AVALIAÇÃO DA IMDb
6,2/10
58 mil
SUA AVALIAÇÃO
Baseado em uma história verdadeira, um oficial afro-americano perturbado e racista não parará por nada até expulsar um casal inter-racial que acaba de se mudar para a casa ao lado.Baseado em uma história verdadeira, um oficial afro-americano perturbado e racista não parará por nada até expulsar um casal inter-racial que acaba de se mudar para a casa ao lado.Baseado em uma história verdadeira, um oficial afro-americano perturbado e racista não parará por nada até expulsar um casal inter-racial que acaba de se mudar para a casa ao lado.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Dartenea Bryant
- Woman
- (as Dartanea Dee Bryant)
Elizabeth Tulloch
- Nadine
- (as Bitsie Tulloch)
Avaliações em destaque
If you're a Samuel L. Jackson fan you'll probably watch this movie disregarding a good or bad review. I'm a fan and watched this movie with few expectations and thought it was a good movie worth watching at least once. Sam Jackson did a great job,and the other actors did well in their performances and meshed together really well. There are some great points in the movie that have quite a bit of tension and anger which was put across really well. This is of course not a work of art and has no moral to the story,but not all movies need to teach a lesson. What do you do when a racist,crazed cop lives next door and starts to harass you? I gave it a 6 out of 10. Good film with a decent premise,worth watching.
When i saw the trailer for this movie i immediately compared it to "pacific heights" which stars Michael Keaton and is a favorite movie of mine, i am not a fan of Samuel L Jackson i have never really enjoyed his work and the few movies he has been in lately including "the cleaner" did not help my view on his acting, so going into this movie i was determined i would not like it and i was wrong , the first thing i want to clear up is this isn't like the movie i compared it to, it deals with racism but from the other end which i have never seen before in a movie, And secondly Samule L Jackson does great in this role as a cop with a grudge, the story is more than what you would think and the trailers did not give anything away, it is not a complicated movie with twists but it is a movie that is different from previous films with this type of aim. the fact that i am not a fan of Samuel L Jackson yet i praise him for this role shows how much quality this movie has. Patrick Wilson also does a great job , he is a good actor and its a good warm up role for people to know his face in his next role in "watchmen".
The rest of the cast do a good job in there supporting roles. This by far is not a movie that will win any Oscars but it is a movie that will entertain, i recommend it for a Saturday night in with drinks. A very entertaining thriller with great acting from its two leading actors. I hope my review was help full and if you get the chance to see this take it, because it will not disappoint.
The rest of the cast do a good job in there supporting roles. This by far is not a movie that will win any Oscars but it is a movie that will entertain, i recommend it for a Saturday night in with drinks. A very entertaining thriller with great acting from its two leading actors. I hope my review was help full and if you get the chance to see this take it, because it will not disappoint.
Seven. Yes, seven. No, I'm not talking about the David Fincher directed thriller, nor am I referring to Samurai, Dwarfs or the lucky number. In this context, seven denotes the number of wince inducing minutes it takes for Lakeview Terrace to throw it all away.
Particular genres of movies tend to have a nasty propensity to ruin their final acts, the foremost of those being thrillers and horror films. May it be an amateur director not knowing how to complete their vision, studio intervention sucking the life from the screen or the commonly occurring revelatory "shocker" ending which tries to jam too many ideas in the viewer's already bleeding sockets. Oddly, director Neil LaBute's latest offering does not succumb to a conventional destructive timeline, but instead opts to cataclysmically implode in literally the final scenes, a feat which few films can boast. Perhaps I am being an iota harsh, as I am recommending this film and the majority of this review will be skewed favourably, but chiefly, my unbounded feelings of contempt towards the finale should stand as a testament to their standalone absurdity which contrasts harshly with the preceding 90 or so minutes.
