O Assassino em Mim

They read books don't they?

I have a little habit on this site especially when I am unfamiliar with a films content, its director or writer. I look at the IMDb viewer reviews, starting by filtering them with the "hated it" box checked. If people have a good solid reason for hating a film or disliking it, a reason of substance, then I read 1 or 2 of "the bests" but consider twice whether I want to watch it. In the case of this film, I'd already seen it. I looked at the viewer reviews because it was an adaptation of a Jim Thompson novel and I wanted to see how people reacted. Especially because I was surprised, having seen it, by the films low rating.

For those of you who know nothing of Thompson's work I direct you to the Wikipedia article on him. In it, Steven King (who I assume most people on this site know as he wrote the IMDb rated #1 film of all time, "The Shawshank Redemption") said he "most" admired Thompson specifically for three lets... "he let himself see everything, he let himself write it down, then he let himself publish it".

Now I know that the ratings here can be a little skewed. For example, is Inception really the 6th greatest film ever made. Is "Sin City" a better movie than say "Jaws", "Blade Runner" or "The Wizard of Oz" or any number of extraordinary foreign entry's. In the IMDb world virtually every episode of every TV show ever made is always ranked higher than any feature. Look at Jessica Alba's work sorted by rating... Could every episode of Dark Angel have really been that good? Maybe it just means that IMDb viewers prefer short form fiction to the long form. Or as the editor of New York Magazine is quoted to have addressed his staff, "I don't want anything in this rag I can't read in one good crap".

Its a foregone conclusion that lot of people who frequent IMDb spend a good portion of their time being visually entertained and they might not have enough time left to peruse the printed work as much as they aught; Maybe not even enough time to search out some intelligent criticism before they make their viewing choices. But the number of 1 star, I hated it, reviews for this film defy all reason. Sure the subject matter is inherently offensive. But as Andrew O'Hehir said in his Salon.com review, to hate this faithful delivery of Jim Thompson's book, or to complain that "The Killer Inside Me" is full of misogynistic violence is a little like reading "Moby-Dick" and objecting to all the stuff about whaling.

Maybe if people read a little about a film before they invest their 2 bucks and 2 hours they could avoid subjecting themselves to films they won't like and spare us all their trenchant voicing of how they hated London because their vacation there was ruined when it rained the whole damn time they were there.

Paris would be great too, if they spoke more English and... "if you wanted the steak 'why'd ya order the duck"?

This is A GREAT FILM great film, unerringly faithful to its decidedly American literary roots, with great performances by some great actors. And if you find Jessica Alba so one dimensional you want to kill her, maybe that's the point.

Other suggested recent American Rural Noirs of note: Winters Bone (2010) The Frozen River (2008)

To see what a more lyrical Mexican voice has added to the genre: The Three Burials of Melquiades Estrada (2005) The Burning Plain (2008)

And of course the Cohen's brilliant noirs: No Country For Old Men (2007) Blood Simple (1984)

Lastly, there is always Tavernier's beautifully exuberant french adaptation of Thompson's "Pop. 1280", "Coup de Torchon", with the story moved from North Carolina to French West Africa. There is a likable comic buffoon in Noiret's playing of the character a little at odds with Thompson's... but if you don't like the French, stay out of the kitchen.

Ironically, I picked this over the documentary 'Armadillo' about the war in Afghanistan, because I didn't feel like watching a truly frightening and disturbing movie that night. I felt like watching something 'fictionally scary'. It seems I should have gone for the war documentary instead, this movie had me wrecked emotionally for days. The story kind of clings, you have to deal with it, but it's complex and hard. It's a challenging movie.

What keeps riddling me about this movie, is how on earth did anyone manage to make me feel sympathetic towards the main character, who's an occasionally psychotic, cynical and brutal sadist? Even when he loses his temper completely with consequences beyond anything you thought you would ever watch on the big screen, you find yourself on his side.

Now, it's not an uncommon ambition for a director to construct 'bad' characters with compelling sides that awaken your sympathy, but this is beyond my comprehension. He's not a character you feel sorry for, he's not playing the victim anywhere, he's a sadist out of control. He plans things carefully to serve his own purposes and explodes in violence. Still, you want him to make it. You are left for hours thinking and discussing why on earth you found yourself supporting this character. Why would anybody?!? I don't know how this was done, it is, as I said, disturbing.

