A Trilha

Unfortunately I had seen a spoiler review, by accident, prior to watching this, which did diminish some of the suspense in this film for me. However, in retrospect, I don't understand many reviewer's comments about the two halves of the film (before the murderers are revealed) and them not acting in accordance with knowing they did it. I didn't see that at all, and they were clearly concerned about people knowing they did it. What did confuse me, however, was WHY they were doing what they did, and whilst there were clues, some aspects were not given and to me they were the ones that I was questioning! I was surprised at the film having seen the trailers as they seemed quite (cleverly) misleading. It is, all told, a suspenseful film in that you don't know how the nefarious pair will be caught and how many/who will survive. Though in saying that it is a little bit Hollywood and largely predictable and the twists were seen coming a mile away. Perhaps I can say that with hindsight given that I did know some plot points ahead of time but even so, to me it was obvious anyway. I guessed quite a few things and was glad how it ended up.

Hawaiian born, Timothy Olyphant was just superb, believable and constant, and convincingly teamed with Kiele Sanchez who was feisty and super-cool. I've liked everything I've seen Steve Zahn do and this was no exception, I think it showed him as a brilliant actor to be so varied, chameleon-like and in such an action role where he is usually associated with geeky characters (love him in Reality Bites). Mila Jovovich was also great - in fact all the actors were well formed, interesting and generally believable making for a good ensemble cast in a gripping action thriller. I'd have liked to have seen more of the Chris Hemsworth and Marley Shelton couple.

The SFX people did a good job with all the bloody wounds, mutilations and injuries, they were very impressive and I became quite squeamish at a few. I thought it was wonderful to see the calm, beauty and grandeur of Hawaii as a backdrop for quite an ugly story. Whilst I didn't quite get a motivation for all the misdeeds that went on, it was still a very good watch and the script was clever, witty (making fun of typical action film blunders, I just thought something like "he'd have run out of bullets" and the guy goes and says, "I should have been counting my bullets" etc) and intelligent. A film is always getting an extra point for referencing Cool Hand Luke!!

A Perfect Getaway was nowhere near a perfect film, but it was certainly a good film. The trailers made it out to be a much more non-stop, action thriller than it really was, showing the last 20 minutes. The majority of the film centers around paranoia. It is true though that the plot twist can be seen coming from a mile away, but how it is delivered is where it succeeds. While I personally wasn't surprised, how the twist was presented was quite original and chill-inducing. I'll leave it at that. Where this film really succeeds is in the cinematography and acting, both of which are superb. The locale is beautiful, all the colors are vibrantly displayed and everything looks crisp. There are some scenes with intriguing camera work that works well to add intensity and be intuitive. All the actors really give it their best and create believable characters. Milla was good as usual, but Zahn really surprised me. I never really gave him credit for how good of an actor he is until about now. Overall, it's worth the watch and is ultimately very entertaining with wonderful characters.

A PERFECT GETAWAY is a whodunit-style mystery set on some Hawaiian islands. There's been a brutal murder nearby, and the scriptwriter introduces three separate couples into the mix, inviting us to watch as they interact and mistrust one another. It's the viewer's job to work out who the killer is before the time runs out. I have to say that I worked out the twist early on, something I'm not normally able to do, so it's up to you in deciding whether it's over-obvious or not.

As such, it's a rather artificial exercise in filmmaking. There's a distinct tongue-in-cheek approach to the material, a slightly deliberate cheesiness at what's going on. Certainly, once the killers have been uncovered there's a huge misstep in the way in which the filmmakers pause their movie and take ten minutes out, in excruciating detail, to reveal how their twist came out. And from that point in, the predictable survival antics ring slightly hollow.

Until that point, your enjoyment of the movie depends on how caught up you are in the mystery and how much you like the actors. I found Steve Zahn to be out of his depth in a non-comedy, and Milla Jovovich to be as shrill and annoying as ever. But Timothy Olyphant more than makes up for that with a truly great turn as a charismatic ex-forces guy with a metal plate in his head. Olyphant's kooky performance bests sums up this movie's quirky atmosphere and his presence alone is worth an extra star.

With his latest film, director and writer David Twohy has once again crafted a story that stands on its own yet features characters we wouldn't mind revisiting in future movies.

A Perfect Getaway features a simple premise. Cliff and Sydney (played convincingly by Zahn and Jovovich) are having their honeymoon in Hawaii, while serial murders of young couples in the area are reported. The viewers are in for a thrill ride as the duo meet other tourists along the way, many of which appear alarmingly suspect.

For a major part of the film, these two hook up with Nick and Gina and the relationship between all four is fascinating to watch. Actors Olyphant and Sanchez are wonderful playing these parts and the chemistry between all four actors makes the movie work.

The cinematography and pacing of this film is as effective as what was seen in Pitch Black, although both movies obviously go for a slightly different feel. Twohy effectively makes Hawaii look like a paradise but also a remote, isolated and potentially menacing area. This makes the film both eye candy and a great thriller.

If anything, the movie could have been an instant classic but is ruined by a final confrontation that lets the viewers down and seems to take the easy road. It is almost anti- climactic in the way it unfolds.

Much like Pitch Black, the movie is still pleasant in that it mixes light humour with the drama and tension. Twohy firmly intends to entertain first and foremost without pretension and this is what makes the movie work. The film also makes for a pleasant repeat viewing, which is why it deserves a solid 7.

Get the popcorn out and enjoy the ride!

A Perfect Getaway {dir. David Twohy,2009}

**½/****

A solid, fast paced B-thriller with winking (and surprising) sense of humor, A Perfect Getaway is not as much of a stiff genre exercise as the ads may make it seem. It is true, there is a final twist, but it falls in line with the rest of the film: a slightly off-kilter, audacious, but entertaining endnote. As an exercise of set up and payoff, both halves of the film work fairly well on their own terms, but I cannot help but wish that the first half had a bit more palpable Hitchcockian tension and suspense instead of "Scream"-like rib nudging . Nevertheless, this is involving enough and thrilling enough to be worth at least the price of a matinée, providing that your willing to suspend your proverbial disbelief.