Prisioneiros do Poder

In fact neither I nor my company had expected to be strongly impressed by the movie, when we joined to watch it on Saturday night. But having read the Strugatsky's plot-book, I was amazed that the director had followed the story so precisely. The only evident mistake was the premature assassination of one of the characters. Still the impression on the film is partial due to its halves shown with a 4 month break.

As to fighting scenes, I estimate them as dead. There was almost NO real action. The usage of Bullet Time technology of matrix all fight long turned the action into slow and boring trash. The martial arts instructors should really be ashamed of this.

There is a Russian proverb: "The first pancake is laid shapeless". It is just about the film. The spectator expected to see a miracle, because a $40million worth Russian film is considered like a $400million Hollywood movie. This expectations of a common viewer were ruined. I do hope that next attempts of Russian directors and producers to catch up with Hollywood will be more successful.

First things first: Make sure to see this in the 227min original (two-part) version. The international (one-part) release is a hack job with many crucial scenes missing, and a new cartoon title sequence that doesn't quite fit the mood.

The movie's greatest asset is certainly the Strugatzky brothers' nuanced story about a planet corrupt to the bone and the hero's moral imperative to intervene. The story is largely treated with respect, and while I can relate to some of the criticism aimed at the movie - there are some continuity issues, the casting might not suit everyone's taste, as won't the Matrix-style kung fu - this is a well-realised sci-fi flick that's worth watching for the strength of its story alone.

Yes, Tarkovsky would have made this a different movie, and I'm surely going to watch Aleksey German's 'Hard To Be A God', but I for one didn't mind this movie's bubblegum aesthetics while pondering existential moral dilemmas.

This attempt at bringing a Strugatski brothers novel to the modern Russian screen is without a doubt a success.

A little about the plot: young explorer Maksim Kammerer crash lands on Sarakhsh, a world enveloped by nebula gasses where people have never seen the stars. The Unknown Fathers, a group of local oligarchs, brainwash the population to fear and despise surrounding nations. Kammerer, aloof in his assumed superiority, sets out to free the people of Sarahksh of oppression and paranoia.

I wont ramble on - suffice to say that Bondarchuk has done well considering the scale of the novel. Vasiliy Stepanov (as Maksim Kammerer) is sexy, cool and a blond head taller than his alien companions (a fine nod to the novel and a detail I did not expect). He was also most excellent in the action scenes.

Bondarchuk shines in his portrayal of Umnik (The Clever One). I really enjoyed the scenes of him writhing in agony in the bath. A great performance. I am compelled after reading some of the other comments to say that the novel, like this movie, is quite comical...

Direction-wise there are some minor continuity errors and a few places where pace slows, but the film sticks quite closely to the novel and this may not have been avoidable.

Compared with the contemporary adaptation of the Strugatskis Ugly Swans by Konstantin Lopushansky the film is of course rather crude and soulless. But it's good fun done right.

I recommend it to everyone and will be waiting for film two.

Those who have watched the film may remember the following episode – Guy and Rada are sitting in front of TV during the Entertainment Hour and goggling happily. What is entertainment on Saraksh is visions and dreams of ‘psychotic’ individuals.

It struck me that ALL the film industry the way we know it is projecting nothing but visions and dreams of certain individuals, too(and sometimes these visions and images are no better than those shown in ‘Obitaemyy ostrov’). And book fiction is the same. So what’s the difference between Earth and Saraksh in terms of culture then?

And the towers are here, too. Look around – here are the TV towers and radio towers. They project these visions and dreams to the same effect as on Saraksh. Scary, isn’t it? Where are we?

On the other hand, where would the world be without this day-dreaming and wool-gathering? Do culture and a sort of hypnotic suggestion go hand in hand? How free in our minds are we really?

Sad smile.

Bondarchuk's last motion picture "The Inhabited Island" is very colorful and vivid piece of film. Visual material is stunning, top notch. Characters and environment are interesting and story too, for me as a die hard sci-fi fan seemed great. Yes, the main character is blond... So what? He comes from the Earth that lives in the golden age, having defeated all the illnesses and wars. People there are beautiful and they are smiling as it can be seen in the movie. On the contrary, on Saraksh people do not understand why he is smiling because there they are stricken with diseases and constant wars, radiation levels etc. Film suffers a bit from cheesiness in the end, some already seen things in other movies but it still has some good qualities. The scenes with Guards and their song are stunning.

Great visuals, great environment but still it lacks top notch acting and some things have already been seen.