A Vida num Só Dia

Welcome to a world of lavish delights. A world filled with fashion shows, cocktail parties, and the latest gossip. This is the world Miss Pettigrew finds her self swept up into, and where she lives her day…to the fullest.

Miss Pettigrew (Frances McDormand) is a nanny that has just been dropped by her placement agency after being fired for the third time from another displeased client. In her desperation for employment she steals an address card to a new client, and is soon on their doorstep, posing as the new nanny from the agency. This new client turns out to be, Delysia Lafosse (Amy Adams), a young singer/actress wannabe who is competing for the lead in a big production play. She has no children and wants a nanny more as a secretary or "social secretary" as she later calls Miss Pettigrew. Within a matter of minutes of her arrival Miss Pettigrew helps Delysia outwit two of the three men she is seeing, avoiding a possible catastrophe. This makes Delysia worship Miss Pettigrew and before long she is whisking her away to a fashion show and salon before a cocktail party in the evening.

As the characters play with love like a fine chess game, Miss Pettigrew helps Delysia maneuver through this dazzling champagne 'n' strawberry-drenched world of revelries that the rich use in a desperate attempt to conceal the looming dread of WWII, meanwhile enjoying tidbits of luxuries she would never have dreamed of.

Miss Pettigrew Lives for a Day is an absolute delight to watch from the very beginning up until the final end. The production, directing, writing, and acting are all superb as they recreate the WWII era in England.

The acting, well Frances McDormand and Amy Adams as the two leads, need I say more. These two actresses work together so flawlessly. Frances McDormand masters a British accent and gives a performance of layers. Few actresses can play a character that "acts" fakily-sweet and still give such a realistic performance as Amy Adams. Her performance reminded me of her recent golden-globe nominated performance in Enchanted.

Overall this is a charming, delightfully entertaining film with wonderful performances and a sharp script.

This quirky romance is set in London right before the outbreak of World War II. There are a few times in the movie where that context is significant, but they are very few and are of great portent, but not regarding the plot. Frances McDormand stars as Miss Pettigrew and when the story opens, she has just been fired from the position as a servant of a wealthy lady. With no assets, she goes to a soup kitchen for a free meal and when she is about to eat it, she is bumped, and it falls on the ground. Acquiring her last job through an agency, she goes there, only to be told that with her record, she is now considered unemployable. Desperate, Miss Pettigrew learns that another employee of the agency is scheduled to go to a job for an actress and intercepts the communication so that the actress believes that Miss Pettigrew was sent by the agency. Amy Adams plays the glamorous and high-society singer actress Delysia Lafosse, and when Miss Pettigrew arrives, the apartment is in a state of chaos, Lafosse needs to get the man in her bed dressed and out of the apartment before another man in her life arrives. Lafosse is portrayed as a superficial airhead, stringing several men along while she determines which one of best suited to advance her career. However, as the film progresses, we learn that she is much more than that. Clearly a child of the Depression, Lafosse is for the first time somebody, rather than just another woman struggling to survive. This movie is meant to be a comedy romance, yet the humor is often lost due to the overplayed dingbat features of Lafosse and the self-serving wickedness of other women. The romance part works much better, particularly at the end, where everything turns out to be about love. Your emotional strings are pulled when you think that Miss Pettigrew is suddenly tossed back where she was in the beginning, alone in a terminal with no hope. Suddenly, things change. Although this is clearly a chick-flick, guys can relate to it as well. My favorite parts of the movie are the references to the potential for war between Britain and Germany. There are not many but make up for it in their ominous nature. For example, there is a scene where a formation of heavy British bombers fly overhead. Anyone with knowledge of what happened during the Second World War will recognize it for the powerful harbinger of their future reality.

If you're looking for a compelling, daring, high brow documentary then this is not the one for you. However, if you're interested in seeing good acting, excellent art direction, and fun, whimsical characters then you won't be disappointed. Francis McDormand gives an excellent performance as the lead character. This role plays to her strengths - her presence, facial expressions and perfect timing. Amy Adams stretches a bit to deliver a good performance. She still managed to make her portrayal of the character believable despite her acting limitations. By far the best performance was that of Shirley Henderson as Edythe. Henderson takes the character and fully embraces it, exploiting the opportunity without going over the top. The story line while familiar, is adapted well enough to be make it a refreshing and witty period film without being cliché or taking itself too seriously. Overall the movie was very well done and one of the best refreshingly familiar feel-good films in recent memory.

This type of movie has simply not been done for 40 or 50 years. Comedy based upon timing, script, and coincidence (the "screwball" part) is very rare.

Unlike today's comedy, based on the outrageous, the actors in this genre have to know how to deliver the lines, keep the pace. The resurrection of a genre.

One of the unusual parts of this film worth noting is the score. The music moves the action a great deal of the time. And the composer kept the sound from the era almost flawlessly: big band jazz of the late 1930's. (there are a couple of slips into later jazz styles, very minor - musicologists may be annoyed - but no one else will notice) The music becomes one of the characters of the plot, interacting almost as much as the actors do. That alone is a brilliant device, tried by many, mastered rarely, especially in period.

Amy Adams and Frances McDormand have a wonderful interplay, both sides of the romantic slide: young, desired, older, having past love by.

great movie if you like your comedy a little faster, but with no one who's eating anything disgusting for a laugh.

In London in the beginning of World War II, the middle-aged Miss Guinevere Pettigrew (Frances McDormand) is unemployed and hunger after being fired by her alcoholic employer. The social assistant refuses to offer another employment to her but Miss Pettigrew grabs the address of the American actress and singer Delysia Lafosse (Amy Adams) on her desk and heads to Delysia´s fancy apartment. Soon she befriends and is hired by Delysia, a beautiful woman that manipulates her two lovers to live comfortably, sing in a nightclub and be cast for a play. Miss Pettigrew helps Delysia to resolve her affairs and learn that Delysia has a true love, a poor piano player that has invited her to move to New York with him. Meanwhile Miss Pettigrew meets the lingerie designer Joe Blomfield (Ciarán Hinds), who seems to be attracted to her.

"Miss Pettigrew Lives for a Day" is a different romantic comedy, supported by a great cast with Frances McDormand and Amy Adams, beautiful costumes and sets and magnificent music score from the 40´s. The plot is well-resolved and the film is entertaining. My vote is six.

Title (Brazil): "A Vida num Só Dia" ("The Life in Only One Day")