I was thinking about this for days, I'm still thinking about it. There are many story lines to examine in retrospect, there's his childhood, the violence, the biblical figures and references, the forbidden sexual urges, the gender dynamics of the time and how Hudson and Albas characters are both in their own way revolting them. Casey Affleck gives a scarily brilliant performance, and Kate Hudson deserves compliments on her fantastic performance as the classical 'good girl of good family' of the 1950s who hides both a great social insight and a dark side.

The Killer Inside Me is a great conversation starter, my boyfriend and I discussed this for hours (and we are far from an intellectual movie-discussing couple). Americans should be warned though, this is without a doubt one of the most graphical violent Hollywood productions I have ever seen.

Cant help expecting more.....

The good things -

Casey Affleck and the character of Lou Ford as the baby faced psycho who thinks he is smart but isn't as clever as he believes Plausible violence - It wasn't good to watch but the situations felt real. I am still not convinced it was so necessary to have so much as you can get the point fairly quickly and then it just starts eating up film time which you could probably use better doing other things.

The bad things The ending - was stupid on so many levels. If by some chance it wasn't in his imagination then what are the chances that so many people have no sense of smell... Would have been much better to finish the film 10 minutes earlier. Dialogue. Maybe its just me and maybe it was the cinema but I just didn't catch what was being said a lot of the time. The Elias Koteas character in particular was hard to understand, and with so many little clues and pointers to whats happening and the different relationships its frustrating when you start missing things

The film as a whole felt incoherent, and I cant help thinking that there are much better films covering the same sort of area

"The trouble of growing up in a small town is everybody thinks they know who you are."

I was initially interested in The Killer Inside Me because I'm a fan of both Casey Affleck and Jessica Alba, but I soon became even more intrigued by what I was reading in the early reviews about how brutal it is. And it is brutal. I don't mean the over the top, fanciful gore-drenched brutality of a movie like Saw, I mean the kind of realistic, stomach- churning violence that isn't easy to watch. This movie is definitely not for everyone, as a result. I just thought I'd put that disclaimer out there.

The story is about a 29 year-old sheriff deputy named Lou Ford who leads a double life. He's a sadistic, violent, disturbed man who hides his true nature under the gentlemanly, courteous reputation he has amongst the denizens of the Texas town he's lived in since he was born. An encounter with a local prostitute triggers the violent urges in him that have been somewhat buried, and a cascade of murders upon murders result as he tries to cover his tracks and avoid the scrutiny of a district attorney who is deeply suspicious of him. 

I though Affleck was great in this. The guy is just a natural actor, and he pulls off both the unnerving psychopath and small town local aspects of the character. I wanted Ford to get caught for his utterly despicable actions, yet I still found myself feeling anxious whenever he seemed in danger of being found out. If that's not a compliment of Casey's performance, I don't know what could be. Alba was good in her somewhat limited role, and it was a pretty risk choice for her to tackle a part like this where so much violence was directed at her character. Kate Hudson also does well in a role that very different from much of her recent work, and Simon Baker rounds out the main cast with a solid performance as the district attorney.

I was drawn into this movie from the opening credits. If you're not put off by the violence and the sex (often mixed together), The Killer Inside Me is well worth watching. I thought the ending wasn't pulled off as well as the rest of the film was, but that's really my only complaint. Recommended.

Casey A. is a 50s Sheriff's Deputy in small-town Texas. He is a sadistic train wreck who even though he finds himself in the possession of not one but two luscious female bottoms to paddle with his belt he still has to kill everyone in sight. I may be wrong about that but it started to seem he was going to be of the "kill em all and let god sort em out" school. Even so this movie is marvelous. We get a nice little bit of back story explaining his predilections but to me it's the reactions of those around him that make the movie and not his back story. This is a layered, nuanced tale with many lovely ingredients, not the least of which is this newish, noirish serial killer type. The music is of the rockabilly, C&W, operatic type: it does wonders.