Depois de ser enganado e traído pelo homem que o contratou para assassinar um senador do Texas, um ex-Federale lança uma vingança brutal contra seu ex-chefe.Depois de ser enganado e traído pelo homem que o contratou para assassinar um senador do Texas, um ex-Federale lança uma vingança brutal contra seu ex-chefe.Depois de ser enganado e traído pelo homem que o contratou para assassinar um senador do Texas, um ex-Federale lança uma vingança brutal contra seu ex-chefe.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 6 indicações no total
Electra Stone
- Nurse Mona
- (as Electra Avellán)
Elise Avellan
- Nurse Lisa
- (as Elise Avellán)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
In Mexico, the determinate federal agent Machete Cortez (Danny Trejo) opposes to the order of his chief and drives with his partner to the hideout of the drug lord Rogelio Torrez (Steven Seagal) to rescue an abducted woman (Mayra Leal) that is witness against the gangster. However, he finds the witness naked on the bed but he is surprisingly betrayed by her, and his wife and daughter are murdered by Torrez.
Three years later, Machete is an illegal immigrant in Texas that wanders on the streets seeking job in the Day Labor Site. He is hired by Michael Booth (Jeff Fahey) to assassinate the boasting right-winged Senator John McLaughlin (Robert De Niro), who is against the immigrants and defends the construction of an electrified fence along the border with Mexico. Machete receives one hundred and fifty thousand dollars for the assignment, but he gives the money to Luz (Michelle Rodriguez), a Mexican woman that sells taco in her truck and manages the underground Network that assists illegal Mexicans and helped Machete three years ago.
When Machete is ready as a sniper in a tower, he finds that he has been betrayed and set up by Booth, who actually is McLaughlin's adviser and plotted the scheme to improve the statistics with the sympathy of the electors to McLaughlin. Once again Machete survives and discovers that Booth supports the vigilantes led by the cruel Von Jackson (Don Johnson) and is associated to Torrez. Now Machete seeks revenge against his enemies and becomes a myth.
"Machete" is a funny action movie and THE FILM of Danny Trejo that perfectly fits to the anti-hero. The story follows the style of B- movies, with exploitation and ultra-violence, but has a cast that is a constellation of stars. There are memorable lines (my favorite is when the priest says "God has mercy, I don't") and details, like the name of the garage (Machete's Chop Shop). I have just watched this film on DVD, and the deleted scenes shows many details of the story that unfortunately have been deleted in the edition, like the twin sister of Sartana Rivera "Sis", or Rose McGowan as the assassin "Boots McCoy". My vote is eight.
Title (Brazil): "Machete"
Note: On 22 September 2015, I saw this film again.
Three years later, Machete is an illegal immigrant in Texas that wanders on the streets seeking job in the Day Labor Site. He is hired by Michael Booth (Jeff Fahey) to assassinate the boasting right-winged Senator John McLaughlin (Robert De Niro), who is against the immigrants and defends the construction of an electrified fence along the border with Mexico. Machete receives one hundred and fifty thousand dollars for the assignment, but he gives the money to Luz (Michelle Rodriguez), a Mexican woman that sells taco in her truck and manages the underground Network that assists illegal Mexicans and helped Machete three years ago.
When Machete is ready as a sniper in a tower, he finds that he has been betrayed and set up by Booth, who actually is McLaughlin's adviser and plotted the scheme to improve the statistics with the sympathy of the electors to McLaughlin. Once again Machete survives and discovers that Booth supports the vigilantes led by the cruel Von Jackson (Don Johnson) and is associated to Torrez. Now Machete seeks revenge against his enemies and becomes a myth.
"Machete" is a funny action movie and THE FILM of Danny Trejo that perfectly fits to the anti-hero. The story follows the style of B- movies, with exploitation and ultra-violence, but has a cast that is a constellation of stars. There are memorable lines (my favorite is when the priest says "God has mercy, I don't") and details, like the name of the garage (Machete's Chop Shop). I have just watched this film on DVD, and the deleted scenes shows many details of the story that unfortunately have been deleted in the edition, like the twin sister of Sartana Rivera "Sis", or Rose McGowan as the assassin "Boots McCoy". My vote is eight.
Title (Brazil): "Machete"
Note: On 22 September 2015, I saw this film again.
