Avaliações do Metacritic

Latifah coasts on grit and verve, and Holmes has a goggle-eyed sweetness, but it's Keaton who rules.

While it's all so breezy and zippy and girl-power peppy, it's Keaton who makes Mad Money worth a few bucks.

The results are moderately entertaining, but the humor is broad and shallow; the film has none of the irony, bite or wit of its predecessor; and the script (by Glenn Gers) seems so calculated to appeal to every conceivable female demographic that it always feels contrived.

Mad Money is a comedy caper where the caper's not interesting and the comedy's not funny.

Everyone in the cast treads water, acting-wise -- there's nothing else to do -- except for Latifah, who brings passion to her work.

As a comedy, it relies on Keaton and Latifah playing the same characters they always play, and Holmes overcompensating by switching into bug-eyed manic-comedienne mode. Her performance is part Lucille Ball, part overcaffeinated chicken, and it deserves some credit for daring, but none for execution.

Improbable and generally unfunny comedy.

Banking on the appealing chemistry of Diane Keaton and Queen Latifah -- with co-star Katie Holmes awkwardly upsetting the balance -- this strained heist comedy about three cash-strapped femmes is watchable enough for a few reels, but lacks the requisite wit and amoral energy to capitalize on its get-rich-quick premise.

Diane Keaton--now there’s a trouper for you. She will not be caught giving less than 110 percent, even in a drab little heist comedy.

Affable Ted Danson makes few ripples as Bridget's husband Don; while Roger Cross and Adam Rothenberg also glide through the film in their minor "significant other" roles to Nina and Jackie, respectively.