Células estaminais, terapia genética e clonagem mudaram a definição de "humanidade" no mundo moderno, mas o lado sombrio contém monstros que apenas alguns são corajosos o suficiente para enf... Ler tudoCélulas estaminais, terapia genética e clonagem mudaram a definição de "humanidade" no mundo moderno, mas o lado sombrio contém monstros que apenas alguns são corajosos o suficiente para enfrentar, porque o futuro está nas suas mãos.Células estaminais, terapia genética e clonagem mudaram a definição de "humanidade" no mundo moderno, mas o lado sombrio contém monstros que apenas alguns são corajosos o suficiente para enfrentar, porque o futuro está nas suas mãos.
- Indicado para 1 Primetime Emmy
- 20 vitórias e 55 indicações no total
Avaliações em destaque
This internet series was made on next to nothing, and it still turned out this good..? It's no wonder Sci-Fi has picked up this gem. Fantastic premise, cutting edge production technology, established stars and fresh new faces...
Amanda Tapping totally re-invents herself as an eloquent British matriarch, complete with the full on accent, and a classy brunette look (befitting her new, more serious character). Stargate fans are gonna go bananas...
Robin Dunne is the heartthrob Hamlet of this strange group of heroes, and Emilie Ullerup is the sleek, sexy, leather-clad bad ass. Bad guy Chris Heyerdahl is awesome as Druitt, a nasty "Jack the Ripper" immortal who just can't seem to stop... Add to the mix a whole new level of strange creatures that go bump in the night, and you've got the recipe for a Sci-Fi, TV stew of epic proportions. Looking forward to seeing what they do with it next...
For Amanda Tapping, this is a good move - she's not Sam Carter anymore, playing the enigmatic and potentially very sexy Helen Magnus, aided by her slightly stereotypical teen-angst-ed daughter Ashley, some gentle-monster beast and a newly inducted fish out of water type, Will.
The concept is nice, 'Sanctuary for all' - being 'all' are non-humans, (but it does come across that they're all sort of imprisoned anyway). There's a sort of 'Gothic Buffy' feel about the scenario and the circumstances, but minus the classic Whedon Buffy humour.
The production values aren't superior and it's obviously CGI, there are some sub-par blue/green screens going on in places...but you can forgive this for a decent enough premise and storyline. Knowing that this hasn't been funded by a studio and Tapping herself is an executive producer, one should actually give the production some credit.
Tapping is fairly good in this role - we see her move out of the clever and cute Samantha Carter and flex her acting muscles somewhat in the portrayal of an 18th century English woman. Her accent isn't flawless, but you can forgive this - I'm sure it would be explained away that Magnus has been living in the USA for some time. There is no explanation as to why she's in the USA - or if she even is in the USA - the location is not revealed, but one assumes it's in North America.
Other actors put in decent enough performances, but there's nothing outstanding. Character wise the weak link here is the character of Ashley. Far too stereotypical, hard and cold. One supposes that she is in some way meant to contrast her mother, but we've seen characters like this far too many times before...she needs some depth.
This will be compared to Buffy - the characters aren't immediately associated with the former series - but it's there in the design of the monsters - the characters are also somewhat similar - the blonde fighting machine(Ashley/Buffy), the clever researcher (Magnus/Will/Giles) and monsters that work for the 'good guys'.
This 'pilot' doesn't go that far and we need a whole season of this to make a judgement call really. Based on this pilot though, I am intrigued and would like to see more.
The potential for future story lines is very good, and the acting is decent too, specifically by Amanda Tapping. While her Helen Magnus character retains a little bit of the scientist heart of her Stargate character, there's a much more mysterious and darker side to Magnus. In fact, Magnus is what Samantha Carter could have been in another time and place. It's a refreshing change. The other principles do an okay job. Emilie Ullerup's character starts out as a little too Buffy The Vampire Slayer-ish, with too much of a cautious-less teenage attitude at the beginning -- her character was established as being over 18, which doesn't jive with how she's portrayed -- but she showed a little more maturity at the end of the pilot. Having seen Ullerup in a bit part in Battlestar Galactica, she's more than capable of pushing her character to more grittier areas, which would provide a nice counterpoint to the other characters. Robin Dunne reminds me a little too much of Daniel Radcliffe. I'm half-expecting him to start reciting Hogwart incantations. At the end of the pilot, his character still seems to be a bit 2 dimensional.
The special effects were quite good for work that was done in front of a green screen. But ... I thought that the pilot episode suffered in one particular area: pacing. I'm not sure if it has to do with the editing or directing, or both, but the two hour premiere could have almost been cut down to an hour and a half. Some of the cuts were too slow, lingering on exposition scenes. Tighter pacing and quicker cuts would have made the pilot episode a lot better.
Minor nitpicking... There are two things I wish they would have taken care of. The first was the scene in the train tunnels where Ullerup's character was following the boy. Honestly, if I was wandering through a train tunnel, I'd immediately realize that someone was following me, especially someone with a flashlight. And also, it's kinda weird that two folks could just slip by a crime scene in the same tunnel without even being noticed. (Unless, of course, they used some Jedi mind tricks...) The second was the little side story regarding the police's prime suspect to the murders. For me, this was unresolved and I would have liked to have a resolution to it. I found it disappointing that the main characters would actually let an innocent man take the fall for something that was done by some of the "monsters". Perhaps this was part of the original script? I don't know, but it's unresolved. And considering the task that the main characters are facing, you'd think they'd at least have some sort of moral compass.
Overall, the show has a nice concept, but could benefit from better editing and directing. I'm going to keep watching the show for a few more episodes before I decide if I'm going to be watching this show after Stargate Atlantis.
Now, the show just seems to be missing something. Maybe, as another reviewer put it, the show needs to pick up the pace a bit. It is certainly thought provoking. I cannot say the show is bad, nor can I say that it is great. I'll close by saying that it is certainly worth a watch, probably need to view a few episodes before making any kind of decision either way.
I just can't get into it for some unknown reason.
Você sabia?
- CuriosidadesSanctuary was the first television series in North America to start production using the new RED camera exclusively, capturing images at four times the resolution of a high definition camera. One of the only television series to shoot extensively on green screen with virtual sets.
- Citações
Henry Foss: All access pass to Spookville. Comes with a free lunch and a decoder ring.
- ConexõesFeatured in WatchMojo: Top 10 SyFy Channel Shows (2015)
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- Idioma
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- Svätyňa
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- Tempo de duração
- 44 min
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