Aang, um jovem sucessor de uma longa linhagem de Avatares, deve dominar todos os quatro elementos e impedir que a Nação do Fogo escravize as Tribos da Água e o Reino da Terra.Aang, um jovem sucessor de uma longa linhagem de Avatares, deve dominar todos os quatro elementos e impedir que a Nação do Fogo escravize as Tribos da Água e o Reino da Terra.Aang, um jovem sucessor de uma longa linhagem de Avatares, deve dominar todos os quatro elementos e impedir que a Nação do Fogo escravize as Tribos da Água e o Reino da Terra.
- Direção
- Roteirista
- Artistas
- Prêmios
- 8 vitórias e 12 indicações no total
Nicola Peltz Beckham
- Katara
- (as Nicola Peltz)
John Noble
- The Dragon Spirit
- (narração)
Avaliações em destaque
I remember watching this movie back when it first came out and I didn't think it was that bad. I just finished watching the cartoon series on Netflix and I figured I would re-watch this to wrap it all up. Now I wish I hadn't watched it. It's NOTHING like the show. I wonder if the people who worked on this movie even saw the show. Stay away from this movie. It's so bad that it actually hurts to watch it.
I watched this reluctantly for the first time recently to see if it was bad as I had heard and I was wrong, it was even worse than I could have imagined. I was unable to even finish the movie. I wish I could rate it lower. I understand that adaptations are difficult to reflect in the same light as the original content but the direction style, casting, writing, acting, and animation of this movie was lazy, disrespectful, and devalued the core ideals of the series. The movie proves painful to watch. I grew up watching the series and still now as an adult I am still constantly in awe of how wonderful of a show it is. So I wholeheartedly recommend to forget you even laid eyes on this movie and go watch the series in all it's glory.
Shyamalan takes a stunningly sophisticated cartoon and reduces it to one of the most insultingly dumb films I've seen in years. From the script to the visuals, the directing, the acting, there is absolutely nothing that did well, either as an adaptation or as a film in its own right.
Characters who were once powerful and spitfire (Katara) or entertainingly sarcastic (Sokka) are now bland and exist solely for the purpose of exposition. In fact, the entire film comes off as exposition, far too much of the dialog serving as "by the way" explanations, never allowing the plot or characters to really take form. The scenes seem episodic and unconnected, and the film never comfortably establishes its universe, always retreading with an "as you know" or "aren't you that guy who..." to establish (often unnecessary) continuity.
The style, too, is disappointing, capturing none of the magic of the series. Most noticeable was the "bending"--while the series took its martial arts seriously, carefully aligning real-world arts with elements and making the benders' movements coincide with those of their elements, the film gives us characters flailing in generic martial arts forms for a few minutes, only to effect one splash, boulder, or blast of fire. In the series, every movement had a meaning; in the film, only about one in ten does.
Many fans of the series who were angry at the "whitewashing" of the cast hoped that it had at least resulted in the best actors for the parts. However, the acting was at best uninspired, and at worst painfully awkward, though part of this can be attributed to a truly atrocious script. Dialog is stilted and unnatural, certain phrases are repeated needlessly throughout ("great library," anyone?), and in all the only chance the script stands of being remembered is through memetic appreciation of its unintentional, awkward hilarity.
Not even the collective will of a devoted fanbase wanting so much for this film to be good could make it even remotely watchable.
Characters who were once powerful and spitfire (Katara) or entertainingly sarcastic (Sokka) are now bland and exist solely for the purpose of exposition. In fact, the entire film comes off as exposition, far too much of the dialog serving as "by the way" explanations, never allowing the plot or characters to really take form. The scenes seem episodic and unconnected, and the film never comfortably establishes its universe, always retreading with an "as you know" or "aren't you that guy who..." to establish (often unnecessary) continuity.
The style, too, is disappointing, capturing none of the magic of the series. Most noticeable was the "bending"--while the series took its martial arts seriously, carefully aligning real-world arts with elements and making the benders' movements coincide with those of their elements, the film gives us characters flailing in generic martial arts forms for a few minutes, only to effect one splash, boulder, or blast of fire. In the series, every movement had a meaning; in the film, only about one in ten does.
Many fans of the series who were angry at the "whitewashing" of the cast hoped that it had at least resulted in the best actors for the parts. However, the acting was at best uninspired, and at worst painfully awkward, though part of this can be attributed to a truly atrocious script. Dialog is stilted and unnatural, certain phrases are repeated needlessly throughout ("great library," anyone?), and in all the only chance the script stands of being remembered is through memetic appreciation of its unintentional, awkward hilarity.
Not even the collective will of a devoted fanbase wanting so much for this film to be good could make it even remotely watchable.
