Os Taylors são o bem-sucedido protótipo da família americana, mas quando um infeliz acidente sacode a família, a história oculta de seus relacionamentos será revelada.Os Taylors são o bem-sucedido protótipo da família americana, mas quando um infeliz acidente sacode a família, a história oculta de seus relacionamentos será revelada.Os Taylors são o bem-sucedido protótipo da família americana, mas quando um infeliz acidente sacode a família, a história oculta de seus relacionamentos será revelada.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 indicação no total
- Kelly
- (as Carrie Anne Moss)
- Jimmy Lawrence
- (as George Newburn)
- Reverend Byers
- (as Reverend John Stennfeld)
- Papi
- (as Phillip Rose)
Avaliações em destaque
For the most part the plot follows 'Michael' (Ryan Reynolds) flip-flopping back and forth between him at the age of 12 and at 30 following the unexpected death of a family member and just before he publishes a memoir that will reveal painful family secrets.
Reynolds does a good job as Michael, he's pretty messed up after being raised (tortured) by an abusive, manipulative father. I enjoyed the entire cast as they muddle through tragedy but was left frustrated by how many of the "secrets" were never revealed -I had questions left unanswered. And in no way had Dafoe's character redeemed himself in the end, which I think we were meant to assume. 9/8/14
The problem with movies about dysfunctional families is the same one that spy movies have: they're a dime a dozen, and rarely offer anything new. Wes Anderson has made dysfunction his specialty. Noah Baumbach's Squid and the Whale was also a very good film about dysfunctional families, as is Jonathan Demme's new film Rachael Getting Married. Dennis Lee's feature length debut, Fireflies in the Garden is a technically well made film. It looks good, it sounds good. Lee is a sound director. But good direction can't always save a flat script. That's the problem with the movie. It offers nothing new into an already crowded genre.
I suspect that the film's script must have looked quite good. After all, it netted a slew of stars - Ryan Reynolds, Emily Watson, Willem Defoe, Hayden Panettiere, Iaon Gruffud, and Julia Roberts. Reynolds stars as as Michael Waechter, the son of a self absorbed intellectual jerk, Charles (Dafoe). His mother is Lisa (Roberts). The film goes back and forth in time, between Michael's childhood and present day. While on the way to Rhyne, the daughter's graduation party, Charles and Lisa get into a car accident while trying to avoid Christopher, Lisa's nephew. Lisa is killed.
This sets up situations and complications to bring everyone together so they can argue and bicker, and of course, eventually reconcile. As the family gathers at the old family home, where Jane (Watson in the present, Panattiere in the past) now lives, old feelings are drudged over, and while going through their mother's things, Michael discovers a secret about his mother.
Robert's and Watson play caring mothers. Lisa is passive, maybe too passive. Why she allows Charles to get away with some of the cruel things he does to the young Michael are confounding.
Meanwhile, the film also glosses over the relationship between Jane and Michael, who are roughly the same age. That relationship is almost incestuous, although Lee never dares to fully delve into it. Everyone does solid work with their roles. Again a part of the technical solidity of the film. It's just that the story is too familiar, too flat. In the end, Dafoe has some moments of depth, and Reynolds gives a strong and layered performance. Otherwise, the script doesn't take enough time to flesh out its characters.
Sure Michael has every reason to hate his father. He's a jerk, unabashedly so. The story needs to be maybe flushed out more, or maybe way less. There are stories enough for about three movies here. The plot line regarding young Christopher, who feels tremendous guilt over Lisa's death is enough for a film of this length. But there are so many other stories going on that it gets only limited time.
There are some other small nitpicks that can be made. First, none of the kids look like their adult counterparts. That would be fine in a better movie, but here it's something you pick out. Second, although the film is set somewhere outside Chicago, it feels like somewhere in the south. Probably because it was shot in and around Texas.
Based on a script that floated around Hollywood for sometime before getting financed, Fireflies in the Garden has floated around looking for a release since its debut back at the Berlin Film Festival. It's reported that the film will get a release come November. I suspect it will be limited, and suspect that it won't stick around theaters for long. Robert's might attract a few patrons to the multiplexes, but I wouldn't count on this one to make a big splash with anyone. I'm sure Lee has better in him.
Fireflies in the garden is a beautiful film that will have your heart wrenching and at sometimes soaring above new heights. I lost my mom last year to cancer, so this movie was very hard for me to watch, but I made it trough to the end but not without shedding a river full of tears. In our lives we all lose someone we love and we all regret that we didn't do anything different or we didn't bother to be there for them when we were needed the most, and this film tells a story that can make you come to terms with that feeling. It can make you feel like not all is lost and that the grass is greener on the other side.
Ryan Reynolds, Julia Roberts, William Defoe and Carrie-Anne Moss deliver earth shattering performances in a movie that should be recognized as one of the best of 2008, this film should be released commercially to people so that they can experience a movie that will truly touch your heart in many way's. Fireflies in the garden is now and will always be one of my favorite films of all time, and I hope it will be one of yours too.
Você sabia?
- CuriosidadesJulia Roberts is married to the film's cinematographer, Daniel Moder.
- Erros de gravaçãoWhen Kelly first appears walking into the house after the funeral, the boom mic is visibly above the doorway.
- Citações
Jimmy: [to Michael] Gotta tell you my kids love it here. Christopher's in your old room and Leslie here is in Ryne's.
[turns to Leslie]
Jimmy: Say hello to your cousin.
Michael: [to Leslie, when she doesn't say anything] You're short.
Jimmy: [to Michael] Yeah guest room's upstairs, second door on the right, but I guess you know that because uh this is your home.
Leslie: Uncle Charlie said it's our home now.
Jimmy: You're right honey, it is our home now. But um, Michael grew up here so... it's his home, too.
Leslie: But it's our home.
Jimmy: [picks Leslie up] What do you say we go catch some more of that ball game, huh?
[to Michael as he starts walking]
Jimmy: If you need anything let me know.
Michael: Okay.
Jimmy: [stops and turns back to Michael] Hey this... this is great, you know... It's good to...
Michael: Yeah you too.
[Mouths to Leslie after Jimmy turns back around]
Michael: It's MY home.
- ConexõesReferences Samurai Champloo: Sidetracked (2006)
- Trilhas sonorasPiano Trio in A minor (Op. 50)
Written by Pyotr Ilyich Tchaikovsky (as Pyotr Illyich Tchaikovsky)
Performed by The Vincent Trio
Principais escolhas
- How long is Fireflies in the Garden?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Retrato de familia
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 70.600
- Fim de semana de estreia nos EUA e Canadá
- US$ 36.884
- 16 de out. de 2011
- Faturamento bruto mundial
- US$ 6.692.182
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1