't change what's been done. You and I know that better than most people.
Older Canter: My son's death will not have been in vain. Not if it heals mankind.
Tom Greer: Heals mankind? That's what you want to do? You want to kill everyone? That's going to heal mankind?
Older Canter: They're already dead. The died the minute they plugged into those machines.
Tom Greer: This is not the solution.
Older Canter: That's the way it is.
Tom Greer: That's not the way it is!
Older Canter: I had a vision. I was going to empower the powerless. To enable others like me to walk, to feel, to have a normal life.
Tom Greer: Listen to me! They're going to call you a murderer. That's what you're doing.
Older Canter: Surrogacy is a perversion. It's an addiction. And you have to kill the addict to kill the addiction.
Computer Voice: Upload complete.
Older Canter: You're too late. What I've done can't be stopped. Now you're going to be a witness to the rebirth of humanity. That's my gift to you.
- ConexõesFeatured in The Late Late Show with Craig Ferguson: Episode #6.5 (2009)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Identidad sustituta
- Locações de filme
- Lawrence, Massachusetts, EUA(human-only reservation)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 38.577.772
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.902.692
- 27 de set. de 2009
- Faturamento bruto mundial
- US$ 122.444.772
- Tempo de duração1 hora 29 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1