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IMDbPro

Cisne Negro

Título original: Black Swan
  • 2010
  • 16
  • 1 h 48 min
AVALIAÇÃO DA IMDb
8,0/10
865 mil
SUA AVALIAÇÃO
POPULARIDADE
666
94
Natalie Portman in Cisne Negro (2010)
Nina is a talented but unstable ballerina on the verge of stardom. Pushed to the breaking point by her artistic director and a seductive rival, Nina's grip on reality slips, plunging her into a waking nightmare.
Reproduzir trailer0:31
20 vídeos
99+ fotos
DramaDrama do mundo do espetáculoDrama psicológicoSuspenseSuspenses psicológicos

Uma esforçada bailarina luta para manter sua sanidade após obter o papel principal no Lago dos Cisnes de Tchaikovsky.Uma esforçada bailarina luta para manter sua sanidade após obter o papel principal no Lago dos Cisnes de Tchaikovsky.Uma esforçada bailarina luta para manter sua sanidade após obter o papel principal no Lago dos Cisnes de Tchaikovsky.

  • Direção
    • Darren Aronofsky
  • Roteiristas
    • Mark Heyman
    • Andres Heinz
    • John J. McLaughlin
  • Artistas
    • Natalie Portman
    • Mila Kunis
    • Vincent Cassel
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,0/10
    865 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    666
    94
    • Direção
      • Darren Aronofsky
    • Roteiristas
      • Mark Heyman
      • Andres Heinz
      • John J. McLaughlin
    • Artistas
      • Natalie Portman
      • Mila Kunis
      • Vincent Cassel
    • 1.6KAvaliações de usuários
    • 699Avaliações da crítica
    • 79Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 98 vitórias e 279 indicações no total

    Vídeos20

    Official IMAX Trailer
    Trailer 0:31
    Official IMAX Trailer
    Black Swan: International Trailer
    Trailer 2:19
    Black Swan: International Trailer
    Black Swan: International Trailer
    Trailer 2:19
    Black Swan: International Trailer
    Black Swan
    Trailer 2:09
    Black Swan
    Passer By
    Clip 0:37
    Passer By
    "You Bit Me"
    Clip 0:54
    "You Bit Me"
    "Black Swan"
    Clip 0:48
    "Black Swan"

    Fotos332

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    Elenco principal63

    Editar
    Natalie Portman
    Natalie Portman
    • Nina Sayers…
    Mila Kunis
    Mila Kunis
    • Lily…
    Vincent Cassel
    Vincent Cassel
    • Thomas Leroy…
    Winona Ryder
    Winona Ryder
    • Beth Macintyre…
    Barbara Hershey
    Barbara Hershey
    • Erica Sayers…
    Benjamin Millepied
    Benjamin Millepied
    • David…
    Ksenia Solo
    Ksenia Solo
    • Veronica…
    Kristina Anapau
    Kristina Anapau
    • Galina…
    Janet Montgomery
    Janet Montgomery
    • Madeline…
    Sebastian Stan
    Sebastian Stan
    • Andrew…
    Toby Hemingway
    Toby Hemingway
    • Tom…
    Sergio Torrado
    • Sergio…
    Mark Margolis
    Mark Margolis
    • Mr. Fithian…
    Tina Sloan
    Tina Sloan
    • Mrs. Fithian…
    Abraham Aronofsky
    Abraham Aronofsky
    • Mr. Stein
    • (as Abe Aronofsky)
    • …
    Charlotte Aronofsky
    • Mrs. Stein…
    Marcia Jean Kurtz
    Marcia Jean Kurtz
    • Costumer Georgina
    Shaun O'Hagan
    Shaun O'Hagan
    • Stage Manager Sebastian
    • Direção
      • Darren Aronofsky
    • Roteiristas
      • Mark Heyman
      • Andres Heinz
      • John J. McLaughlin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários1.6K

    8,0864.9K
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    Resumo

    Reviewers say 'Black Swan' is acclaimed for its psychological drama, with Natalie Portman's compelling performance as a ballerina. The film delves into obsession, perfection, and duality, using visual elements like colors and mirrors. Critics praise the choreography and ballet portrayal, though some find horror elements overdone. The supporting cast enhances the atmosphere, making 'Black Swan' notable for its bold storytelling despite mixed opinions on certain aspects.
    Gerado por IA a partir do texto das avaliações de usuários

    Avaliações em destaque

    9colinrgeorge

    A Swan Dive into Darkness

    Darren Aronofsky's "Black Swan" makes ballet cool—and if that isn't a Herculean feat in itself, I don't know what is. It also happens to be one of the best films of the year, featuring one of the best performances of the year. Natalie Portman will be nominated for her devastating portrayal of petite perfectionist Nina the ballerina or I'll pull a Werner Herzog and eat my shoe.

