Evangelion: 1.11 Você (Não) Está Sozinho

When I learn that there was a remake of the classic series, i asked myself, what kind of mess are they getting themselves into? After the opening few moments of the movie, i only said to myself, how wrong was i to underestimate the decision ... because easily this could be one of the best animes ever made in history.

First off, years ago, i was decently hooked on the TV series version. When i finished it, i was honestly quiet upset that the plot was going to heck at many points, not providing a decent link to things. I always liked the earlier episodes where Shinji and gang battle all the angels that attacked, but i didn't quite enjoy how things were towards the end ...

Death & Rebirth was a good attempt to try to provide a better ending to the series. But frankly i always felt it wasn't enough ... years later, thank god we may have the best version of the Evangelion saga in the making ... starting with "You Are (Not) Alone".

Not just additional artwork and more CG enhancements are added into the movie, the story summarizes the opening few episodes of the original series and (this is my own opinion) tweaked the script alittle. It's a lot easier to understand the plot and intention of the characters, and with all the plot making more sense than the original series, all you need next is the action.

The fights between the angels and the Eva 01 (and 00') are much more interesting to watch, as the fights seem much longer and more details are added into how the battles are fought. Remember the first time Shinji pilots the EVA01 into battle and it went berserk? I'm much more excited this time when i watched the fight scene! As for the cinematic experience, i don't think watching it on DVD does this movie any justice. If you can, do attempt to catch this in a CINEMA because the experience is very much rewarding! I'm thankful i didn't miss this movie version, it's worth every cent i paid! I don't need to go into the plot of the movie, you can easily pick it up from internet sites, just know that this isn't the end yet and business is going to pick up once the next one comes along. Shinji is still how everyone remembers him to be ... the hedgehog dilemma comes into mind when you talk about him and he's still like that in this movie! I hope this comment will send more people rushing into the cinema to catch this movie, after i was done, i felt sorry that so many seats in the cinema are empty ... everyone has missed out on this masterpiece edition of the Evangelion series!

I was lucky enough to buy tickets to the opening day of Rebuild of Evangelion 0:1. After waiting in line from 5:30am, wearing custom printed Evangelion shirt, I was able to get front row seats to the first screening... and it was worth the wait! The classic epic story is retold with amazing new animation, new sound effects, new music and new scenes. Gainax has refreshed a timeless classic without taking the magic away from the original series. I doubt any fan of Evangelion would be disappointed - besides the fact we waited 12 years to witness Evangelion as indeed by Hideaki Anno.

Rebuild of Evangelion 0:1 is how it was meant to be if the creators had the technology 12 years ago. If you've watched the TV anime to death or you are new to Evangelion, either way, Rebuild of Evangelion is for all fans of the anime.

For those of you who don't know, Rebuild of Evangelion 0:1 is part one of an upcoming series of four movies. With the fourth film being a new conclusion to the original story. Compared to the original anime series and movies, besides being more enjoyable, these films are easier to follow for new fans of the series.

I walked out of the theater smiling and thinking to myself: "One down, three more to go!

Evangelion 1.11 is basically a retelling of the Neon Genesis Evangelion TV series ep1-6 with very few deviations from the original. Of course, this is a decade newer with a much larger budget, so the animation quality itself is vastly superior, spectacular by every sense of the word. If I have any complaints they are that this new version simplifies the characters and their faults (in my opinion, the crowning achievement of the original show) and instead focuses more on action and intense battle scenes. However, this directorial decision also makes the whole thing more streamlined and accessible for the average anime fan. Finally, the English dub of this film is fantastic, practically as good as the original Japanese audio and that's saying something!

Suggested rating: PG-13 for violence and brief nudity

Evangelion 1.0 You Are (Not) Alone permeates limitless possibilities and pathways in a story so connective and universal yet shakes the foundations of the genres on which it stands on so much a new and profound experience emerges from its daring. Young Shinji Ikari arrives in Tokyo-3, a city rebuilt after a cataclysmic event called Second Impact that shed the world of half the human population, to meet and work for his estranged father. It turns out he only wants his son now to pilot a giant humanoid machine named Evangelion Unit 01 made to stop unknown beings referred to as Angels from eradicating the rest of humanity. Shinji is shocked and broken hearted but nonetheless agrees to pilot it. The question he now asks is why?

