Evangelion: 1.11 Você (Não) Está Sozinho

This film is more like an abridged version of the first few episodes of the original Neon Genesis Evangelion series. It doesn't contain much that's new or interesting but has a much more polished level of animation and sound. I would have preferred more points of difference from the original series but only if there was a purpose to it. Some of the additions seemed a bit tacked-on.

I was lucky enough to buy tickets to the opening day of Rebuild of Evangelion 0:1. After waiting in line from 5:30am, wearing custom printed Evangelion shirt, I was able to get front row seats to the first screening... and it was worth the wait! The classic epic story is retold with amazing new animation, new sound effects, new music and new scenes. Gainax has refreshed a timeless classic without taking the magic away from the original series. I doubt any fan of Evangelion would be disappointed - besides the fact we waited 12 years to witness Evangelion as indeed by Hideaki Anno.

Rebuild of Evangelion 0:1 is how it was meant to be if the creators had the technology 12 years ago. If you've watched the TV anime to death or you are new to Evangelion, either way, Rebuild of Evangelion is for all fans of the anime.

For those of you who don't know, Rebuild of Evangelion 0:1 is part one of an upcoming series of four movies. With the fourth film being a new conclusion to the original story. Compared to the original anime series and movies, besides being more enjoyable, these films are easier to follow for new fans of the series.

I walked out of the theater smiling and thinking to myself: "One down, three more to go!

While I knew a little about the Japanese anime Neon Genesis Evangelion through the reading of various fan sites dedicated to it, I've never actually sat down and watched an episode of the series. So when opportunity came by to experience the Rebuild of Evangelion, why not start the slate clean?

Rebuild of Evangelion is actually a tetralogy based on the original anime series by the same creative team, but it's not exactly a shot-by-shot rehash in that it does include some extra scenes, and I guess the objective is to allow the tetralogy to encapsulate what worked in the original, while at the same time to perhaps make it the more definitive telling of the story. Kind of like how comic books like to do the various reboots and tweaking of origins to suit the times.

We're introduced to Shinji Ikari, the teenage kid whose father Gendo is commander of an organization called NERV, which developed the Evangelion mechas to fight against alien Angels who invade Earth. To a layman like me, it's something like Ultraman battling monsters, except that are certain constraints here that make Evangelions interesting. Firstly, they are dependent on launch pads and are wired to NERV control, and what more, piloting these sophisticated mechas involves some bio-fusion between children, and the bots. Imagine having the fate of the world resting on the shoulders of a child, and what more, a rookie one in Shinji, who has to learn the ropes on the job. To complicate matters, he's the reluctant hero who whines a lot, is indecisive, and seems like he could lose it all anytime.

But that's exactly what makes Evangelion a joy to watch. The flawed heroes, compounded by the fact that with every increasingly powerful Angel to battle, the Evangelions seem to be more patched and repaired after each encounter, you'd wonder how long it could hold up before actually crumbling. The battle sequences here are nothing less than spectacular to watch, as we discover along with the heroes, just how best to defeat the vastly different Angels. Animation wise there's nothing to specially shout out about, as it's quite standard 2D fair with the usual attention to details.

Being the introductory movie, this film begins quite unconventionally in the thick of the action to grip your attention and never let up. As it moves along, it does drop hints of previous incidents, while introducing us to new characters along the way, expanding its mythos and universe. And in all intents, it does leave many doors opened for questioning, and it's almost definite that these would (hopefully) be answered in the subsequent films. Oh, and for action junkies, I give the thumbs up for the final battle in this movie - the creative team really do know how to make everything look really bleak!

For those who are new to the series, I quite sure this will serve as an excellent starting platform into the Evangelion universe. For those who have already been in the loop (and probably hated the series ending), this could be interesting for you to see what changes were made, and whether you will prefer the tetralogy instead.

Evangelion has been a never-ending cash cow for Gainax and all associated parties since it was released, so it's not surprising that they've decided to go back to the well with a four-movie revision of the original series. The new movies offer a chance to see Evangelion animated with the budget that such a famous title deserves. The fight scenes are slick and everything is well put-together. It's not absolute top of the line animation, and it hews very closely to the default anime art style, but it's certainly better than the infamously low-budget original animation.

My memory of the original series is a little hazy, but what's shocking about this movie is how close it sticks to the TV show. Several scenes are line-for-line, shot-for-shot reprises of scenes from the original, and as far as I could tell there weren't any major changes in the plot, although I think the order of the Angels might have been shuffled around a bit. The main change is tightening everything up and making it an efficient, fast-moving giant robot action movie.

And that's fine if your main problem with Evangelion was the lack of action, but it also removes a lot of the show's style, and completely eliminates its almost meditative pace. With an actual animation budget, the show doesn't need animation shortcuts like the long almost-still scenes that crop up periodically, but losing those makes Evangelion lose some of its definitive flavour. A lot of the moments in the movie just don't have the emotional impact that their equivalents in the TV series do -- it's just one plot point after another.

Evangelion 1.0 is an effective movie, and retains some of the original's charm. But all the same I feel I can't really recommend it to anyone. If you've seen the TV show, this will all be a retread for you. If you haven't, then I would still recommend the original over this remake. The original series was far from perfect, and there was a bunch of room for a new interpretation of the general story, but Evangelion 1.0 chooses to play it safe and winds up being kind of forgettable.

Evangelion 1.0 You Are (Not) Alone permeates limitless possibilities and pathways in a story so connective and universal yet shakes the foundations of the genres on which it stands on so much a new and profound experience emerges from its daring. Young Shinji Ikari arrives in Tokyo-3, a city rebuilt after a cataclysmic event called Second Impact that shed the world of half the human population, to meet and work for his estranged father. It turns out he only wants his son now to pilot a giant humanoid machine named Evangelion Unit 01 made to stop unknown beings referred to as Angels from eradicating the rest of humanity. Shinji is shocked and broken hearted but nonetheless agrees to pilot it. The question he now asks is why?

Evangelion 1.0 wants to know the answer. Besides saving humanity from eminent destruction, what does Shinji want, desire, need or even get from piloting such a contraption? Praise from the world? Respect? Purpose? His father's love? As Shinji begs for the answer to these questions the city befalls attacks by Angels that serve more than just an excuse for action scenes. When the Angels attack Shinji sees the sides of people around him he never saw before. It forces him and the others around him to understand their relationship to one another.

One of these is Shinji's follow pilot Rei Ayanami, a cool and collected girl who spends better part of the movie giving a ponderous stare into space more or less oblivious to those around her. When she does react she hardly seems to understand her own feelings. Shinji asks her why she pilots an Evangelion and her answer is as simple and contemplative as the movie.

The film is the first in a planned production of four films that re-imagine the 90s series Neon Genesis Evangelion. One of the most remarkable things about this movie is how easily the episodes translate into the arch of a feature length film. Despite that the movie is as much if not more so for viewers who have never seen the series. The movie itself refines certain points left unclear in the original show, making this version more clear and understandable for old and new viewers alike.

Though the final film in the set of four promises a completely new end to the story, old fans will find the first movie very familiar. However old fans who pay close attention to certain scenes in this movie will learn that the film does more than retell the story and in the process may redefine two of the most overused formats ever in the history of cinema.