Odisseu e a Ilha da Neblina

A decent enough film, certainly not good but not really bad.

The acting is patchy. Vosloo is quite good as Obysseus, Bourne and Antonakos are OK in their roles but Edwards is terrible as Homer, not so much his performance as the fact that while the other characters are talking in a old style Homer speaks like a modern person and this jars every time he talks and finally Gibson is awful, completely wooden, but thankfully she isn't in it long.

The story is simple with good guys and bad guys and we are in no real doubt about which is which. It is an old fashioned fantasy film with OK effects although the action sequences are a bit poor.

Its a cheap film with a simple script and a decent pace.

The mixture of modern and old speech patterns is annoying and the cheesy extra bit at the end is also annoying but it'll kill a bit of time painlessly.

I didn't think SciFi Channel could broadcast a worse myth-&-monster movie than MINOTAUR. I was wrong.

It's okay to make a movie on the cheap; not everyone has access to a big budget, and amazing things can be done with a little imagination and talent. But there's very little of those commodities here. Acting is at a high school level. Direction is worse. Dialogue is trite. Scenes lurch from one dull monster attack to another, with occasional babe (er, goddess) interludes to break the monotony. The goddesses look and sound as it they're reading cue cards at a second-rate beauty contest.

Why must the makers of such movies mess with Greek myth, about which they clearly know (and care) nothing? Here, Homer the tale-teller appears as part of Odysseus's crew. That's an okay idea. Except this Homer (played by the worst actor of the lot, which is saying something) scribbles notes (with a feather quill!) and fawns over the heroes like an embedded reporter in Iraq. Legend tells us that Homer was blind, and recited his stories from memory. There is great power in that idea, a hearkening back to a prehistoric, preliterate age of traveling bards and oral tradition.

A magical movie could be made about Odysseus, and Homer, but this is not it.

I've come not to expect much from any SyFy "original" movie. This particular one, though, plumbs new depths of bad writing, atrocious plotting, mediocre-to-bad acting and weak execution. It hijacked names from Greek mythology and applied them to the movie's two-dimensional characters in an attempt, I suppose, to give them some apparent depth, and then to compound the theft shamelessly grabbed some material from Christianity and Bram Stoker, and THEN, not content with making a complete mess of things, swiped an ending right out of any one of the "Halloween" movies. It was flat, predictable and never more than minimally interesting.

Actually I was using a bit of hyperbole, it wasn't as atrocious as I made it out to be in the summary, but to be honest it is still pretty bad. Some of the scenery and costumes are decent, some of the monsters are interesting and Arnold Vosloo is imposing and charismatic enough as Odysseus. However, the story is hackneyed and is very uneven in pace, the dialogue is a vast majority of the time absolutely abysmal, the direction is heartless, the pace is poor and the acting with exception of Vosloo is laughable particularly with Homer and the goddesses. While the ending comes across as rather cheesy. To conclude, pretty bad but there are some minor redeeming qualities. 3/10 Bethany Cox

A funny thing happened on the way to Ithaca...Odysseus went off course and inadvertently discovered the origin of vampires. Not as bad as it sounds, the story is grounded in Greek myth but reconstitutes Persephone as an evil lamia with vampiric children from Hades who lures the wily Greek and his crew for aid in her plot to conquer mortals. The concept is a good one, however poorly written and executed. Despite a lagging pace and the irritating presence of a post-adolescent poet Homer, the film looks good with imposing Arnold Vosloo and the rest of the crew looking pretty much like Homeric heroes, rather than the scroungy leather trouser-wearing biker rejects that seem to be so lamentably much in vogue in BC epics these days. Unfortunately, the two best actors of the crew get killed off, one rather too soon. Mercifully, viewers are also spared the annoying, wailing nonsensical Celtic and/or Moroccan women posing as soundtracks and incidental music score which is also far too prevalent in productions of this kind. However, in the interior cave sequence I did detect very subtly a chorus in the background singing "Agnus dei", a total non sequitur. With a better script, a better use of the actors on hand, and a brisker pace this would have been a winner. It's always a pleasure to see Mr. Vosloo, and he can't be faulted in his rendering of Odysseus.