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I watched this movie on DVD and I confess that I rented reluctantly this movie. However, I had a pleasant surprise, the story is about a boy who in his adult version is played by Ryan Reynolds with serious relationship problems with his father (William Dafoe). I am really surprise with Ryan Reynolds performance, also the young Michael with play Cayden Boyd. The whole story in one way or another turn around the problem of relationship between both. The movie uses well the flashback resource to show the problems of this family and especially the problems between Michael and his father. Naturally, there are good interpretations of the rest of the cast especially for Emily Watson(Michael's Aunt). A movie that really is worth watching.

I agree with Raj Doctor, although I would rate the film higher.

The film was released in Russia with little publicity and became lost in the summer blockbusters. Without revealing information, the acting is excellent. The story is very indeed very realistic. If you find realism boring, then this is not a film for you.

The final third of the film, however, is missing. I have read that at the Berlin Film Festival, where the film premiered, it was announced to be 2 hours long, but the version in Russia is missing 20 minutes. Because the ending felt rushed while the rest of it was very well controlled, I cannot help but believe that this time was taken out of the final act. It's a shame really, because it could have been a great film. As it is, it is still a very good film that I recommend for the patient viewer.

FIREFLIES IN THE GARDEN is a perplexing movie. The story seems as though someone threw the script up in the air with the fireflies in the garden (a quite beautiful moment in the film that suggest the night gardens of John Singer Sergent's 'Carnation Lily, Lily Rose'), shot it full of holes and then reassembled it the next groggy morning. Pieces are simply missing: we are informed that the original version is 122 minutes while this version is only 89 minutes and it is likely that in the missing 33 minutes many of the unresolved and very confusing elements of time and place and character development and perplexing moments existed. Writer/Director Dennis Lee obviously had a fine story to share and a brilliant cast to offer it, but so much of it is missing that we are left frustrated.

Successful Romance novelist Michael Taylor (Ryan Reynolds) has completed his latest novel, a work of serious memoir literature in which he has recounted his childhood in an attempt to free himself from the influence of his demonic father, English professor Charles Taylor (William Dafoe) who seriously abused Michael as a child and for whom he holds little emotion but disdain. Michael has returned home for the college graduation of his sister Ryne (Shannon Lucio) as well as his mother's - Lisa (Julia Roberts) - deferred graduation. But the celebration is altered by an accident: Charles swerved to not hit his nephew Christopher (Chase Ellison), hit a pole resulting in a crash that killed Lisa and injured Charles and leaves Christopher with a dark cloud of guilt that he caused the trauma.

We gradually meet the family: Lisa's sister Jane (Emily Watson) is the mother of Christopher and his little sister and has always been the closest friend of Michael when they were children (as children, Michael is portrayed by Cayden Boyd and Jane by Hayden Panettiere ), At Lisa's funeral Michael's 'ex-wife', AA reformed Kelly (Carrie-Anne Moss) shows up to add to Michael's angst. From here the film jumps back and forth between the childhood of Michael and Jane and the suffering and abuse Michael endured at the hands of his grotesquely diabolical father and the secrets of that failed family life are gradually exposed and the traumatic present. In cleaning out Lisa's things Michael discovers some information that alters his view of his past, and those discoveries lead to a change in the way Michael views his father and Jane's children and most significantly the demons that have burdened him through his life.

In addition to the fine work by Reynolds, Watson, Dafoe, Roberts, and all the other cast members, there is an important cameo for Ioan Gruffudd that opens the murk of the story well. Though this journey through the progress of a dysfunctional family has been done many times before and even frequently using the protagonist as a novelist about to open the secrets of the family's lives to the world, this story take some significant alternative routes that make it more tender. The uses of flashbacks could have been better edited so that the audience is aware of when the character changes occur, and there are many unanswered questions about how each of these characters came to inhabit the human roles they present here. But given the fact that the audience must stay completely alert during this film in order to follow this at times meandering story, this is a worthy film. One wonders why the missing 33 minutes were not included in the American release (the film was made in 2007 and it seems as though it never played the theaters, going instead directly to DVD). With a cast of this caliber this should have been a popular film. But where did those missing pages take us?

