Como Estrelas na Terra

How many times has there been a movie you could really relate to? How many times has it happened that you've seen a character on the screen that reminds of something that you've been through in your life? As I saw Ishan (Darsheel Safary) today, I felt, somewhere deep within that that's me.

Notwithstanding the slight retard nature, dyslexia and bad academic performance, the character of Ishan really made me remember my childhood today. I remember I was something like him as a child.—creative and imaginative. And my imagination always went unappreciated. I used to curate gibberish – just like he did. I painted, I dreamed and I fantasized about different things. So I feel writer Amol Gupte and director Aamir Khan (what a wonderful debut!) have picked an incredibly moving story. Frankly, I am not easily moved by movies. Not even the greatest tearjerkers have managed to "move" me, but for a moment I was stunned. Is this really happening to me? Am I trying to cry? In fact, the scene where Ram (Aamir Khan) walks into Ishan's room and discovers a score of sketches and drawings, it made me feel like somebody had in fact, opened my closet and discovered my secret childhood fantasies (Believe me, I still have them.) This movie will surely engage all those who have had similar incidents in their lives. That's for sure. I am moved. I love this film. I don't know and I don't care how this film does in the box office but let me tell you don't watch this film if you're looking for regular boy meets girl story. Don't even skip this film thinking it's children's movie – no it isn't. In fact, Taare Zameen Par is a movie potentially targeted towards parents. But if you think you too have undergone similar childhood conflicts and lived a life where the people around you refuse to appreciate your fantasies, then definitely go for it. TZP mirrors many of those people's lives that looks just plain and simple but those who compromised their dreams for the sake of the earthly existence.

Okay, enough of fantasies. Technically, writer Amol Gupte delivers an A Grade script. Aamir Khan shows his talent not just as an actor but a very versatile and intelligent. Oscar Wilde, Leonardo da Vinci and Sally Gardner were hardly ever heard of in Hindi cinema before this. The writer just does not deliver a well written script but also his knowledge of research (which other filmmakers hardly ever do!) Musically, it's two-thumbs up for Shanker Ehsaan Loy. The title song is fascinating. Maa and Jame Raho combine talents in all respects- music, words and voice. The production design is superb. Not for a moment you feel anything is fake. They even managed to squeeze in some quick visual effects and animated scenes. They're there to add another dimension to great story telling. The casting is good and well justified. Little Darsheel steals the show. Tisca Chopra grabs attention.

Aamir Khan, however stuns the audience by appearing at almost near half of the film. That's the surprise but you don't miss Aamir in the first half because Darsheel will definitely grab your attention and Aamir gets to show some good directorial talent.

All in all, I'd say go and watch the film. I wouldn't recommend if you're addicted to Yashraj stuffs but if you really want to see some intelligent film-making, then Taare Zameen Par is a treat.

Its a fine Friday morning in Kolkata...the winter vacation has just commenced...we have planned a day out...gonna watch Francis Lawrence's I Am Legend...but due to last minute change of plans under unavoidable circumstances we are reluctantly drawn into the first day first show of Taare Zameen Paar...we are a bunch of movie buffs who watch a Bollywood movie once in a blue moon...within the next 2.5 hrs our opinions had changed...

After back to back hits(Rang De Basanti,Fanaa)Amir khan could well have gone for another Masala flick...but it needs guts to for debut directing such a script...and then pull it off even more brilliantly...with such maturity n sensitivity...the field is teeming with great actors making for great first time directors...(Kevin Costner,Mel Gibson,George Clooney n so many others)...but never before in Bollywood have i seen a better example of this.....

the film is about a 8 year old dyslexic child Ishann who finds it difficult to read or write correctly or for that matter perform any such activities normal to children of his age...n inevitably has to bear the brunt of his parents,teachers n other people he interacts with...but his world is filled with magical creatures n thoughts that gives him company...his parents unable to realize his disorder...sends him to a boarding school where the child retreats into a self imposed exile and has to contend with the added trauma of separation from his family...in comes Amir khan the temporary art teacher who encourages them to extend their boundaries of thought and imaginations...n shows special interest in finding out the difficulty of Ishaan...with time patience and care he helps Ishaan find himself...

but more than the script its the way minute emotions are captured...the way the audience is made to peer into a child's mind nd its own mechanisms...scenes are a film's USP...n though you may forget the film its the scenes that u keep embedded in your heart...

n TZP is laden with powerful scenes that will give you moist eyes...there's this scene where Ishan's parents had taken him home from the boarding school...n then comes to leave him there all alone again for the 2nd time...the first time Ishaan had kept staring at his parent's car leaving...this time he turned back n walked away...while his mother kept staring back...this is Ishan's own kind of protest against his parent's unjust nd cruel decision...

and to complement the film's excellent theme there's the superbly crafted n maturely executed visual effects n animation to go with it...that sketches a child's world of imagination...the camera work is brilliant...top notch performance by all the actors...Darsheel Safary steals the limelight...quite explains why Amir wanted to rush into directing this film as he was worried the child may grow up..reminds of Satyajit ray n his Apu...though emotional n dramatic everything seems utterly realistic...

nd Amir's directing needs special mentioning here...the way he captures a child's world...a child's obsession of noticing minute things nd finding beauty in it...like the little fishes that inhabit the roadside pond...the water filled pothole being run over by vehicles...a mother bird feeding her children...

nd with so many news of children succumbing to their parent's pressure these days...the film has come out at an apt time...it will change the whole way u look at the relationship between a parent and a child i bet...its one those films which entertains nd enlightens at the same time...stop reading it any further if you haven't yet seen it..just take your child n go watch it...

but everything has its share of bad sides...though it matters little i would still like to talk about the little cons...the editing work cud have been sleeker...the film tends to drag a little in the middle...although as hard as he may have tried Amir khan is unable to break away from the shackles of orthodox Bollywood treatment...nd sum scenes are just too melodramatic...like Ishan sailing a boat he has himself designed...but probably it was to draw the traditional Bollywood audience into watching this unique movie...too many songs...though good music from Shankar Ehsan Loy on all the songs...but sum were unnecessary...that's all...it would be sacrilegious to speak ill of this film any further...

u r quite adamant aren't you??i thought i told you to stop reading n go watch the movie...now go nd..enjoy the brilliant world of alphabet crabs...velvet octopuses...absurd arts...nd inverse letters...

is any member of KoЯn dyslexic??...a friend of mine joked...as far as I am Legend is concerned...never mind...i'm going to watch it tomorrow...

for a mainstream Hindi film, the following is rare: 1. a film for children2. the only star of the film getting a limited screen space 3. high quality animation4. choosing undertones over melodrama, 5. no regular masala stuff 6. strong message that can actually change lives of people 7. conviction and honesty of the makers palpable in every frame 8. and in spite of all this, the movie offering complete, healthy entertainment...

the only problem with the audience is that although we keep shouting on the extreme want of quality cinema, meaningful cinema, when a good film actually comes, we tend to find more flaws in it than appreciating it. Are we insecure of accepting somebodies honesty and creative genius?

Sure, Taare Zameen Par has moments that could have been better, but shouldn't we just try to overlook those and once, for all, applaud the effort the makers have put...

and believe me it is not difficult... for there are innumerable other moments that leave you spellbound, a wet film over your eyes, a strange pain down your throat, a mild ache at your heart, but a pure smile on your lips... there are times you wish you were a kid...

may be it takes a child to love simple tales told with honesty and warmth... may be we grown ups have lost that quality we all once had... but Taare Zameen Par should touch a chord somewhere in every one's heart... we all have been after all, at least for some beautiful part of our lives, special. the film is dedicated to that special child in all of us...

P.S- no one can hate it...at least i would like to think that way

The ghost (director) has been resurrected in human flesh and yes, Mr Perfectionist has got it all perfect. His maiden directorial venture is a delight for one and all. Whether you are a kid, or a teenager, just married, or if you are a parent -- Yes... You'll love it! Pre-release in what appeared to be a non mainstream film, shines like a UNIVERSAL film which will keep the box office abuzz.

The story moves along at a very natural pace at which the viewer is able to connect to the 8 year old dyslexic boy played by Darsheel Safary. That is the biggest plus point of the movie, the viewer draws parallel with the boys character connecting with him at a very high emotional level. You'll reminisce and be transported back to those wonderful years of your childhood and will have more than a tear in the eye. The scene where the boy is admitted in the boarding school and bidding goodbye to his parents and brother followed by the 'Maa' song is a real tear jerker. But tears is not all what you are going to have, the screenplay makes sure that those tear jerking moments are followed by heavy doses of laughter with some lovely and innocent humorous moments.

If you thought that only Sanjay Leela Bhansali knew how to capture art on celluloid then watch TZP. The boy's bunked day at school, his room, classroom decor, and the painting competition in the end are a colorful visual delight expressing a million words to the viewers.

Yes, its true. Aamir's character appears just before the end of the first half, but one is so engrossed that Aamir - The actor's absence is not felt. Thats remarkable! All the credit goes to the protagonist played by Darsheel who in my books gives the best performance till date by a child artist in Hindi Cinema. He is the heart and soul of the movie and how naturally this boy handles scenes of intense emotions with such ease in his first movie is stunning. Tisca Chopra as the boy's mother gives a top notch performance at par, if not above the likes of roles played by Nirupa Roy, Rakhi and Kirron Kher.

Aamir the actor has a shorter but powerful role which he performs decently. But at the end of the day its Aamir - The Director who wins hands down by extracting 'A GRADE' performances from all the cast, and making a movie which connects to the heart of the viewer. The second half becomes a little slow in between and it could have been more crisp. But thats negligible because in the end the movie manages convincingly to convey a very important message to today's parents - Your kids are not race horses of a derby. Let them travel life at their pace as each has their unique mission which only they can fulfill.

Lastly, TZP just made 2007 better and interesting. The award season is knocking and well, watch out, TZP may just pull off a surprise or two by upsetting the favorites so far...

I love Indian films and have seen more than most Americans. However, considering the country makes more films than any other (about 800 a year), I really have only seen a small number of their films. But, I must say that "Tarre Zameen Par" ("Like Stars on Earth") is the best Indian film I've seen...even slightly better than "Kahaani"" and "Three Idiots" (another Aamir Khan film). It truly is a wonderful film and is better than nearly anything coming out of Hollywood these days.

The story is a sad but ultimately happy one. Eight year-old Ishaan is a problem child. Nearly everyone around him sees him as a trouble maker and kid with a horrible attitude. But no one bothers looking at these behaviors as signs of a deeper problem...the boy is illiterate and also cannot do math because he has very severe Dyslexia. At first, you see him acting out. Later, when he's been punished for this by sending him off to a boarding school, his spirit is crushed. He's sullen, and most importantly, severely depressed and almost non-communicative. And then...he has a new art teacher who has worked with disabled kids before...and he recognizes the kid's problems...as well as the kid's potential! Considering it's a nearly three hour film, there of course is much more to it...and the film is a joy to watch.

Brilliant writing, brilliant acting and a very brave and lovely production overall make this an amazing and perfect film. I have no complaints about ANYTHING in the film...nothing. It's perfect.