    "Black Swan" is cut from the same cloth as Aronofsky's 2008 film "The Wrestler," if at the opposite end. Interestingly, before either project was realized, the director was reportedly mulling a drama about the relationship between a professional wrestler and a ballerina. Somewhere along the way, however, that concept was split down the middle—and thank God. "Black Swan" is brilliant, but it wouldn't necessarily play well with others.

    Like its predecessor, the film examines a physically demanding and widely unappreciated art, and though thematically similar, the two complement each other via mutually exclusive cinematic vernaculars. "The Wrestler" is ultimately a safer film. Its emotional experience is directly conveyed via plot and dialogue. What Aronofsky attempts with "Black Swan" is riskier: he plays genre Frankenstein, taking established themes and transplanting them into that which feels initially least appropriate—horror.

    Yet despite certain unmistakable cues, I'd hesitate to call "Black Swan" a horror film. Visually, maybe, but John Carpenter insists "The Thing" is a Western, and likewise there is more to "Black Swan" than is aesthetically obvious. It probably best fits the psychological thriller mold, but as Aronofsky suggests through his manipulation of mirrors, it is not a film that ever casts a clear reflection. For me, that dichotomy is what makes it so fascinating and rewarding.

    "Black Swan" strikes an immediate haunting note that seems to grow louder with reverberation rather than quieter. In the first half, the director lays track work; in the second, he runs right off it. Nina begins her journey receiving the coveted role of the Swan Queen in a modernist production of Tchaikovsky's "Swan Lake." Her practiced technique makes her ideal for the role of the goodly White Swan, but her lascivious director (Vincent Cassel) has reservations about her ability to portray her evil twin, the titular Black Swan—a character that embodies impulse and lust. Nina's process of unlearning takes her to increasingly dark, surreal depths.

    The final act of the film comprises the most riveting 40 minutes I've seen on screen all year, though "Black Swan" is never the mindf**k some have improperly labeled it. Aronofsky deliberately builds atmosphere and anticipation toward a Kubrickian climax that is at once obvious and stunning. Tchaikovsky's score falls like an aerial assault, and that inherent theatricality collides with Aronofsky's narrative as they come to a dual boil.

    Perhaps best of all, however, is that for all the audacity on display, the director knows when to dial it back as well. The casting of Mila Kunis ("Forgetting Sarah Marshall," "That 70's Show") was idyllic. She plays a comic relief of sorts, with a comely, down-to-earth veneer but viperous eyes. Her performance is fantastically calculated—she provides derisive, but much needed perspective on Nina's deteriorating sense of reality.

    "Black Swan" is a wholly effective work born from the shadowy underside of the mind, anchored by a career-defining turn by Portman. It is a quick, impulsive piece, but it explains artistic devotion and the consuming nature of obsession as well or better than any film I've ever seen. In hindsight, it feels more characteristic of the filmmaker responsible for "Pi" and "Requiem for a Dream" than "The Wrestler," though the parallels between it and "Black Swan" run deep.

    They may be cut from the same cloth, but the difference between the two is as stark as black and white. Hail Aronofsky, the Swan King.
    8brutus-76916

    Film is mostly enjoyable when viewed as a dark fairy tale

    Remembered hype for this film when it was out in cinema back in 2011 but never viewed, would've been around 13 years old at the time. Completely forgot about film but stumbled on it on Netflix recently in 2023.

    In my opinion this film is best viewed as a sort of dark fairy tale similar to Argento's Suspiria. As a psychological drama it is somewhat unsettling but not nearly as unsettling or downright unpleasant as psychological dramas like The Machinist or the Piano Teacher.

    A lot of the critical reviews on this site of this film criticize the one dimensional characters of this film which is understandable. But when the very first scene after the opening credits is a dream sequence with the main character dancing with a man in a goblin costume, that should tip the viewer off that this film has strong dark fantasy elements thus having archetypal or rather one dimensional characters is not out of place.

    I can see why I had not heard of this film since then because it is not very deep or something you ponder after viewing. But all in all I give 8/10.

