Reencontrando a Felicidade

Nicole Kidman has an outstanding resume collected in the past 25 years. The Hours, Moulin Rouge!, Eyes Wide Shut, The Interpreter, Margot at the Wedding, The Others, Birth, Dogville, Nine, Cold Mountain, the list goes on. She's proved herself to be the best working actress out there, today, but has had a bit of a rough patch since her Oscar win with many films flopping critically and or financially. "Rabbit Hole" reiterates the fact she's the best there is.

Kidman plays Becca with intense, explosive motivation. She really gets under your skin; you see Becca, not Nicole Kidman. It really is a landmark in her career. She's bound to get a well- earned Oscar nomination and will go head-to-head with Natalie Portman for the win (Don't you wish there were more ties?) She transforms into the role and drenches it in realism. sorrow. It's beyond words can describe and mothers who've gone through such a horrible loss will thank Kidman left and right.

The script plays a character itself. Its dark subject matter was a risky one, but it unflinchingly succeeds at all costs. It displays accurately the process of grief and does justice to the sorrowful topic. The much needed comic relief moments are in there as well, which lightens up the mood. Some dialogue will stick with you as you leave this film and will haunt you. You'll find yourself repeating what's said in the film. The direction goes hand-in-hand with the script. The delicate approach is perfectly matched. With a film like this, it could be over- the-top and obnoxious, or flat and lifeless, but the director finds just the right note and strikes it right for 90 minutes.

Aaron Eckhart plays opposite Kidman as the husband, Howie. He is dignifying in his depiction of a grieving father in need of conquer this tragedy. Diane Weist is also a wonderful standout as Becca's mother who has also lost a child. She has her dramatic moments which are the weight of her performance, but has so much warmth to her character which really makes you care for her.

Rabbit Hole isn't to be missed. It's a fascinating, deep, and moving film that will knock you on your feet. Kidman is terrific, but not without the support of Eckhart and Weist. The score is also brilliant and beautiful. At a nice, short running-time, Rabbit Hole will have an impact on your day.

Rabbit Hole is a tragic tale that won't sadden viewers. That is simply not the purpose despite what the plot and trailer may show. Rabbit Hole is a story of how two previously happy couple cope with the loss of their four-year-old son. The what/who/where/why/how is what makes Rabbit Hole one of 2010's finest films.

Right off the bat you will notice what surrounds this couple; a world filled with joy and life at the worst moment in their lives. This feeling does not lend itself to that Oscar-feeling feel it may have wanted but it certainly works.

These actors give highly realistic performances that fit perfectly with this demanding plot. Nicole Kidman steals the show with her best performance (and movie) since 'Eyes Wide Shut'. Aaron Eckhart also gives a terrific performance as the grieving husband and father and, after 'Love Happens', shows that he is back to serious acting as he was in 'The Dark Knight'.

The best aspect of Rabbit Hole is how you begin by knowing very little about these characters but end up knowing them as if they were your own neighbors. You progressively learn what happened to their son and other details within their past that fit perfectly together without feeling as they are giving the audience answers. The dialogue also lends itself to this method and, surprisingly, never feels directed to the audience.

What I found unique is how with such a depressing feel to the film, it never actually makes the viewer sad, but interested. It is a film that will make you laugh more than cry and I found that impressive. It isn't your normal tear-jerker; you are watching this couple live their lives and deal with this death in an interesting way. Rabbit Hole never has a dull moment; my eyes were glued to the screen from the start.

Rabbit Hole is simply one of the finest films of 2010. Its execution is sometimes brilliant and the feeling of self-awareness and thought it lends to the viewer is unlike anything you may have ever seen. It's not your run-of-the-mill Oscar contender. Rabbit Hole is a beautiful tale of life. And death.

Mitch Hansch/ movieswithmitch.com Looking for some holiday movie cheer for you and your kin to bring in the seasonal cheer? If a film about a married couple coping with death of their young son does it for you, then go see "Rabbit Hole". But seriously folks, "Rabbit Hole" could just be another life-is-pain film clawing away for the awards season, but instead, we're blessed with so much more. Grand performances open a window to people's pain of the hardest kind, and David Lindsay-Abaire's screenplay from his Pulitzer Prize winning play allow for a truer look at events no one is equipped to handle.

