Adicionar um enredo no seu idiomaMusical Review of gay experiences as told through song, stage choreography and full male nudity.Musical Review of gay experiences as told through song, stage choreography and full male nudity.Musical Review of gay experiences as told through song, stage choreography and full male nudity.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Kevin Alexander Stea
- Performer
- (as Kevin Stea)
Peter Lempert
- Answering Machine Voice
- (narração)
Marlene Fisher
- Answering Machine Voice
- (narração)
Michael Haboush
- Guy Buying Ticket at Beginning of Show
- (não creditado)
David Hawkins
- Pianist
- (não creditado)
Avaliações em destaque
If you haven't seen the stage version of Naked Boys Singing! (NBS), then what more can you do but see this film. The film's fun, campy, well-acted, well-sung and has lots of inspired choreography. However, compared to the live stage version, the film misfires conceptually, has truly cheesy "just graduated from film-school editing" and doesn't do justice to the essential intimacy of the material -- it neither delivers a good film nor a piece of theater-on-film. // Before writing this review, I watched the "making of" segment (titled "Nuts and Bolts") to find out how the producer/director could have gone astray with excellent material and a stage production that literally sells itself. Biggest problem: They tried to reimagine NBS as a film, making the same sad mistake foisted upon A Chorus Line -- both shows are perfect as-is and were designed to be seen in a theater from a center row in the Orchestra (and in the case of NBS, the second row): Why add all the superfluous cut-aways, back stories, reverse angles (again, an audience isn't supposed to see what the actors see), cutesy effects (slo-mo, sepia tones, dissolves, multiple-image shots, etc.)? This screams "I'm trying everything they taught me in film school." Moreover, introducing the numbers by showing the musical scores gives a documentary feel to what should be a live production. Why incorporate techniques from an dissonant genre? Hasn't anyone seen the excellent Sondheim recordings of his stage productions? They record the performance. Period. That said, there is the issue of how to record the actors...no body mics. But somehow, when I saw NBS in New York in that intimate little theater in the Village, no one needed a mic. So, I reject the rationale that they had to lip-sync everything to get the recording. No, they had to lip-sync in order to support all the cheesy/cutesy editing techniques! So much time and effort could have been saved had they simply filmed the show in a, er, straight-forward fashion. Simple, direct, intimate...that's what drives the NBS source material -- and the film introduces too much schlock and unnecessary distractions.
I don't understand how a reviewer can complain that a show has show tunes. With a name like "Naked Boys Singing" did he expect a Western? I suppose it could be called "Naked Boys Singing and Dancing". For what it was, which is exactly what it purports to be, I thought it was terrific. Some of the songs and situations were quite moving to me, having experienced some of the situations myself. It was very touching to have a chorus of "I feel so alone" - the fact of the chorus indicates that perhaps we weren't as alone as we felt.
I found the Perky Little Porn Star to be adorable. I suppose I did object the tiniest bit to the ode to "regular guys" who were not so totally buffed out from the gym sung by these totally buffed out guys, but they gave it their best shot. Dancer's bodies, what're you gonna do?
All in all a lot of fun.
I found the Perky Little Porn Star to be adorable. I suppose I did object the tiniest bit to the ode to "regular guys" who were not so totally buffed out from the gym sung by these totally buffed out guys, but they gave it their best shot. Dancer's bodies, what're you gonna do?
All in all a lot of fun.
A filmed version of the long-running off Broadway musical. It has 10 handsome talented guys singing and dancing while totally nude about being gay. I saw this twice live. First was in 2003 in NYC. I hated it. Then I saw a restaged version of it in PTown in 2012 and LOVED it! The songs are OK. Some are bad--"Robert Mitchum" and "Muscle Addiction" were dreadful--but most were good. Two favorites were "Gratuitous Nudity" and "Perky Little Porn Star". Also the guys are not all white boys--there's a black, latino and Asian guy in the cast too. Kudos to the cast for having no inhibitions to performing totally nude. That can't be easy. Fun and entertaining. Not rated but it would probably get an R or NC-17 for the non-stop full frontal male nudity. Only debit--some bad direction lessens some of the numbers.
What surprised me the most about this filmed stage production was the splendid variety in the musical numbers. The dancing is professional. Each dance is well choreographed. The vocals are entertaining, and pleasant to listen to. All numbers are done with heart and humor. This was truly a unique experience. I'm surprised at the arrogant remarks posted in other IMDb reviews. I found Naked Boys Singing highly enjoyable and fresh. Just look at the expression on the audiences faces. These talented guys offer a good sock in the jaw to convention. Intelligence and humor are the threads that hold this production together. Cheers and applause to all involved.
I finnaly saw the Broadway version, as some years ago i saw the version created in my own country. The musical is very funny! The boys are great artists and talented! It' quite original and I really apreciated it!
Você sabia?
- CuriosidadesAnyone complaining that the singers are lip-synching to a pre-recorded soundtrack might like to consider just where they'd put the mic and the battery pack / transmitter in order to achieve such good sound on the voices, were the singing performed live..
- Cenas durante ou pós-créditosNo actual penises were harmed in the cutting of this movie.
- ConexõesReferences Círculo do Medo (1962)
- Trilhas sonorasGratuitous Nudity
Music by Stephen Bates and Shelly Markham
Lyrics by Stephen Bates, Robert Schrock and Mark Winkler
Sung by Joe Souza, Jason Currie, Andrew Blake Ames, Vincent Zamora,
Jaymes Hodges, Ethan Le Phong, Kevin Alexander Stea, Anthony Manough,
, Salvatore Vassallo and Joseph Keane
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Поющие голыши
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 25.526
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.690
- 14 de out. de 2007
- Faturamento bruto mundial
- US$ 25.526
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Proporção
- 1.78 : 1
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