    -
    10DonFishies

    A beautiful and nightmarish masterpiece

    There are not enough words in the English language to describe the praise Darren Aronofsky deserves for Black Swan. It was one of the most talked about and sought after films at this year's Toronto International Film Festival (which I managed to snag a ticket for), and for good reason – it is a masterpiece that is just as much beautiful as it is nightmarish.

    Nina Sayers (Natalie Portman) has toiled for years within a New York ballet company, always pushing herself. The company has fallen under hard times, and director Thomas Leroy (Vincent Cassel) makes the swift decision to put on a new rendition of the classic Swan Lake. With the company's go-to lead pushed into retirement, Nina is quickly selected to be the lead in the new ballet. With competition arriving in the form of new dancer Lily (Mila Kunis), and the demanding desire for perfection from both Thomas and her overbearing mother Erica (Barbara Hershey), Nina begins a journey into dark uncharted territory.

    Black Swan is an enthralling and visceral experience from beginning to end. Aronofsky has used what he has learned from making the raw and unflinching The Wrestler and the cerebral horror and incredibly disturbing Requiem for a Dream, and has crafted a film that you will simply not be able to take your eyes off of. He builds up rather slow, but right after that first moment of off-the-rails insanity, he delivers one hell of an incredible piece of cinema. One that is not easily able to be classified to any one genre.

    While you may have read suggestions that Black Swan and The Wrestler are two halves of the same film, make no mistake at looking at it any further beyond the comparison of being about two people toiling within two very different forms of art. Black Swan is never a low budget character piece. It is a film that navigates between being thrilling and horrific at the same time. While the horror elements start to take more prominence in the second half (specifically the rather squeamish elements of body horror, done in a way that would make David Cronenberg proud), the film never lets one completely overtake the other. It manages to maintain this sense of dread, darkness and rather graphic wound/injury infliction throughout.

    The visuals and editing are the drive of what helps make the film so well done. Contrasting blacks and whites so frequently give the obvious hints of good and evil, innocence and darkness. But Aronofsky likes to throw in hints of ambiguity at every turn, changing the colours for each character depending on the scene, and depending on what they may or may not be doing. Even the scenery and set design is in plain black and whites, always making the audience guess the true motivations and intentions of both character and creator. Adding in the element of reflection, both in others and the self (mostly through mirrors), only helps compound these feelings of ambiguity and confusion. It will consistently keep audiences thinking about what is being shown and what is actually going on. The subtle visual effects and astoundingly well done score only help add to the greatness.

    Aronofsky also deserves recognition for the film's lean running time. When so many films are often far too long and dragged out, this film maintains a sense of momentum that never gets lost at any point. The film's slow points are never dragged out, merely well padded out for the shift from Nina being innocent to adrenaline soaked horror as she descends into the realm of darkness. Rather gracefully, Aronofsky manages to balance the goal of Mark Heyman, Andres Heinz and John McLaughlin's script to blend Nina's tale with the story of Swan Lake itself, and never loses sight or direction at any instance. This is bravado style filmmaking at its finest, and more than suggests that the brilliant direction in Requiem for a Dream was not a fluke.

    Portman, who has shown her acting merits before in the likes of Closer, delivers a startlingly intense and beautiful performance as Nina. At once you can see the innocent, sexually repressed little girl who just wants to please her mother, and the sexually depraved fallen angel, inching closer towards independence and adulthood. She is very clearly not "well" in the beginning of the film, and as the film progresses, you can practically chart her 180-degree reversal in character. She is downright terrifying in many instances, and more than proves her worth as an actress. When she finally dons makeup late in the film, her transformation from a once promising talent to a full blown powerhouse talent becomes simply marvelous to watch.

    The supporting cast only helps to further complement Portman's extraordinary performance. Cassel is amazing as always as the slimy and twisted Thomas. We never really get more than hints at his true intentions, but Cassel makes every moment on-screen simply amazing. Kunis delivers a level of depth I never thought was possible for her. She commands the screen with every new scene, and this performance will easily act as a starmaking role for her. Hershey is even better; practically stealing the screen away from Portman's magnetizing performance. She makes Erica into that monster of a character everyone loves to hate, and brings a level of intensity to every mere moment she appears in. If anyone is even nearly close to equaling Portman's performance, it would be her. Despite only appearing for a few minutes, Winona Ryder is amazing in her role as the former lead ballerina Beth. I just wish she could have chewed up more scenery.

    Black Swan is an incredible film from beginning to end, and will not easily leave you. It is a masterpiece of unheralded success, and is easily the best film I saw at TIFF. Watch out for it at Oscar time – it just may steal the show.

