Robin Hood

I enjoyed this movie and was impressed by the amount of detail Ridley Scott puts into his productions.

Yes, it could have been better and I think some of the areas where it failed to meet the excellence of Gladiator were:

* Plot – too convoluted, better to keep it simple and the hate more intense between the goodies and the baddies. * Character development – there was virtually none for the Merry Men. If Little John, Will Scarlet and co are in the movie, please give them something meaningful to say. * Editing - I think the movie fell down in this area and the narrative seemed stunted and disjointed at times. Perhaps the material was not just there in the first place? * A lack of passion – Russell Crowe in particular was too low key in his role but was not the only one. And Russell, I did get confused at times as to what part of old England you came from.

But there were some that put much more into it such as Cate Blanchett and Max Von Sydow (good to see this great old actor can still perform) and the movie did have many good points. It was certainly a lot different to what I expected and some of the sets and scenes were outstanding. Watch for the dazzling credits. Looks from the ending there will be a sequel and with a few improvements, I think it can be great.

Solid is the keyword. From the screenplay, to the cinematography and the performance, the film is based on solid grounding. Indeed, we couldn't imagine less from the people assembled on the project. And the first signs are indeed good, starting as an origin story that traces Robin's steps returning from the Crusades and arriving in Nottingham. The plot is immediately both compelling and fresh with regards to the well known tale.

The first problem we run into is that the film never allows itself to linger. This creates two problems: the sense of purpose it reaches for through urgency has a tendency to be lost to aimlessness, and the characters never have the space to generate real depth of emotion.

Imagine only this: Russel Crowe, Cate Blanchett and William Hurt together have collected three Oscars, and an additional nine nominations. Yet it it's hard to lavish praise on their performances, because they never manage to inspire empathy as well as we might wish. The sense of urgency - of imminent physical danger to their person, of the crucial importance of their quest - never quite strikes home.

The screenplay doesn't always help them. It attempts to give the tale a strong moral foundation, by associating it with burgeoning democratic ideals in feudal Britain, unconvincingly: suspension of disbelief failed this reviewer.

For both these reasons, the epic sense of greatness that saturates Mr. Scott's similar works never works in this one. Indeed, in the anticipated climax of the battle, slow motion shots fall flat, and emotion never reaches an expected high, in spite of the film's competence in the action scenes.

This is a work that strangely echoes others, as well. People will be drawn to comparisons with Gladiator; these aren't particularly relevant beyond Russell Crow's similar (yet less engaging) performance. Rather, Robin's journey from the crusades and through England, in which he prospers on fateful luck and earned respect, copies Ridley Scott's own Kingdom of Heaven. In their themes and ambition these three films are alike, but Robin Hood doesn't thrive from the comparison. Where flaws are shared, what made the other two great is oddly lacking in this latest historical epic from the director.

This is not exactly Robin and his merry men, nor is this Errol Flynn swashbuckling and laughing his way through merry old England as he gets his jollies battling the sheriff of Nottingham. No, this particular take on the story of Robin Hood is very different - like none you've ever seen before. Even the historical setting is changed from what's usually offered. Here, rather than waiting out the evil regency of Prince John and his minions until King Richard returns from the Crusades, Richard is already dead. His death comes very early on in the movie in battle in France. John is the King of England in this movie, and rather than an unselfish "robbing the rich to give to the poor" type character, Robin (actually in this movie Robin Longstride, who finds himself impersonating Robert of Locksley and becomes known as "Robin of the Hood") is a more complex character. I wouldn't say exactly noble - especially in the beginning - and his battle is not so much for the poor as it's a battle for the "rights" of the English people, as he eventually takes on what seems to be the fight to get John to sign what I assume is Magna Carta, and at least temporarily has to ally himself with John to help lead the defence of England against a French invasion.

