Parasomnia

Wow, I will not give anything away, but what a surprise this one was I attended the Screamfest Showing last night and expected another blood and guts fun house boo show.. what I got was a rare thing a film that defies genre.Atistic images, intelligent villain even a love story..this film is best described as Erie...images that are both haunting and beautiful the " Victims" are not just props waiting on a gruesome ending .. the killer is not a mindless beast, and the cast was well chosen no cheesy acting, William Malone directed this one as if he loved it and you can feel that particularly in the final scene..Horror fans hunt this one down take your girlfriend or wife ..this one you both will love..

this is my first review but I decided to review this title because I had a real appreciation for this film. I randomly found this title and decided to check it out ... I was quiet surprised. This is quiet a beautiful film, the story line, the graphics, its all very well put together. The acting is pretty good I will give it a 7/10 there are a few plot holes but it isn't really noticeable,This is probably the best film yet by William Malone, he has come a long way from the failed feardotcom. The film itself is really enjoyable to watch, the gore is minimal, and it keeps your attention.

I would suggest this for a rainy night in

I just saw this at Screamfest LA at the Chinese Theatre in Hollywood. I wasn't sure if this was going to be good or not from what I'd heard. I just went in and let the film wash over me. Three days later, I still can't shake it. This may be one of the best film experiences I've had in years. Yes, it's got the usual things that you'd expect out of a horror movie... gruesome murders, naked chicks, insane maniacs... but it also has a great plot, twitchy characters and the weirdest bunch of robots or clockwork men or whatever the hell they are, I've ever seen. The cast was uniformly good. Standout performances by Timothy Bottoms and Jefrrey Combs. The two leads were excellent. My friend thought the movie took a while to get going (though I liked it as is). We both felt the same about the ending. I'm not going to tell you too much about it except to say the last 30 minutes or so of this film left me stunned. Awesome ending!!! Not that this is a perfect film.... it's not, but it's damn close. I have to see this again. Did I dream this movie?

OK so the movie does not have a high budget. The acting from the two younger leads is mediocre at best. But the psycho killer character and the unusual production style are what keep the momentum and interest in this movie going. I found elements of "The Cell", "Silence of the Lambs", and "Saw" all wrapped in one. The quirky style of many scenes in the movie has elements of Tim Burton and "Puppet Master". The creepy and astounding score also lend major points to an otherwise average horror thriller story. The movie was genuinely creepy and somewhat scary at several moments, but scary in a suspenseful way and not so much a frightening way. With the slew of horrible horror movies, high budgets and low, this one definitely stands out as above average and unique in it's own way. If you can get past the amateurish acting of the two young leads and the low budget aspects of the film that are apparent here and there, you will find a fantastic and gripping horror movie.

I was privileged last night to attend a screening of a new film entitled PARASOMNIA written and directed by WILLIAM MALONE (House on Haunted Hill-1999, FeardotCom-2002, Masters of Horror-"Fair Haired Child). PARASOMNIA is part of Screamfest 2008, the annual horror film festival, but this film spans more than just the horror genre. It is somewhat outside the horror box in that it is more of a dark, twisted, nightmare of a fairy tale almost creating its own visually exciting genre.

The story tells of DANNY (DYLAN PURCELL) a young man who becomes fascinated with a modern Sleeping Beauty in LAURA BAXTER (portrayed by the delightful and charming newcomer CHERLIN Wilson) who suffers from Parasomnia or the Sleeping Beauty syndrome, which causes her to sleep more often than wake. He comes across her in the psyche ward of a hospital while visiting his artist friend BILLY (DOV TIEFENBACH) incarcerated there on a court forced rehab.

Like any good ghost or horror story Billy tells Danny about the girl and the insane serial killer held in the padded cell next to her, one BYRON VOLPE (wonderfully played by veteran bad guy PATRICK KILPATRICK). Volpe, a rare book dealer and mesmerist, used his unnerving mental powers to control his victims, especially his ex-wife (a much too brief cameo by SEAN YOUNG) to commit suicide or murder.

Somehow Volpe has the ability to enter Laura's dreams, tormenting her in a bizarre dream world (A place worthy of Guillermo Del Toro) he controls. Danny realizes he met Laura when they were both children and his fascination with her turns to love. Upon learning she is going to be transferred to the custody of DR. EGON BHYLE (LOUIS GRAHAM) and his questionable sleep disorder clinic for experiments, Danny plots to rescue Laura from her lab-rat fate.

Not realizing Volpe considers the helpless girl his possession, Danny successfully absconds with Laura, taking her to his artist's apartment. Along the way, the girl awakes in Danny's car and unaccustomed to finding herself outside the hospital, freaks out a little. When Danny pulls over to calm her, Laura is out of the car diving head long into the moist grass. Wilson pulls this scene off with an innocent charm without it descending into camp as she falls back asleep, face in the grass.

Once at Danny's apartment, he cleans her up in a scene that in another's hands could have come off as salacious with it's partial nudity. To Malone's and his actor's credit, this scene plays with an innocent tenderness and charm. In an ensuing sequence Danny takes Laura out to an ice cream parlor which turns into a comic exploration of strawberry ice cream, again charmingly played by Wilson.

Then things get dark as Volpe's power over Laura invades her dreams. Danny awakes to find Laura, clad in a cheerleader's outfit stolen from his neighbor, covered in blood and wielding a butcher knife under Vople's mental control as she tries to kill Danny. He manages to ward off her attack, only to discover his neighbor's mutilated body.

Enter the police: DET. GARRETT (Cult fan favorite JEFFERY COMBS) and his partner DET. CONROY (veteran character actor JEFF DOUCETTE) who have already been to the hospital investigating Laura's abduction and getting the low down on Volpe. As Danny frantically tries to hide Laura from Doucette, she; again under Volpe's control; frees herself from Danny's restraints and disembowels Doucette in a very graphic scene that will keep the slasher fans more than happy.

Since I won't give away the ending, I will say that Volpe escapes the hospital in another graphic blood bath to track down Laura and Danny. The film culminates with one of the most inventive, innovative, and visually intriguing sequences involving clockwork automatons; the art work of Danny's friend Billy: and the best use of Serge Prokofiev's Romeo and Juliet Ballet Overture.

Wonderfully shot by Christian SEABADLT and ENZO GIOBBE and lit in an almost noir style there is enough gore for today's modern, hardcore horror fans, yet PARASOMNIA is so much more. Malone's script is intelligent and he understands all too well that Cinema is a visual medium. In an era where most film and television scripts are still written like radio scripts where the actors describe the action you are seeing on the screen. Malone lets the image tell the story. The characters speak like real people speak. It is economic in its dialog.

And in creating Byron Vople, Malone and Kilpatrick have presented one of the most literate and intelligent villains since Hannibal Lector, a refreshing twist after a dearth of mindless blood thirsty slasher villains.

PARASOMNIA succeeds on many levels: cinematically; mood; characterization; and visual style. The dreamscapes are stunningly beautiful and jarring at the same time. The subliminal cuts are spooky. The over all creepiness of the film is balanced with the innocence of Dylan Purcell and Cherilan Wilson's portrayals. And Wilson is quite a find. She shines in the scenes of Laura rediscovering the world, then seamlessly transitions into a vicious killer under Volpe's control and back to the somnambulistic Laura. Also look for an amusing cameo by director JOHN LANDIS.

PARASOMNIA is such an unusual and entertaining film, it stands on its own. Whether it gets a theatrical release or goes straight to DVD, don't miss this one.