Eight months after losing their young son Danny in a car crash, Becca (Nicole Kidman) and Howie (Aaron Eckhart) are past the point of the shock and now are left in a living purgatory of despair. Kidman and Eckhart somehow put the weight of their characters on their shoulders and are able to convey the strain and loss of the purest thing that two can create. A scene of Howie being devastated by Becca accidentally erasing a father/son video on his Iphone or a scene of Becca losing it on a mother at a grocery store will tear you to pieces. But director John Cameron Mitchell doesn't allow "Rabbit Hole" to become grief-porn, letting his actors use an amazing screenplay to go deeper by using glib humor to seep through agony. Fine supporting performances from Diane Wiest as Becca's mother who compares tragedy with the loss of her son and Sandra Oh as a professional wallower at the self help groups Howie and Becca attend, fill out a tough but challenging film that will take you down the rabbit hole.

"This" will take you down the rabbit hole.

John 17:24

'RABBIT HOLE': Four Stars (Out of Five)

David Lindsay-Abaire adapts his tragic play about a couple who lose their young son in a car accident. The film is directed by actor turned director Cameron Mitchell (who also directed 'SHORTBUS' and 'HEDWIG AND THE ANGRY INCH', in which he also played the title character). It stars Golden Globe nominee Nicole Kidman (who also produced the film) and Aaron Eckhart (who's equally impressive). The film is full of tough hard to watch drama and strikes a very realistic and believable tone. Depressing but worth the watch.

The film focuses on how each spouse copes differently with their tragedy. Becca (Kidman) wants to get rid of everything that reminds her of her son, including the dog he chased into the street the day he was struck by a car. Howie (Eckhart) wants to hold on to all the things that bring him cherished memories of his son, including videos he constantly watches and the dog (which he brings back into the home after getting into a heated argument with his wife over it). The couple's marriage nearly falls apart as each looks for comfort in different ways. Becca finds peace in an odd relationship with the teenage driver (Miles Teller) who struck their son and Howie finds happiness with others outside the home as well including a mutual friend of he and Becca's (Sandra Oh) they know from a counseling group. Dianne Wiest plays Becca's mother who also lost a son but, as Becca points out, an adult son to drugs.

The film has some dark comedic moments to lift the tension but for the most part it's a pretty hard hitting drama. The acting is all outstanding, especially the two leads, and the film is smartly written as well as nicely directed. Some might be afraid to watch it because of it's dark depressing subject matter but it does manage to find a little small ray of hope in the darkness. Of course there's no happy endings here but it has some nice commentary to deliver on life and coping with tragedy.

Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=6xzh1FLmMq4

Greetings again from the darkness. It would be very easy to dismiss this film as a depressing story or a real downer for the holiday season. Admittedly, the timing of its release is a bit odd, but that doesn't change the fact that it's a very well made and extremely well acted film. This is a character study in dealing with grief ... the breathless grief of losing a young child. The story is told with respect, warmth and even touches of humor.

Based on the acclaimed play from David Lindsay-Abaire, director John Cameron Mitchell stays true to the individuals within the story. Nicole Kidman plays Becca, who is married to Howie (Aaron Eckhart). The couple are 8 months removed from the death of their 4 year old son who was killed when he chased his dog into the street. 8 months or 8 years. When in group therapy, Becca and Howie meet Gaby (Sandra Oh) who has been in the group for 8 years. Healing has its own timeline for each person. Becca has little use for the "God people" or the group addicts and quickly stops attending. Instead, she spends her time lashing out at everyone ... her husband, her mother, her sister ... even the dog and a lady at the grocery store.

Oddly enough, it is her bond with the high school boy who was driving the car that killed her son that helps her break through. She senses his pain and he understands hers. The story does a subtle and terrific job of showing how we are all touched by grief and how it affects the way we live our life. The best scene in the film is with Becca and her mother (Dianne Weist) in the basement. Her mother honestly tells her that "it" never goes away, but it does change. The grief becomes "bearable". That's really the goal.

No matter how many books are written on the topic, no blueprint will ever be one-size-fits-all for coping with the void and emptiness from the loss of a loved one. This story shows that if you just keep moving forward and keep connecting with others, the burden will become bearable.