Fatal

When a film offers some good quotes and/or insights concerning how we live our lives it is for me always worth the ticket, and Elegy offers plenty. It is definitely not for the entertainment junkie, but it is nicely paced and keeps the intellect awake for the duration of the experience.

Ben Kingsley is an art and literature professor who still has not grown up, and this is mainly represented by him not being able to have a committed adult relationship, his jealousy, and the fact that he still holds a silly, bitter grudge against his son. It is a film about what growing up means, but also the possible pain and loneliness growing old.

... and David Kepesh (Sir Ben Kingsley) knows it, as he quotes her in the beginning of "Elegy". Kepesh is no sissy, but old age isn't for him either. He's a professor who's had a "friendship with benefits" with a woman (Patricia Clarkson) for twenty years, as he begins a torrid affair with the beautiful Consuela (Penélope Cruz), thirty years younger than him. Consuela and David fall in love with each other, but harder than finding the right person is the fear of losing them, and they will find some obstacles to their relationship.

This is an adult film about love, fear of commitment/loss, and death. Isabel Coixet proves again to be the most exciting name to come from Spain since Pedro Almodóvar – after "My Life Without Me", "The Secret Life of Words" and her segment "Bastille" from "Paris, je t'Aime", she delivers another mature, sensitive, and very peculiar film (her next project, "Map of Sounds of Tokyo", looks very promising as well). Sir Ben Kingsley and Patricia Clarkson are exceptional as usual; Dennis Hopper, as Kingsley's best friend, gives his best performance in a long time (he has a fantastic scene with Kingsley and Deborah Harry, who plays his wife). Peter Sarsgaard is also pretty good as Kingsley's son, and although Cruz doesn't shine as much as in "Non Ti Muovere", "Volver" or "Vicky Cristina Barcelona", she fits the role and makes you believe any man would be easily infatuated and obsessed with her.

The ending might seem a little melodramatic at first, but it's both poignant and adequate. Although not a perfect film, "Elegy" is easily one of the most poetic, rewarding experiences you'll have this year. Don't miss it. 9/10.

OK. Professor starts an affair with one of his students. You may have prejudices about that. Not about this kind of affairs, but about this kind of movies.

But it's a story about aging and jealousy and so far touching. The professor goes through hell, including all objections he's supposed to have about his own behavior in this certainly true love. A love which is regarded as ridiculous. Most so by himself.

Cruz and Kingsley are great as you could expect, but the greatest performance is delivered by Dennis Hopper. A certain amount of sentimentality is a little disturbing, but this film obviously takes aging as an emotional problem seriously.

"Elegy" is the fifth movie Ben Kingsley has done this year and its been so good to see him back in form the last couple years cause I honestly thought that doing "Bloodrayne" was his way of saying "I'm losing my mind." Nicholas Meyer wrote the movie from a novel by Phillip Roth. The last time Meyer adapted something from Roth we got Anthony Hopkins playing a black guy in "The Human Stain", and that was just one of many problems that that movie had. "Elegy" was directed by Isabel Coixet though, who I really only know from the short film "Bastille", one of a group of films that can be found in the all-around beautiful love letter to Paris film, "Paris J'Taime." She seems well-suited for this love story, as do Kingsley and Penelope Cruz. Only the question is, can they all make a better movie than "The Human Stain"? Kingsley plays cultural critic David Kepesh, a man who spent most of the 60's sexual revolution unfortunately married. Now a divorced college professor, Kepesh has devoted much of his after graduation activities to hitting on former students, his most recent conquest being Consuela Castillo (Penelope Cruz), a hard working woman from a Cuban family. Just Consuela awakens a sense of passion in him and soon he is thrown into a confusing situation where he jealously wants to have her for his own but his fear of commitment to another woman has him pushing her back when she wants to get closer.

At times funny and heartbreakingly moving, this movie mostly just makes you think how lazy most men are when it comes to relationships. I found it interesting how even a cultural critic, a man who spends his life looking for deeper meaning in everything, can look at a woman and only see a sex toy. That what a woman holds inside is a short substitute for what she holds outside. David being self-conscious about his age adds another dimension, backing up that long held belief by men that women are also more concerned with what's on the outside as well. It's all material that has been worked over before in countless romances and the ending relies on that old romantic cliché of throwing in a fatal disease that threatens the life of one of the characters but in general director Isabel Coixet creates a moving, heartfelt love story complete with sensual sex scenes, beautiful piano-background music and some really nice (and tasteful) shots of Penelope Cruz's boobs and ass.

There is also some really excellent acting going on in this movie. Kingsley charges into his role like a lion, showing David's brashness in preying on the young girls he so dearly missed out on during his married youth, but he also brings regret, vulnerability, and cluelessness to David that make him worthy of sympathy. And Penelope Cruz couldn't be better as his above-age Lolita, bringing a soft-spoken sexiness and warmth to a woman trying mightily to disarm a man primarily drawn to women as play things. And where has Dennis Hopper been? This is one of his best performances in a long time, playing a man whose gone through the wringer a couple times with relationships himself who now offers up his own wisdom, coupled with some comic relief as well. Patricia Clarkson does what she can in a small role as an on-again off-again sex buddy for David. She has a fantastic scene in the movie later on where she describes what life is like for older women but then unfortunately the character is never seen again.

"Elegy" doesn't simmer with romance but it's not exactly a slow-moving disaster either. It offers up some food for thought and it's artfully created while Kingsley, Cruz, and Hopper each supply fantastic performances. If you're interested in a May-December romance, this one fits the bill just fine for the time being.

Everybody is allowed to do a job just for the money, I know that I do, but when it comes to the acting profession, I irrationally think that I expect a little bit more from our finest thespians. I don't know why. I just do. Take, for example, the actor Ben Kingsley.

Ben Kingsley sometimes annoys the hell out of me. He is one of the best actors in the world, but sometimes plys his trade in the likes of films like "Thunderbirds", "A Sound Of Thunder" and "The Love Guru". Such a waste. Such a shame. Thank God he occasionally realises how good he is and signs up for a movie as sublime as "Elegy".

"Elegy" is a great movie. Ben Kingsley is supreme in it. He plays David Kapesh, an expat British teacher and writer. Kapesh is selfish. He is a player and a commitment phobe, who takes and drops lovers at the drop of a hat. That is until he meets Penelope Cruz's Consuela Castillo, with whom he begins a pretty standard affair and, against all expectations, and much to his dismay, falls in love with her.

"Elegy" has some seriously good, sure footed performances. Ben Kingsley is on Oscar worthy form. It is as different, but as good a performance, as his Oscar nominated turns in "Sexy Beast" and "House Of Sand And Fog". Patrica Clarkson, as Kapesh's long standing mistress, defines hurt and betrayal, Penelope Cruz completely puts word to the lie of one daft critic who said that she simply cannot act in the English language, but the surprise here is Dennis Hopper: His performance as Kapesh's best friend is light years away from the eye rolling villain that he normally portrays to make a crust.

"Elegy" is erotic, touching and beautiful. I think that it is a cracking movie and deserves a bigger audience.