Samuel L. Jackson has had a vibrant career portraying characters in two spectrums of the acting realm. On one side we have his depictions that can be lumped into the loud-mouthed anti-hero category (Pulp Fiction, Die Hard with a Vengeance, Snakes on a Plane), and on the other, his more nuanced (as nuanced as Sam Jackson can be) roles. (Black Snake Moan, Resurrecting the Champ, Coach Carter) Lakeview Terrace to some extent blurs this boundary, but for the most part Jackson plays his role straight, and he is very good because of it. Jackson plays Abel Turner a veteran, but widowed LAPD officer who lives his daughter Celia (Regine Nehy) and Son Marcus (Jaishon Fisher) on Lakeview Terrace in the hills. He is strict to be sure and his protective nature sometimes obscures the obvious affection for his children. It is touches like this, and similar additions by LaBute that makes his character all the more menacing when the tension later builds, as he is not so much a faceless villain, but a deeply flawed everyman. Despite an encroaching wildfire, things are routine on Lakeview; Abel patrols the neighbourhood at night, loves his job and wants nothing more then to protect his family. Things change however when a new couple move in next door. The fact that husband Chris (Patrick Wilson) wife Lisa (Keri Washington) are interracial is only the fuel for Abel's contempt, and when his children witness a late-night skinny dip by these two newlyweds, the fire erupts and Abel and Chris' lives spiral out of control.
Fashioning Abel as a cop is an intelligent choice, as per the television advertisements indicate, what are they going to do, and who are the authorities going to believe; who will police the police indeed. The tension for the duration is so high, you don't even need a knife to cut it, and a definite sense of dread and menace perforates the narrative. LaBute, truthfully, makes few mistakes, he allows for character development, and as I mentioned not just regarding Chris and Lisa, lets the story develop at a slow burning pace, with the hillside fires mirroring the escalating tempers. The story is also far more insightful and caring then I ever would have anticipated regarding the complicated issue of race and marriage, without feeling shoehorned into the thriller template. As you can clearly discern I have a fairly large amount of admiration for Lakeview Terrace, which brings me to the ending.
Few endings I have seen have represented such a radical shift in tone, and made its characters undertake such ridiculous and uncharacteristic actions then we see here; and I assure you it is jarring. The immediately preceding act, is an iota off kilter with the acts preceding, but does not draw attention and properly illustrates the consequences when things are taken too far in the name of retribution. I was fully under the impression that things were going to end sharply until Abel's character jolts erratically from intelligent saboteur to volcanic lunatic and makes a series of choices that are against both his nature, and what the audience would want to see transpire. Either Abel lost his mind, or the director did. Those who seek out this film in theatres may be disappointed and feel the conclusion somehow managed to bilk them out of their cash like a sneaky pickpocket. LaBute's finale does not so much embody a slap in the face, but a swift hard kick to the groin.
Read all my reviews at Simon Says Movies: http://simonsaysmovies.blogspot.com/
Particular genres of movies tend to have a nasty propensity to ruin their final acts, the foremost of those being thrillers and horror films. May it be an amateur director not knowing how to complete their vision, studio intervention sucking the life from the screen or the commonly occurring revelatory "shocker" ending which tries to jam too many ideas in the viewer's already bleeding sockets. Oddly, director Neil LaBute's latest offering does not succumb to a conventional destructive timeline, but instead opts to cataclysmically implode in literally the final scenes, a feat which few films can boast. Perhaps I am being an iota harsh, as I am recommending this film and the majority of this review will be skewed favourably, but chiefly, my unbounded feelings of contempt towards the finale should stand as a testament to their standalone absurdity which contrasts harshly with the preceding 90 or so minutes.
Samuel L. Jackson has had a vibrant career portraying characters in two spectrums of the acting realm. On one side we have his depictions that can be lumped into the loud-mouthed anti-hero category (Pulp Fiction, Die Hard with a Vengeance, Snakes on a Plane), and on the other, his more nuanced (as nuanced as Sam Jackson can be) roles. (Black Snake Moan, Resurrecting the Champ, Coach Carter) Lakeview Terrace to some extent blurs this boundary, but for the most part Jackson plays his role straight, and he is very good because of it. Jackson plays Abel Turner a veteran, but widowed LAPD officer who lives his daughter Celia (Regine Nehy) and Son Marcus (Jaishon Fisher) on Lakeview Terrace in the hills. He is strict to be sure and his protective nature sometimes obscures the obvious affection for his children. It is touches like this, and similar additions by LaBute that makes his character all the more menacing when the tension later builds, as he is not so much a faceless villain, but a deeply flawed everyman. Despite an encroaching wildfire, things are routine on Lakeview; Abel patrols the neighbourhood at night, loves his job and wants nothing more then to protect his family. Things change however when a new couple move in next door. The fact that husband Chris (Patrick Wilson) wife Lisa (Keri Washington) are interracial is only the fuel for Abel's contempt, and when his children witness a late-night skinny dip by these two newlyweds, the fire erupts and Abel and Chris' lives spiral out of control.