The different historical setting is a bit disorienting to be honest - especially at first - but it also gives a degree of unpredictability to what's going to happen, and once you get a sense of where you are, when you are and what the fight is about it's easy enough to understand what's going on. Russell Crowe did a commendable job, I thought, in this alternate portrayal of Robin, and Cate Blanchett was most certainly a different kind of Marion. She's not the Maid Marion of legend. She's tough, she's a fighter, she goes into battle with the French - although not leading the battle, there's almost a Joan of Arc quality to her (minus the voice of God.) I was quite taken with Oscar Isaac as King John. He took the part and made it real. John came across as I would expect him to from the historical record - shifty and conniving, untrustworthy, quite willing to make and break whatever alliances are necessary at any given moment to ensure his survival as King and sometimes quite befuddled by his responsibilities. Perhaps a weakness was the fact that there was no real focus on Robin's men. Really only Will Scarlett (played by Scott Grimes) and Friar Tuck (played by Mark Addy) were significant elements in the story, and even they weren't particularly important.

The sets and setting were good. This felt like I imagine England in the late 12th-early 13th centuries would have felt like. Rough, brutal, dirty. It worked for me. The battle scenes (and there are a lot of them) are very well done. Since the movie ends with the caption "And so the legend begins" one wonders if a sequel might be in the works, perhaps detailing the struggle leading up to the actually signing of Magna Carta? If so, I'd definitely watch it. This was quite good! (8/10)

When I read that this Robin Hood was less action orientated I was a bit worried. What on earth for story is there to be told that we haven't seen in the other movies about Robin Hood. The answer is nothing.This version wants us to believe that Robin Hood is so much different than the Robin Hood we know. And while it is indeed refreshing to see this take on it. For the overall story it hasn't the slightest effect. The story we are told is not new or even compelling. Luckily there are some great actors who compensate this mess of a story to give it some meat. Max van Sydow comes to mind as one of the highlights in the movie. Personally I enjoyed the movie but expected so much more especially when you compare this to Ridly's earlier work like Gladiator or Kingdom of Heaven. The action scenes were more than decent. Too bad there were so few of them. The lack of action has to be compensated with a better story otherwise what is the point.

"To be hunted all the days of his life, until his corpse unburied, is carrion for foxes and crows."

A few tips for getting the most enjoyment possible out of Robin Hood:

1. Forget that it's an adaptation of Robin Hood, entirely. Just pretend like it's a middling medieval drama/adventure movie starring Russell Crowe and Cate Blanchett (who's spectacularly underused), with some very vague connections to the Robin Hood legend. Everything is changed about, added too, and embellished beyond recognition. There's nothing wrong with trying to put a fresh spin on an old tale (if it works), but you'll be greatly disappointed if you expect any more than loose connections to the well-known versions of the adventures of Robin Hood and his Merry Men. 

2. Don't expect Gladiator in England. Robin Hood desperately tries to be epic, sweeping, grandiose, and politically involving, but it doesn't come near the heights of the mega-popular, critically beloved Gladiator. It's not a bad movie, and you could enjoy it (if you keep your expectations at a reasonable level), but it's okay at best and deeply flawed at worst. Crowe doesn't put half the heart, passion, or effort into Robin Longstride that he did into Maximus. The characters are one-note and static, and the plot is overly-ambitious and needlessly complex. There is less than zero chemistry between Crowe and Blanchett. Robin's back-story was a contrived mess that added nothing to the movie except empty minutes to the running time. 

The main flaw with Robin Hood is that it's so preoccupied with being serious and deep, that it forgets to be fun. There's nothing wrong with trying to take a story like this in a more realistic direction, but there needs to be a rousing adventure at its heart. That's what's missing from this film. 

Robin Hood is a shadow of Gladiator. It's a shadow of Kingdom of Heaven, to be honest. But there are moments when the battles are raging and you forget that this is supposed to be Robin Hood, when it's an okay movie. My review seems horribly negative and that's not my intention - my expectations for this were just really high. It felt like Ridley Scott really didn't try all that hard, and the cast and crew followed his example.