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5,7/10
4,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaNewly divorced lawyer Nathan Del Amico is shaken up after he meets a doctor who claims that he can sense when select people are about to die.Newly divorced lawyer Nathan Del Amico is shaken up after he meets a doctor who claims that he can sense when select people are about to die.Newly divorced lawyer Nathan Del Amico is shaken up after he meets a doctor who claims that he can sense when select people are about to die.
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- 1 vitória no total
Reece Thompson
- Jeremy
- (as Reece Daniel Thompson)
Avaliações em destaque
Agree with other reviewers on the lead character casting... another actor would have made the film amazing... the way it is...I watched it on Prime video, would've been annoyed if I had payed for the cinema.
Sometimes the promotional department of a film causes people to not view a film because it is misrepresented by the graphics on the poster, the DVD cover, or the trailer. Such is the case with AFTERWARDS - a lovely exploration of the concept of death and dying philosophy that has nothing to do with the image of John Malkovich holding a smoking gun! And that is a shame: this is a film that has a lot to say and provides a lot to think about thanks to the writing, directing and acting. The story is adapted from the novel "Et Après..." by Guillaume Musso by Michel Spinosa and writer/director Gilles Bourdos. It is a complex story that thankfully due to the talent of the cast and director is able to carry the audience into a place perhaps not considered or discovered before. It is a thinking person's film and a rewarding one.
The film opens in an idyllic setting of a lake of water lilies where we observe a little French boy Nathan and an English speaking girl Claire gently admiring swans(interesting to note that swans are traditionally or mythically associated with death). The girl slips on the dock, is trapped, and sends the boy to find her parents. The boy runs to the highway where he becomes the victim of a tragic hit and run accident. The film then jumps ahead about twenty years and we discover Nathan (Romain Duris) as a successful New York lawyer living alone after his marriage to Claire (Evangeline Lilly) has ended after the crib death of their son, leaving Claire to manage alone in New Mexico with the couple's surviving daughter: Nathan cannot cope with the fact that he feels responsible for the son's death by not responding to his cries. A strange doctor, Dr. Kay (John Malkovich) appears in Nathan's life claiming that he is able to sense death before it happens: he works in a hospital for the terminally ill, among them is one young lad Jeremy (Reece Thompson) with cardiac carcinoma who is struggling with his incipient dying. Dr. Kay is not malevolent, he is simply a 'Messenger' - one given the ability to visualize a bright white halo around a person who is soon to die. Nathan will not consider the veracity of this obtuse thought until Dr. Kay suggests he visit an old friend Anna (Pascale Bussières) who now works in a diner, living with her Russian father and her son. Nathan is curious, meets Anna, and upon visiting her home witnesses the death of Anna's father. Nathan contacts Dr. Kay, hostile that Dr Kay had suggested Anna was to die but instead lost her father, and Dr Kay reassures Nathan of the process: soon Anna dies also. At this point Dr Kay shares Nathan's history: Nathan did not die in the hit and run accident many years ago and was attended by Dr Kay who then knew that Nathan was also a Messenger. How Nathan turns his life around to flee to New Mexico and join Claire is the transformation of the film.
This is a delicate story told with sincerity and lack of sensationalism. It is a journey into the philosophy of what happens to us as we die. Nathan explains this to is daughter as death being like a ship that sails to the horizon and disappears to our eyes, yet the ship sails on beyond our scope of vision into another unknown space. Director Gilles Bourdos handles the pacing of this visually stunning film with such grace that it becomes a gentle work, allowing the finest acting yet seen from Malkovich, and reminds us of just how fine an actor Romain Duris has become. This is also a lovely introduction of Evangeline Lilly, an actress with tremendous screen presence and acting ability. Forget the trailer and the ugly cover of this DVD and allow yourself to enjoy this mesmerizingly beautiful film.
Grady Harp
The film opens in an idyllic setting of a lake of water lilies where we observe a little French boy Nathan and an English speaking girl Claire gently admiring swans(interesting to note that swans are traditionally or mythically associated with death). The girl slips on the dock, is trapped, and sends the boy to find her parents. The boy runs to the highway where he becomes the victim of a tragic hit and run accident. The film then jumps ahead about twenty years and we discover Nathan (Romain Duris) as a successful New York lawyer living alone after his marriage to Claire (Evangeline Lilly) has ended after the crib death of their son, leaving Claire to manage alone in New Mexico with the couple's surviving daughter: Nathan cannot cope with the fact that he feels responsible for the son's death by not responding to his cries. A strange doctor, Dr. Kay (John Malkovich) appears in Nathan's life claiming that he is able to sense death before it happens: he works in a hospital for the terminally ill, among them is one young lad Jeremy (Reece Thompson) with cardiac carcinoma who is struggling with his incipient dying. Dr. Kay is not malevolent, he is simply a 'Messenger' - one given the ability to visualize a bright white halo around a person who is soon to die. Nathan will not consider the veracity of this obtuse thought until Dr. Kay suggests he visit an old friend Anna (Pascale Bussières) who now works in a diner, living with her Russian father and her son. Nathan is curious, meets Anna, and upon visiting her home witnesses the death of Anna's father. Nathan contacts Dr. Kay, hostile that Dr Kay had suggested Anna was to die but instead lost her father, and Dr Kay reassures Nathan of the process: soon Anna dies also. At this point Dr Kay shares Nathan's history: Nathan did not die in the hit and run accident many years ago and was attended by Dr Kay who then knew that Nathan was also a Messenger. How Nathan turns his life around to flee to New Mexico and join Claire is the transformation of the film.
