Caro Sr. Horten

What I most liked about "O'Horten" was the quiet likability of all the characters, and from the most staid to the most eccentric, characters they all are. It's almost as if Norwegians come from a different place than the rest of us.

We've seen lots of Swedish films over the decades, but these stoic Norwegians make the Swedes seem positively Mediterranean in comparison! The emotions expressed quietly - very quietly - in the film include love, respect, loyalty, and non-judgmental relationships between strangers. What's more, it's quietly funny! Of course, there is a bigger point, too; i.e., It's never too late.

Baard Owe, perfectly cast as Odd Horten, is wonderfully supported by a cast that includes Espen Skjonberg and Henny Moan. A quiet, captivating film.

I'm not certain if this is the first Norwegian film I've ever seen but, if it is, it's a wonderful beginning! I found the film to be utterly enchanting: Charming, quirky, eccentric, and delightful! The cinematography is flawless -- every frame was interesting to watch. The score is an absolute joy, fitting the film to perfection, yet never intruding or proclaiming itself.

I was deeply impressed by the natural, highly specific work done by the actors: They performed with great truth and honesty, saying more with a look or a gesture than they did with words.

I must confess to being something of a railroad lover -- so the inclusion of locomotives in the film was an added benefit. There is a strange dialectic between the freedom of travel and the limited mobility of trains that fits the characters and enriches the story.

So if you're the type who enjoys simple, direct, character-driven storytelling, this is the film for you. I look forward to seeing it again, and hope it will be released on DVD in the US soon!

This is a film unique and intriguing in its own special way. The apparent lack of emotions of the story indeed tells of so many emotions and speaks so many words unspoken. The interactions of Odd with other eccentric people on his retirement night indeed reflect his inner feelings of eagerness for a new start on one hand and his unpreparedness for loss of his routines on the other. The human interactions in the film are portrayed in such a frank and pure way that the whole film is filled with a subtle warmness despite the snowy streets of Oslo. By breaking away from the "rails" that had rooted him to the ground for so many years and by embarking on a new stage of life, Odd finally has the time to redeem, rediscover, and to reappraise, and to finally live a life without pre-set rails and tracks. A very warm, touching and enchanting piece of work which is at times surreal and at all times unique. It may be short of words sometimes but is never short of a uniquely human touch.

Waited a long time for this one. Ever since Water Easy Reached - which stood out in blur of movies from TIFF 98, and the poignantly thoughtful and revealing (about Swed/Norwegian angst) Kitchen Stories. So did expectation get the best of me?

The more I thought about this, the more I like the film. Yes it has it's own pace, but everything is so well thought out. No emotional manipulations, but there are plenty of emotions in the storyline. Great opening shots for the credits, and an amazing score that seems to tell you the mood for the story, plenty of time to digest the dialogue versus the choice of actions by each of the characters.

The story revolves around Odd, a retiring train engineer, the choices he made, makes and will be making and the people he meets along the way. Kind of rebirth, resolution of regrets kind of story. Doesn' sound very controversial or exciting against any other contending films ... even for an audience award. And it is not. But I really admire ... shall we say ... the integrity behind and of this film's character and intent ??? This movie has a soul and you can feel it. Maybe it is saying nothing is too late, reflection is a good thing, being alone physically is not a bad thing when your mind is active and gentle and flexible.

Some scenes/shots reminds me of Aki Murismaki's Drifting Clouds.

Bent was there for the Q&A to explain a few things, like he did for Kitchen Stories. And you see that he is passionate, has lots to say, and stays true to the story, and the character, without being overtly dramatic. I wonder why Bent is the way he is - telling stories in the style and tone that he does; incorporating everyday touches and observatrions from his home country. And probably this film tells you why.

**** spoilers *** and apparently ski jumping is very common in Norway, even Bent has done it. And the woman in the jumping scene is a world champion.

After 40 years working on the Norwegian railway Odd Horten is due to retire. His job has been his time and he is unsure what to do with his free time after leading such a conventional life. However, on the evening of his retirement party his life starts to become full of surprises and far less predictable.

He finds himself falling into amusing, unconventional, bizarre and awkward situations. His new life becomes filled with little adventures. Just as he was wondering what to do with his future after 40 years of routine were coming to an end, his eyes are opened to the variety of lives around him.

A slow, low key, dry and entertaining comedy.