Evangelion 1.0 wants to know the answer. Besides saving humanity from eminent destruction, what does Shinji want, desire, need or even get from piloting such a contraption? Praise from the world? Respect? Purpose? His father's love? As Shinji begs for the answer to these questions the city befalls attacks by Angels that serve more than just an excuse for action scenes. When the Angels attack Shinji sees the sides of people around him he never saw before. It forces him and the others around him to understand their relationship to one another.

One of these is Shinji's follow pilot Rei Ayanami, a cool and collected girl who spends better part of the movie giving a ponderous stare into space more or less oblivious to those around her. When she does react she hardly seems to understand her own feelings. Shinji asks her why she pilots an Evangelion and her answer is as simple and contemplative as the movie.

The film is the first in a planned production of four films that re-imagine the 90s series Neon Genesis Evangelion. One of the most remarkable things about this movie is how easily the episodes translate into the arch of a feature length film. Despite that the movie is as much if not more so for viewers who have never seen the series. The movie itself refines certain points left unclear in the original show, making this version more clear and understandable for old and new viewers alike.

Though the final film in the set of four promises a completely new end to the story, old fans will find the first movie very familiar. However old fans who pay close attention to certain scenes in this movie will learn that the film does more than retell the story and in the process may redefine two of the most overused formats ever in the history of cinema.

While I knew a little about the Japanese anime Neon Genesis Evangelion through the reading of various fan sites dedicated to it, I've never actually sat down and watched an episode of the series. So when opportunity came by to experience the Rebuild of Evangelion, why not start the slate clean?

Rebuild of Evangelion is actually a tetralogy based on the original anime series by the same creative team, but it's not exactly a shot-by-shot rehash in that it does include some extra scenes, and I guess the objective is to allow the tetralogy to encapsulate what worked in the original, while at the same time to perhaps make it the more definitive telling of the story. Kind of like how comic books like to do the various reboots and tweaking of origins to suit the times.

We're introduced to Shinji Ikari, the teenage kid whose father Gendo is commander of an organization called NERV, which developed the Evangelion mechas to fight against alien Angels who invade Earth. To a layman like me, it's something like Ultraman battling monsters, except that are certain constraints here that make Evangelions interesting. Firstly, they are dependent on launch pads and are wired to NERV control, and what more, piloting these sophisticated mechas involves some bio-fusion between children, and the bots. Imagine having the fate of the world resting on the shoulders of a child, and what more, a rookie one in Shinji, who has to learn the ropes on the job. To complicate matters, he's the reluctant hero who whines a lot, is indecisive, and seems like he could lose it all anytime.

But that's exactly what makes Evangelion a joy to watch. The flawed heroes, compounded by the fact that with every increasingly powerful Angel to battle, the Evangelions seem to be more patched and repaired after each encounter, you'd wonder how long it could hold up before actually crumbling. The battle sequences here are nothing less than spectacular to watch, as we discover along with the heroes, just how best to defeat the vastly different Angels. Animation wise there's nothing to specially shout out about, as it's quite standard 2D fair with the usual attention to details.

Being the introductory movie, this film begins quite unconventionally in the thick of the action to grip your attention and never let up. As it moves along, it does drop hints of previous incidents, while introducing us to new characters along the way, expanding its mythos and universe. And in all intents, it does leave many doors opened for questioning, and it's almost definite that these would (hopefully) be answered in the subsequent films. Oh, and for action junkies, I give the thumbs up for the final battle in this movie - the creative team really do know how to make everything look really bleak!

For those who are new to the series, I quite sure this will serve as an excellent starting platform into the Evangelion universe. For those who have already been in the loop (and probably hated the series ending), this could be interesting for you to see what changes were made, and whether you will prefer the tetralogy instead.