This is a delicate story told with sincerity and lack of sensationalism. It is a journey into the philosophy of what happens to us as we die. Nathan explains this to is daughter as death being like a ship that sails to the horizon and disappears to our eyes, yet the ship sails on beyond our scope of vision into another unknown space. Director Gilles Bourdos handles the pacing of this visually stunning film with such grace that it becomes a gentle work, allowing the finest acting yet seen from Malkovich, and reminds us of just how fine an actor Romain Duris has become. This is also a lovely introduction of Evangeline Lilly, an actress with tremendous screen presence and acting ability. Forget the trailer and the ugly cover of this DVD and allow yourself to enjoy this mesmerizingly beautiful film.
Grady Harp
I liked the movie and John Malkovich's performance. He enunciated every word carefully in contrast with the French actor whose accent is so thick many times one does not understand what on earth he is saying. The accent is not all. He also mumbles and whispers. Very unappealing, comes across as an arrogant little man. Immature and angry in one scene cannot control his anger and as a spoiled brat starts to destroy a bunch of decorative pieces in his house. Many other reviewers did not find this actor effective. I could not stand him.
The theme of the movie that one must reconcile and prepare for death before dying is interesting. I liked the supernatural aspects. True, none of us knows the day or the hour.
The theme of the movie that one must reconcile and prepare for death before dying is interesting. I liked the supernatural aspects. True, none of us knows the day or the hour.
The man and the voice of John Malkovich have carried forward from 'Burn after Reading' to this movie but this, unlike that movie, is a pure drama thriller and not a comedy. The beginning and the end take a bit of thinking about and thank goodness for DVD and the chance to play it a couple of times to try and understand it.
There was a period three quarters through the film when I felt the film definitely dragged, Nathan visiting his divorced wife Claire in wherever it was and his reluctance to fly home back to New York,but part from that, the film entertained and provided lots of interest.
Malkovich plays a Doctor who is a messenger with the vision to foresee the death of someone with a glowing white light. Dr Kay (Malkovich) first encounters Nathan the lawyer as a child and it is later in life when he sets out on a mission to deliver the message to him literally.
Of course, things don't pan out quite what you might expect but this is a fine drama, plenty of suspense, nice scenes and you get what you pay for. You shouldn't be disappointed.
Just love that eerie voice of Malkovich, so unique! Just imagine if Anthony Hopkins possessed it for Hannibal!
There was a period three quarters through the film when I felt the film definitely dragged, Nathan visiting his divorced wife Claire in wherever it was and his reluctance to fly home back to New York,but part from that, the film entertained and provided lots of interest.
Malkovich plays a Doctor who is a messenger with the vision to foresee the death of someone with a glowing white light. Dr Kay (Malkovich) first encounters Nathan the lawyer as a child and it is later in life when he sets out on a mission to deliver the message to him literally.
Of course, things don't pan out quite what you might expect but this is a fine drama, plenty of suspense, nice scenes and you get what you pay for. You shouldn't be disappointed.
Just love that eerie voice of Malkovich, so unique! Just imagine if Anthony Hopkins possessed it for Hannibal!
The movie overall was... ooookay. Performance was almost realistic, but I couldn't relate to the main character, though I don't think it's the actor's fault, it's just bad directing. I mean, seriously awful directing. It almost has nothing to do with the book. Honestly if I hadn't read it, i wouldn't have seen the movie.
It is completely different from the book. Of course, the book is always better, but this is just too different. First of all, the clinic that is run by Dr. Kay ( Gudrich in the book ) is supposed to be a nice place, that does not look like a clinic at all. It is supposed to be an almost happy place, if that's possible. I don't think Duris should've been chosen for the role * though he did play it well considering the movie*, because Nathan is supposed to be a completely different personality.
Secondly, the relationship between Nathan and Claire has not been shown consistently.
The whole movie had this dull, tiresome atmosphere and nothing's ever happening. They've shown everything in a different light.
In the book, there are ACTUALLY reasons, excuses for characters actions and all of the characters have an emotional depth that the movie just does not show.
All in all, this is a movie probably worth watching if you haven't read the book, because it does have some life-is-worth-living motives and it actually can make you appreciate it more, but if you, on the other hand HAVE read the book, I'm begging you not to watch the movie, it will just ruin it for you.
It is completely different from the book. Of course, the book is always better, but this is just too different. First of all, the clinic that is run by Dr. Kay ( Gudrich in the book ) is supposed to be a nice place, that does not look like a clinic at all. It is supposed to be an almost happy place, if that's possible. I don't think Duris should've been chosen for the role * though he did play it well considering the movie*, because Nathan is supposed to be a completely different personality.
Secondly, the relationship between Nathan and Claire has not been shown consistently.
The whole movie had this dull, tiresome atmosphere and nothing's ever happening. They've shown everything in a different light.
In the book, there are ACTUALLY reasons, excuses for characters actions and all of the characters have an emotional depth that the movie just does not show.
All in all, this is a movie probably worth watching if you haven't read the book, because it does have some life-is-worth-living motives and it actually can make you appreciate it more, but if you, on the other hand HAVE read the book, I'm begging you not to watch the movie, it will just ruin it for you.
Você sabia?
- CuriosidadesGuillaume Musso, the author of the source novel, has declared he liked the film, and praised it for its "poetic, mysterious and dramatic atmosphere", its "constant tension" and its "never-slowing pace".
- Erros de gravaçãoIn the scene where Nathan approaches an ambulance from behind, his feet are reflected in the shiny metal at the bottom of the vehicle's rear doors. Also reflected are the feet of the cameraman following him.
- Cenas durante ou pós-créditosOver the end credits music, you hear an ambulance winding through traffic.
- Trilhas sonorasIt's Bad You Know
Performed by R.L. Burnside, Tom Rothrock
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- How long is Afterwards?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Afterwards
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.400.000 (estimativa)
- Faturamento bruto mundial
- US$ 3.862.534
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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