Imagination

In "imagination", Sarah and Anna Woodruff (played by Jessi and Nikki Haddad, respectively) are twin sisters who confound everyone around them. Their father is distant and eventually leaves the family. Their mother (Courtney Sanford) is anxious and frantic for answers. And a child neurologist (Ed K. Gildersleeve) who initially diagnosed Anna with a rare form of autism isn't so sure. Sarah- who's near blind- and Anna live within their own world, a shared imagination that includes prophetic dreams and visions. They are almost the same person in a way, occasionally speaking in unison, rarely separated from one another. When tragedy strikes, the doctor is left with more questions than answers. I'll admit to being a little confused as to what the film is about. What I can clearly state is that it is a representation of the closeness some siblings- and twins in particular- share with one another (something I would imagine Eric Leiser, who directed the film and co-wrote the screenplay with his brother/composer Jeffrey, knows much about). At first I thought we might be watching an exploration into the gifted minds of the two sisters, and how their respective disabilities work to enhance such gifts, which in itself would be an interesting story. After a while, however, the film seemed to morph into a look inwards at how faith guides us into our eventual destination in life, and while that may be the best description I can give of the film, it doesn't account necessarily for the almost supernatural aspect of the film, as evident in both the storytelling method and the ambiguous ending. One of the things that struck me as particular inspired about the film was how well Leiser didn't allow the obvious budgetary limitations get in the way of telling the story as best he could (it helps that he gets an assist from his brother Jeffrey on the music, which helps propel the narrative forward, even if it's not terribly subtle). In a way, the film benefits from the limitations, using low-budget effects like high-speed photography, stop-motion animation, and photographic and sound effects to put us very much in Sarah and Anna's world. (Of particular note is how Leiser makes us feel, convincingly, that an earthquake is taking place through simple camera and sound tricks.) Many times the film reminded me of Michel Gondry's lovely "The Science of Sleep" from last year in such touches, and although it isn't on solid enough ground thematically to compare to that film in overall quality, it does make for a distinctly endearing quality that will benefit the film on multiple viewings. This is my first experience with Leiser's work- he's an established veteran of a couple of features now and many shorts in the independent film community- and was, on the whole, impressed by what I saw in "imagination" (he emailed me recently in the interest of getting a review from the site). His film- which has played at a few festivals and has video distribution lined up for a February 2008 DVD release- is a thoughtful and imaginative work, and will play well for anyone looking for something beyond the usual by-the-numbers explorations at the mysteries of life, even if I wasn't completely clear as to what the film's final point was.

Imagination seems to be about learning the secrets of heaven and nature. Starring are identical twin sisters, one who is going blind and the other who suffers from a type of autism called Asperger's syndrome. The premise is that together they have a special gift that enables them to rise above their physical disabilities and collectively escape reality into a realm of their imagination. It is when the film moves into the stop-motion animated worlds that I thoroughly enjoyed this movie. It is through Eric Leiser's many animation techniques that the two girls connect with a spiritual force/deity and ascend from their limited reality into something much greater and more magical. Which is somehow related to an albino fawn. Regarding their clueless parents, the twin girls say, "They forgot what it means to dream."

I think the Leiser Brothers could, in the future, turn in amazing works along the lines of Michel Gondry's Eternal Sunshine of the Spotless Mind (2004) and The Science of Sleep (2006). They obviously are a talented duo. Alternatively, they could focus their film-making in the world of animation, à la Jan Svankmajer or the Brothers Quay, which is this film's obvious strength.

This film is about the unbounded dreams and imagination of two twin sisters, one is blind while the other has Asperger's Syndrome.

I was hoping for a touching drama about people with disabilities, how parents deal with it, how the children express themselves, being happy despite the circumstances etc. It turns out that none of my expectations were met. Instead, "Imagination" turns out to be an imaginative and artistic piece that belongs more to a modern art museum than the big screen. It looks more like a collage of artistic slips stitched together. There is really no plot, as the so called plot only serves as the backdrop of the artistic clips.

If you like modern art, then you will appreciate this film. If not, you will find it a big mess and a waste of time.

Brothers Eric and Jeffrey Leiser bring us the story of two twin girls who have Asperger's syndrome, where they are highly introverted and socially awkward, but have strong imaginations guided by "the white fawn", whatever that might be. Dr. Reineger has a fascination with these girls and seeks to find some answers.

This film has one weak point and one strong point. The weak point is the acting. The two main characters, besides the girls, just do not impress me at all. Courtney Sanford (mother Janice Woodruff) forces her lines out, and Ed K. Gildersleeve (Dr. Reineger) doesn't do much better. The plot is very thin, and their navigation through it with words is like a canoe lost at sea... it's going somewhere, but certainly not from the actors' control.

The strong point is the imagination and animation throughout the picture. Clay, food, paint and any other medium found is used in this movie, with more or less consistently beautiful results. Had they wanted to, the Leisers could have simply filmed these segments, added a few more and called it art. They were the highlight of the picture.

This movie was picked up and rented on a whim, something that may be a little bit risky... but in this case, it opened my eyes to a film I would likely never had seen otherwise, presenting a style I never before would have imagined. Not a comedy, not a drama... just pure imagination on film.

You've got to hand it to Eric Leiser. It takes creative cajones the size of the Mayo Clinic to take on a subject as tricky as mental illness - or in this case, neurological dysfunction - and keep it from being a preachy, predicable disease of the week kind of weeper. The sparkling independent effort Imagination is anything but a limp Lifetime movie, avoiding all the clichés within this type of narrative while investing the film with a far amount of invention and insight. We've all heard tales of twins and their inexplicable psychic connection, how one sibling senses what the other is feeling and visa versa. Well, Imagination is one of the few films that wants to explore the inner workings of that connection. Using stop motion animation, various post-production techniques, and other storyline supposition, Leiser unlocks the inferred secrets of such biological sameness, and then inserts a somber meditation on fate, religion, love, loss, and family into the mix. This is not a straightforward look at said subjects. Instead, Leiser goes the tone poem route, revising his plot with pictures and proposals. He never fully gives away his motives, and this then becomes one of Imagination's undeniable strengths.