Fashioning Abel as a cop is an intelligent choice, as per the television advertisements indicate, what are they going to do, and who are the authorities going to believe; who will police the police indeed. The tension for the duration is so high, you don't even need a knife to cut it, and a definite sense of dread and menace perforates the narrative. LaBute, truthfully, makes few mistakes, he allows for character development, and as I mentioned not just regarding Chris and Lisa, lets the story develop at a slow burning pace, with the hillside fires mirroring the escalating tempers. The story is also far more insightful and caring then I ever would have anticipated regarding the complicated issue of race and marriage, without feeling shoehorned into the thriller template. As you can clearly discern I have a fairly large amount of admiration for Lakeview Terrace, which brings me to the ending.
Few endings I have seen have represented such a radical shift in tone, and made its characters undertake such ridiculous and uncharacteristic actions then we see here; and I assure you it is jarring. The immediately preceding act, is an iota off kilter with the acts preceding, but does not draw attention and properly illustrates the consequences when things are taken too far in the name of retribution. I was fully under the impression that things were going to end sharply until Abel's character jolts erratically from intelligent saboteur to volcanic lunatic and makes a series of choices that are against both his nature, and what the audience would want to see transpire. Either Abel lost his mind, or the director did. Those who seek out this film in theatres may be disappointed and feel the conclusion somehow managed to bilk them out of their cash like a sneaky pickpocket. LaBute's finale does not so much embody a slap in the face, but a swift hard kick to the groin.
Read all my reviews at Simon Says Movies: http://simonsaysmovies.blogspot.com/
An excellent story about a dirty cop for a neighbor and Patrick Wilson's character not being able to do much about it. Great that it's not the type to contrive racist things all over it instead it's more subtle. I love how the movie gets away with 2 f bombs! Lakeview Terrace is under appreciated and highly entertaining in my opinion; deserves more credit!
A young successful interracial couple move into a new home in an exclusive California neighborhood. Chris Mattson (Patrick Wilson) and Lisa Mattson (Kerry Washington) are greeted with hostility by their new neighbor, LAPD Sergeant Abel Turner (Samuel L. Jackson), a widower and single father with a son and daughter. Chris and Lisa attempt to be cordial with Abel, inviting him and his family to their home and attending a barbecue Abel throws for some of his fellow officers. Despite this, Abel keeps becoming more disruptive and aggressive to Chris and Lisa. This eventually leads to retaliation on Chris' part and a confrontation with tragic consequences.
This movie despite its racial overtones doesn't break any new ground as a thriller. Patrick Wilson and Kerry Washington are a yuppie couple pushed too far and Sam Jackson as Abel is their disturbed neighbor/antagonist who wishes them harm. Definitely nothing new. The acting and script are okay with Sam Jackson's performance easily being the best. The ending is something that can be seen coming a mile away. This film is something you would watch on a slow day if it came on cable.
This movie despite its racial overtones doesn't break any new ground as a thriller. Patrick Wilson and Kerry Washington are a yuppie couple pushed too far and Sam Jackson as Abel is their disturbed neighbor/antagonist who wishes them harm. Definitely nothing new. The acting and script are okay with Sam Jackson's performance easily being the best. The ending is something that can be seen coming a mile away. This film is something you would watch on a slow day if it came on cable.
Você sabia?
- CuriosidadesThe plot for this movie is loosely based on real-life events that happened in Altadena, California, involving an interracial couple and an African-American Los Angeles Police Officer.
- Erros de gravaçãoAbel Turner has a goatee in every shot, including on duty. LAPD grooming standards prohibit beards and goatees while on duty.
- Citações
Chris Mattson: Y'know what, Abel? Fuck you.
Abel Turner: [laughs] Is that a 'We Are the World' 'fuck you'?
Chris Mattson: No. It's a special one. Just for you.
- Trilhas sonorasShoot Me Down
Written by Peter Carr, Kevin Chase, Shahzad Mahmood, Christian Peck
Performed by Boy Kill Boy
Courtesy of Mercury Records Limited
Under license from Universal Music Enterprises
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Vecinos en la mira
- Locações de filme
- Hawthorne, Califórnia, EUA(exteriors: library)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 39.263.506
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.004.672
- 21 de set. de 2008
- Faturamento bruto mundial
- US$ 44.655.002
- Tempo de duração
- 1 h 50 min(110 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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