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Paul Bettany did a great role as the tortured father whose favorite little girl dies tragically of disease. For that, he deserves all the credit. However, the movie was mostly about exactly that, keeping the adventures of Darwin as he gathered data for his theories as incomplete stories told to children and skipping completely the disputes regarding his ideas.

Two things bothered me terribly: the soundtrack, with its whiny sound, practically shoving sadness down the throat of the viewer, and the movie trailer, showing some beautiful sceneries, the theological musings of him and his wife and the enthusiasm of his best friends as they prepare for a battle against blind faith, thus misrepresenting the movie completely.

To put it bluntly, if one were to remove the scenes of the movie trailer from the movie, the result would be a non descript family drama about a little child dying and the hardships of her parents as a result. Clearly, not what I expected from a movie about Darwin, albeit the movie was beautifully interpreted.

As you sit there, quietly evolving, spare a thought for Charles Darwin. He was more than the venerable man with beard you may remember from your schoolbooks. He had a wife and children, and spent much of the long hiatus between writing his big theory and actually publishing it, coping with his wife, beautiful Emma, who, if she looked at all like actress Jennifer Connelly, was beautiful, but not at all ready to give up on God. She was also having to deal with Darwin's all-consuming guilt over the fatal illness of his eldest daughter, for which he seemed to have believed he was responsible in at least one way.

This, Charles Darwin's homelife, is colourfully evoked in the slightly Gothic new film, Creation. As it opens with a flashback to a failed attempt to steal 'savage' children from a Pacific island and take them home to convert them into Good Christians, it has us on its side from the start; even more as it nods to Francois Truffaut's 'L'Enfant Sauvage'. Paul Bettany as the man himself is on-screen most of the time, like a contestant in the Channel Four 'big brother house' permanently in close-up. The way the story jumps backwards and forwards in time gives it the feeling of a ghost story too. And there are other pieces of Darwin's life we rarely get to think about, such as the relationship he built up with the female ape, stolen from her jungle family and living in solitary confinement in an English zoo until her death.

All in all, it's quite an emotional roller-coaster, although not at the expense of recreating the world of the late Victorians very convincingly.

It's funny, I just realized there aren't too many films about evolution. There are thousands of films about war, thousands about crime, and zillions about love. You'd think the most fundamental question of human existence, "how the heck did we get here?", would be addressed more often.

"Creation" is presented as a biopic about Charles Darwin, but its real strength is the way it opens the debate of evolution vs. creationism, seeing how the debate still hasn't been settled in the 150 years since Darwin published "Origin of Species".

The film's interesting approach is that it doesn't slam you over the head with propaganda, though it is definitely pro-evolution. For the most part it presents the basics, it presents what Darwin believed, it presents the opposing sentiment, and it leaves it up to us to continue debating with our friends & enemies.

I believe it steers a safe enough course that creationists can enjoy it for its story, the same way believers in evolution and even atheists can watch "The Ten Commandments" and not be offended by its underlying fundamentalism (unless they're seriously constipated). "Creation" is a family-friendly film containing an interesting story, romance, drama and some good values regardless of your views on the almighty or lack thereof.

There are some staggering points made in the movie, such as Darwin talking about how, in nature, millions of lives are lost for every 1 that thrives. He punctuates the thought by saying "Don't you find that a bit wasteful?"

I give the filmmakers bonus points for tackling this subject which, as I said up top, isn't often tackled. I do want to take this opportunity to remind you that the ultimate, greatest film about evolution is, and always shall be, "2001: A Space Odyssey". That's a film that presents compelling arguments for all viewpoints, and it does it without stepping on anyone's toes. If you enjoy "Creation", you should immediately follow it with "2001". Then watch your head asplode.

I saw this film on 19SEP2009 at the Cambridge Film Festival.

The Beagle's only in a couple of short flashbacks, the whole thing is about Darwin's life from 1841 to 1859, when he was ensconced in Kent with his growing family, 200+ pages of Origin had already been drafted and he was wondering whether to complete the book.

The script is based on Randal Keynes's book Annie's Box (Annie, Charles's daughter, died when she was 10). It is mostly a family drama, but does include sex scenes - however, the participants are married, both on and off screen. Not too exciting, not much science but a well-made film that's pleasant to watch and pushes the right emotional buttons. A bit of a romantic weepie, actually. I suppose the conclusion is that you can be an agnostic free-thinking scientist from an atheist family background and still be an emotional romantic as well as an excellent father.

Some of the characters and Darwin himself state or wonder whether he "killed god" but the viewer is able to doubt that. What is beyond doubt, given the deadly struggle for survival and the web of predation on the meadow-bank (well-known before Darwin and completely uncontroversial) and the failure of Darwin's prayers is that the idea of a kind, providential god who loves "his" creatures is untenable.

I really cannot see many Americans objecting to it very much. Some may have problems with the title, which is probably the most controversial thing about the film, or with the fact that Bettany does not have horns, a tail and a pitchfork.

I saw the world premiere at the Toronto International Film Fest, this is a great film.

Real-life husband and wife Paul Bettany and Jennifer Connelly star as Charles and Emma Darwin in the midst of their struggle through the writing of and decision to publish "Origin of Species". Their consideration of the ramifications it may have for their family and the future of humankind are conveyed in such a manner that one suspects only an off-screen couple could achieve.

Jon Amiel (who gave a heart-felt introduction) and John Collee do and excellent job of bringing Randal Keynes' biography to life. They created some very poignant and human moments, great cinematography and sets and a generous helping of tongue-in-cheek about the still divisive theory of evolution.

The surprise star is Martha West who plays Annie Darwin, the character around whom much of the story unfurls. She plays the precocious young girl to a tee. If this performance is anything to go by her star should be on the rise.

All in all a great film, and although it is a period drama the issues that drive it are still very much alive today.