Anwar

This isn't your typical Indian film when a girl and a boy fall in love through a series of songs, and the parents forbid it until during a teary dramatic speech they accept the fact they belong together, no. This story ventures out of the lives of certain people, of what would really happen not only the imagination of the producers or directors. I, myself am not a Bollywood fan because of its excess of love films, but this film was different, I'm sure anyone would love it. It makes you cry, smile, laugh, and surprised about the outcomes. Some of the actresses and actors who lost their popularity in the film businesses are sure to regain it after lots view this film. The music matched perfectly with this movie, it's melody was sweet and beautiful. I recommend everyone to see this!

There is only one word in this world that can aptly describe this movie, "Beautiful". It blends contemporary social issues with an artistic flavor that is rarely seen in Indian cinema. The cinematography is amazing. The film tries to explain the metaphor of love. Love in various forms, which ranges from platonic love to lust. The social issues dealt here however lack maturity but when dealing with metamorphical things, that's where the film comes into its own. Just watch the scenes where Anwar symbolizes Mehru with Meera and himself with Krishna, beautiful, just beautiful. Acting is quite fine by everyone, especially Pankaj Jha who played the minister's right hand. However the real scene stealer is VIJAY RAZ who makes you to sit and look in awe as he performs like anything. Even regular theatre actors would find it hard to swallow when the guy comes into his own. The last scene where he shouts from the rooftop, "Bhikhari nahi hoon main, kalakaar hoon kalakaar", is fantastic. This film should be shown to all wannabe directors. Over all a must watch for every Cinema lover.

I rejoiced for Manish Jha's bravado and intelligent approach to movie making and stepping away from Bollywood style tripe. Vijay Raaz's acting as the eternally sad Master Pasha was incredible-kudos-I admire your work and its authenticity and glad you haven't sold out to Bollywood. The scenes and allegories were beautifully and tastefully shot, the imagery unforgettable. Great camera work and I love the minimalist yet to the point approach- good editing. I was a little lost on Gopinath's role and confused by his end (I've always been a fan of Rajpal Yadav's acting) . Siddharth Koirala was very expressive, beautiful eyes (looks like the great malayalee actor mohanlal)he could be more emotive but performed rather well in his over obsessed with Mehru role. Thank you to all the cast and Manish Jha for producing such a profoundly intense story on the screen. I'm happy to see such intelligent work and gives me hope that not all Indian actors and directors are slaves to the Bollywood industry tripe that flows out in copious amounts. The music was incredible especially the theme song or at least Moula mere-Thank you! and congratulations on this nearly impeccable work.

This movie has some beautiful music and cinematography, but the story is a total mess, there are way too many extra characters and their own story lines, it switches focus several times to characters and story lines that are barely even relevant. We don't really get to understand any of the characters as actual people; the main character Anwar is hard to understand (because he's not a fully realized character), and near the end of the movie acts in a way that isn't compatible with his previous actions. There are a lot of annoying men of various ages who cry and complain about the stereotypically cold and beautiful women who reject them. In the middle there is an "item song" that couldn't be more out of place in a movie that attempts to be angsty and heartbroken. If you're like me, you saw the songs and are intrigued, please don't watch it. The best parts of the movie are already in the songs, the rest is just a huge mess.

The only good thing in this movie is the song 'Maula Mere Maula' and the Concept/Idea. The making, direction, acting are all trash.