The Last Airbender (2010)
1/2 (out of 4)
After being freed from an iceberg, Aang (Noah Ringer), a long lost Avatar who is the only one able to bend the four elements, finds himself doing battle against the Fire Nation who who attempting to take over all three Nations (Air, Water, Earth). M. Night Shyamalan's THE LAST AIRBENDER is based on the very popular television show, which is something I've never seen so I pretty much walked into this not knowing what to expect from the story. I'll admit by the ten-minute mark I was pretty much lost in regards to the story and each passing minute I found myself growing even more confused. I then had to do something I never do, which was stop the movie and call someone familiar with the TV series and this film to try and find out what the heck was supposed to be going on. I painfully sat through the rest of the movie and afterwards I started to read other reviews and I was happy to see that I wasn't the only one who couldn't make any sense out of this material. I will say that I think Shyamalan has gotten some pretty bad beatings over his recent films, which I think were unfair but there's no doubt that he deserves the majority of the blame here, although I think a very strong argument could be made that those who hired him should be on fans hit list more than Shyamalan. The biggest fault of his was the screenplay, which simply doesn't make any sense as the story is always jumping from one place to another and none it ever seems connected. From what I've gathered he was jumping around so many parts of the show that unless you're familiar with it you weren't going to know what's going on here. Even worse are the actors who are all extremely bad and come off even worse when they have to say the bad dialogue. I don't like to attack child actors so I won't mention any of them by name but what were the producers thinking when they agreed to cast them? Surely there were more talented people out in Hollywood. The special effects are all poor, the action badly directed and even worse is that there's simply nothing here to care about. Some nice cinematography is about the only thing going for this turkey, which is every bit the misfire its reputation would have you believe.
1/2 (out of 4)
After being freed from an iceberg, Aang (Noah Ringer), a long lost Avatar who is the only one able to bend the four elements, finds himself doing battle against the Fire Nation who who attempting to take over all three Nations (Air, Water, Earth). M. Night Shyamalan's THE LAST AIRBENDER is based on the very popular television show, which is something I've never seen so I pretty much walked into this not knowing what to expect from the story. I'll admit by the ten-minute mark I was pretty much lost in regards to the story and each passing minute I found myself growing even more confused. I then had to do something I never do, which was stop the movie and call someone familiar with the TV series and this film to try and find out what the heck was supposed to be going on. I painfully sat through the rest of the movie and afterwards I started to read other reviews and I was happy to see that I wasn't the only one who couldn't make any sense out of this material. I will say that I think Shyamalan has gotten some pretty bad beatings over his recent films, which I think were unfair but there's no doubt that he deserves the majority of the blame here, although I think a very strong argument could be made that those who hired him should be on fans hit list more than Shyamalan. The biggest fault of his was the screenplay, which simply doesn't make any sense as the story is always jumping from one place to another and none it ever seems connected. From what I've gathered he was jumping around so many parts of the show that unless you're familiar with it you weren't going to know what's going on here. Even worse are the actors who are all extremely bad and come off even worse when they have to say the bad dialogue. I don't like to attack child actors so I won't mention any of them by name but what were the producers thinking when they agreed to cast them? Surely there were more talented people out in Hollywood. The special effects are all poor, the action badly directed and even worse is that there's simply nothing here to care about. Some nice cinematography is about the only thing going for this turkey, which is every bit the misfire its reputation would have you believe.
No story, no history, absolutely dreadful script and acting that is frankly despicable. You can't write. You can't make up a world arbitrarily with no fleshing or effort. The Happening and Lady in the Water were terrible. This is much worse.
Shame on you you lazy lazy man. The talent is there. Your ego is simply unable to get past it. Go away and let someone hungry and brave who doesn't live in a fantasy world in their own nether-regions produce something.
You owe me my ticket and the complete waste of one and a half hours of my life. Tosser
Shame on you you lazy lazy man. The talent is there. Your ego is simply unable to get past it. Go away and let someone hungry and brave who doesn't live in a fantasy world in their own nether-regions produce something.
You owe me my ticket and the complete waste of one and a half hours of my life. Tosser
Você sabia?
- CuriosidadesThe film was intended to be the first part of a trilogy, with the next two films being based on books 2 and 3. While the film ultimately made a modest profit at the box office, about $150,000,000 was spent on production with another $130,000,000 spent on advertising, which would bring a total of $280,000,000 spent on one movie. Therefore, The Last Airbender did not gross enough to have Paramount green light the last two sequels. However a new live action remake series of the original animated show is in development for Netflix.
- Erros de gravaçãoDuring a large battle scene between the Fire Nation and the Northern Water Tribe, the camera pans to reveal a Fire Nation soldier fighting with no one.
- Citações
Uncle Iroh: [to Zuko, after Aang has escaped] It was not by chance that for generations people have been searching for him, and now you have found him. Your destinies are tied, Zuko.
- Cenas durante ou pós-créditosThe closing credits feature Aang, Katara and Zuko bending their respective elements of water, fire and air (no earth bending is demonstrated).
- Versões alternativasAlso released in a 3D version.
Principais escolhas
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- How long is The Last Airbender?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- El último maestro del aire
- Locações de filme
- The Pagoda, Skyline Drive, Mt. Penn, Reading, Pennsylvania, EUA(Southern Air Temple)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 131.772.187
- Fim de semana de estreia nos EUA e Canadá
- US$ 40.325.019
- 4 de jul. de 2010
- Faturamento bruto mundial
- US$ 319.713.881
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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