Machete is Robert Rodriguez's film based on his mock trailer made for the double grindhouse release of Quentin Tarantino's Death Proof and his own Planet Terror. B-Grade superstar Danny Trejo stars as the title character. Those that have seen the mock trailer, or the grindhouse films, know the style of yester-year that Machete is representing. Cheap, nasty, and funny is the order of the day for this kind of film. Rodriguez clearly knows his genre and audience. He goes all out with this over-the-top action flick. The story is, of course, ridiculous. Machete is betrayed by some "above the law" dudes and has to get revenge by slicing and dicing whoever gets in his way. The film does what it says on the cover. Don't go in expecting a glimmer of subtlety or characterization. Go in expecting action, titties, action, blood, titties, oh and action. This would be all well and good except for some slight problems. The unashamedly preachy messages against the Mexican/United States border does get a bit tiring, as does the repetitive nature of the violence (after some interesting action set- pieces they all become similar, except towards the end). Also, this kind of film needs to be much snappier and shorter. It's around twenty minutes too long so that the humor and overall style tends to drag on a bit. Machete holds it's tongue permanently in cheek and Danny Trejo milks every scene as much as he possibly can. Jessica Alba, Michelle Rodriguez and Lindsay Lohan all make for good eye candy and there are some very funny moments. All in all, this exercise in grindhouse excess should keep the fans of this style very happy, even if it can slightly bore others.
The big hour of Danny Trejo (Machete) has finally arrived. Yes, this is the first movie where the ex-convict and a man who's face looks like a Moon's landscape, is in a leading role. He does well in his role. This is exactly what he is good at. And it is killing (bad) people. He is doing that extremely stylish I gotta tell you. Just look at the first scene.
Robert Rodriguez has his own earmark. This is something you know what to expect, but you still looking forward to see, cause you wanna see how is he doing that this time. It's called riot. A crazy rumble which is out of control. It happens here too. And it's solid and quite fun.
This is a good entertainment. It's not for everybody. Rodriguez fans love it, others just feel a bit entertained.
Robert Rodriguez has his own earmark. This is something you know what to expect, but you still looking forward to see, cause you wanna see how is he doing that this time. It's called riot. A crazy rumble which is out of control. It happens here too. And it's solid and quite fun.
This is a good entertainment. It's not for everybody. Rodriguez fans love it, others just feel a bit entertained.
I'm not going to lie, the first thing that struck me was the glaring political messages in this movie. They are ridiculously one-dimensional and reappear throughout the movie; they serve no purpose but to support the loosening of illegal immigration enforcement on the Mexico-US border.
Everything else basically followed your generic American action movie: killings, sex, a simple plot that is not too difficult for the audience, etc. After watching 30 minutes of the movie, I was already sick of it. It may be "brainless fun," but, although it is definitely brainless, it managed to not entertain me even when employing stars like Deniro to its obvious cause. Trashy movie that is not worthy of an 8/10.
Everything else basically followed your generic American action movie: killings, sex, a simple plot that is not too difficult for the audience, etc. After watching 30 minutes of the movie, I was already sick of it. It may be "brainless fun," but, although it is definitely brainless, it managed to not entertain me even when employing stars like Deniro to its obvious cause. Trashy movie that is not worthy of an 8/10.
This film is what it says it is. Nothing less. And perhaps a little more.
Most of Machete's critics that have given overall negative reviews, have fallen into a trap of their own devices. Machete is an exploitation film and was advertised as such. By definition, and exploitation film will include excessive violence, gore, nudity, and be high on intentional corny lines while low on plot devices and character development. To give low ratings to Machete because of one's distaste for the genre, would be like saying "The Shinning was awful because I don't like horror."
This is one of Rodriguez best films to date, side by side with Sin City (2005). Machete delivers on all accounts of action, gore, nudity, and corny lines. The plot is simple, but honestly, that's how it should be. The thing that sets this apart from other exploitation films is that the acting is top notch. I personally found that the three main female characters to be the most intriguing and diverse.
Jessica Alba plays the part of an ICE agent struggling with her loyalty to her nation and her people. She slowly begins to question her own logic on if people should follow law simply because they are laws. We see this struggle immediately, when she approaches a taco stand (apparently once every week) to by a coffee and lunch, despite her own people feeling from her site. Why does she continue this ritual? She says it is to check the papers of the character Luz, but really it is to try and hold onto a sliver of identity among her people.