    10/10.
    9Hitchcoc

    Painful to Watch

    This is one of those films best seen only once. It hones in on the fragility of an artist and lays open wounds that are hard to witness. Natalie Portman's character is driven but vulnerable and s set up to succumb to her art. Of course, rivalry is a given, and her rival does everything she can to put the screws to her. Unfortunately, the questioning of her own talent is going to show at some point. I can't say I enjoyed this movie. I realize that obsession is often a strength with artists, but it can also be all consuming. This film is about as dark as it can be but it puts a stranglehold on the viewers.
    8Samiam3

    An epic and nightmarish delight

    Natalie Portman lives a dream and a nightmare when she gets a chance to dance Swan Lake in Darren Aronofsky's new film

    Black Swan is a very bi polarized film. Portman dances as the white swan flawlessly, but her 'brilliant' choreographer has doubts about her as the black swan. She needs to 'live a little' and be less mannered, but the closer she gets to that point, the more the walls start to close in all around her.

    Darren Aronofsky, though he comes close to being heavy handed, has delivered a project which is fiery, spectacular and clever. He sells us ballet as something dark and off putting, starting from his decision to reveal what dancing does to peoples bodies. One mistake and you can crack a toe nail under your body weight, but I don't wanna oversell it. To look at Black Swan in another way, it is an operatic horror film, It has incredible style, but uses it not so much to dazzle but to confuse and intimidate. The paradox of Black swan is that it creepiness is kind of seductive, because it draws you in (much like the way vampires are supposedly romantic)

    But style is only half the picture (not even). The rest is in the cast, and mostly in Natalie Portman. She is slow to get started, but she grows quickly and the result is arguably her best performance yet. I've never loved her that much. She's always struck me as more of a girl than a woman, but I guess all she needs is to get a little blood on her hands, and you have an award worthy performance. Vincent Cassel, though he gets some questionable lines, is also at his best. I would have almost liked to see more of him, because you get the sense that his role has a bit more room to grow.

    Black Swan does quite a bit, but it's not for everyone. Do not go into this expecting to be emotionally enriched. From the beginning, it is staged to be a mind-twirl, delighting in playing tricks on the audience. Some might call it cheating, but that would be the wrong way to look at Black Swan. It's quite epic, and with year coming to an end, I think it's fair to say that it is among the best of 2010.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Darren Aronofsky told journalist Kim Masters in a radio interview (KCRW's "The Business" broadcast February 14, 2011) that Natalie Portman not only trained for a year as a dancer to prepare for the role, but paid for the training out of her own pocket until the film found investors. Aronofsky attributed the film getting made at all to Portman's dedication and enthusiasm. She even accepted a role in Sua Alteza? (2011) mainly for the money in case she needed to help co-finance Black Swan.
    • Erros de gravação
      (at around 24 mins) When Nina returns home and looks for her mother, after being assigned a role, a camera operator is visible in a mirror.
    • Citações

      [last lines]

      Thomas Leroy: Nina, what did you do?

      Nina: I felt it. Perfect. It was perfect.

    • Cenas durante ou pós-créditos
      Many cast members are credited both as their role in this film and said character's corresponding role in the Swan Lake ballet
    • Conexões
      Featured in The Rotten Tomatoes Show: The Last Exorcism/Piranha 3D/Vampires Suck (2010)
    • Trilhas sonoras
      Apotheosis
      Written and Performed by Peter Min (as Pete Min)

      Contains "Swan Lake" written by Pyotr Ilyich Tchaikovsky

    Principais escolhas

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    Perguntas frequentes

    • How long is Black Swan?
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    • What is 'Black Swan' about?
    • Is 'Black Swan' based on a book?
    • What is the story behind the "Swan Lake" ballet?

    Detalhes

    Editar
    • Data de lançamento
      • 4 de fevereiro de 2011 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Official Facebook
    • Idiomas
      • Inglês
      • Francês
      • Italiano
    • Também conhecido como
      • El cisne negro
    • Locações de filme
      • The Concert Hall, Performing Arts Center, Purchase College, State University Of New York at Purchase, Purchase, Nova Iorque, EUA
    • Empresas de produção
      • Searchlight Pictures
      • Cross Creek Pictures
      • Protozoa Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 13.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 106.954.678
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 1.443.809
      • 5 de dez. de 2010
    • Faturamento bruto mundial
      • US$ 329.398.046
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 48 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby
      • DTS
      • SDDS
    • Proporção
      • 2.35 : 1

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