Grady Harp

Jeez Willem Dafoe is such a bastard in this, I really (really) hated him here. Decent movie with a great cast, giving great performances in a dysfunctional family drama.

For the most part the plot follows 'Michael' (Ryan Reynolds) flip-flopping back and forth between him at the age of 12 and at 30 following the unexpected death of a family member and just before he publishes a memoir that will reveal painful family secrets.

Reynolds does a good job as Michael, he's pretty messed up after being raised (tortured) by an abusive, manipulative father. I enjoyed the entire cast as they muddle through tragedy but was left frustrated by how many of the "secrets" were never revealed -I had questions left unanswered. And in no way had Dafoe's character redeemed himself in the end, which I think we were meant to assume. 9/8/14

Fireflies in the Garden (2008) **1/2

The problem with movies about dysfunctional families is the same one that spy movies have: they're a dime a dozen, and rarely offer anything new. Wes Anderson has made dysfunction his specialty. Noah Baumbach's Squid and the Whale was also a very good film about dysfunctional families, as is Jonathan Demme's new film Rachael Getting Married. Dennis Lee's feature length debut, Fireflies in the Garden is a technically well made film. It looks good, it sounds good. Lee is a sound director. But good direction can't always save a flat script. That's the problem with the movie. It offers nothing new into an already crowded genre.

I suspect that the film's script must have looked quite good. After all, it netted a slew of stars - Ryan Reynolds, Emily Watson, Willem Defoe, Hayden Panettiere, Iaon Gruffud, and Julia Roberts. Reynolds stars as as Michael Waechter, the son of a self absorbed intellectual jerk, Charles (Dafoe). His mother is Lisa (Roberts). The film goes back and forth in time, between Michael's childhood and present day. While on the way to Rhyne, the daughter's graduation party, Charles and Lisa get into a car accident while trying to avoid Christopher, Lisa's nephew. Lisa is killed.

This sets up situations and complications to bring everyone together so they can argue and bicker, and of course, eventually reconcile. As the family gathers at the old family home, where Jane (Watson in the present, Panattiere in the past) now lives, old feelings are drudged over, and while going through their mother's things, Michael discovers a secret about his mother.

Robert's and Watson play caring mothers. Lisa is passive, maybe too passive. Why she allows Charles to get away with some of the cruel things he does to the young Michael are confounding.

Meanwhile, the film also glosses over the relationship between Jane and Michael, who are roughly the same age. That relationship is almost incestuous, although Lee never dares to fully delve into it. Everyone does solid work with their roles. Again a part of the technical solidity of the film. It's just that the story is too familiar, too flat. In the end, Dafoe has some moments of depth, and Reynolds gives a strong and layered performance. Otherwise, the script doesn't take enough time to flesh out its characters.

Sure Michael has every reason to hate his father. He's a jerk, unabashedly so. The story needs to be maybe flushed out more, or maybe way less. There are stories enough for about three movies here. The plot line regarding young Christopher, who feels tremendous guilt over Lisa's death is enough for a film of this length. But there are so many other stories going on that it gets only limited time.

There are some other small nitpicks that can be made. First, none of the kids look like their adult counterparts. That would be fine in a better movie, but here it's something you pick out. Second, although the film is set somewhere outside Chicago, it feels like somewhere in the south. Probably because it was shot in and around Texas.

Based on a script that floated around Hollywood for sometime before getting financed, Fireflies in the Garden has floated around looking for a release since its debut back at the Berlin Film Festival. It's reported that the film will get a release come November. I suspect it will be limited, and suspect that it won't stick around theaters for long. Robert's might attract a few patrons to the multiplexes, but I wouldn't count on this one to make a big splash with anyone. I'm sure Lee has better in him.