Michelle Rodriguez plays said Luz (aka She) as an underground leader of illegal immigration. The character of Luz is a simple woman who believes in not bending to the broken system, but fighting for her people (the mirror image of Alba). "She" is only a myth on which Luz has built a cult following, understanding that sometimes being a myth can do more damage than flesh and blood. By the end of the film, Luz is reborn as the mythical She, just in time for the bloody battle.
Finally, the actress that surprised me the most was Lindsay Lohan. Despite only receiving 10-15 minutes of screen time (most are which she is undressed), she plays her character perfectly and flawlessly. The role seems to be written specifically for her and I applaud her for stepping up and taking on such a mature role. One of her first scenes is a tongue-in-cheek conversation about how she needs to give the people of the internet what they want, and that is more of her. Lohan played the part beautifully (in all aspects) and specks of talent are clearly visible. I hope that filmmakers and audiences (as well as herself) continue to allow her opportunities to showcase that talent.
Machete is an exploitation film at its finest. And, for the most part, if you are the type of cinema attendee who wants to see a movie called Machete in the first place, chances are you will be thoroughly entertained.
Most of Machete's critics that have given overall negative reviews, have fallen into a trap of their own devices. Machete is an exploitation film and was advertised as such. By definition, and exploitation film will include excessive violence, gore, nudity, and be high on intentional corny lines while low on plot devices and character development. To give low ratings to Machete because of one's distaste for the genre, would be like saying "The Shinning was awful because I don't like horror."
This is one of Rodriguez best films to date, side by side with Sin City (2005). Machete delivers on all accounts of action, gore, nudity, and corny lines. The plot is simple, but honestly, that's how it should be. The thing that sets this apart from other exploitation films is that the acting is top notch. I personally found that the three main female characters to be the most intriguing and diverse.
Jessica Alba plays the part of an ICE agent struggling with her loyalty to her nation and her people. She slowly begins to question her own logic on if people should follow law simply because they are laws. We see this struggle immediately, when she approaches a taco stand (apparently once every week) to by a coffee and lunch, despite her own people feeling from her site. Why does she continue this ritual? She says it is to check the papers of the character Luz, but really it is to try and hold onto a sliver of identity among her people.
Michelle Rodriguez plays said Luz (aka She) as an underground leader of illegal immigration. The character of Luz is a simple woman who believes in not bending to the broken system, but fighting for her people (the mirror image of Alba). "She" is only a myth on which Luz has built a cult following, understanding that sometimes being a myth can do more damage than flesh and blood. By the end of the film, Luz is reborn as the mythical She, just in time for the bloody battle.
Finally, the actress that surprised me the most was Lindsay Lohan. Despite only receiving 10-15 minutes of screen time (most are which she is undressed), she plays her character perfectly and flawlessly. The role seems to be written specifically for her and I applaud her for stepping up and taking on such a mature role. One of her first scenes is a tongue-in-cheek conversation about how she needs to give the people of the internet what they want, and that is more of her. Lohan played the part beautifully (in all aspects) and specks of talent are clearly visible. I hope that filmmakers and audiences (as well as herself) continue to allow her opportunities to showcase that talent.
Machete is an exploitation film at its finest. And, for the most part, if you are the type of cinema attendee who wants to see a movie called Machete in the first place, chances are you will be thoroughly entertained.
Você sabia?
- CuriosidadesAs Robert Rodriguez tells it, after conceiving of the character of Machete and telling Danny Trejo about it, Rodriguez started receiving phone calls at random hours of the day from Danny, trying to convince him to make the film. One day, Robert said to Danny that he was busy and asked why Danny can't just send a text message instead of constantly calling, to which Trejo replied: "Machete don't text." This became one of his character's catchphrases in the film.
- Erros de gravação(Deliberate by filmmaker) During the pool scene, as April enters the water is played by Lindsay Lohan. After Machete enters the pool, the character is clearly not Lohan. This is because the footage is actually from the "Machete" fake trailer that preceded Robert Rodriguez's Planeta Terror (2007) segment in Grindhouse (2007) - one of several pieces of trailer footage that were re-used in the movie.
- Cenas durante ou pós-créditosBefore the end credits roll: "Machete will return in Machete Mata (2013) and Machete Kills Again."
- Trilhas sonorasMachete Main Title Theme
Written by Tito Larriva, Steven Hufsteter and Robert Rodriguez
Performed by Tito & Tarantula (as Tito and Tarantula)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Machete?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Tập Đoàn Sát Thủ
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 26.593.646
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.416.164
- 5 de set. de 2010
- Faturamento bruto mundial
- US$ 45.491.656
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente