Abraços Partidos

The picture was competently directed by Pedro Almodovar in his usual style, being produced by his brother Agustin Almodovar and their production company , El Deseo . Interesting and agreeable drama by Almodovar plenty of passions , love , death , twists and great performances . In Madrid , Harry Caine (Luis Homar) is a blind screenwriter and ex-filmmaker , long time ago was still known by his real name , Mateo Blanco , he is helped by Judit (Blanca Portillo) and her son Diego (Navas) . Harry attempts to heal his injures from 14 years back when he had a car accident along with his sweetheart . But the past comes rushing in when Harry to be aware the death of Ernesto Martel (José Luis Gómez) , a powerful producer , and Ernesto's son (Ruben Ochandiano) pays Harry a visit . In a lot of flashbacks we watch how Mateo , falls in love with Ernesto's mistress, Lena (Penélope Cruz) , and casts her in a picture , which Ernesto produces . Later on , the disturbing Ernesto sends his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage , then things get awry .

The picture is narrated by a series of flashbacks to the 1990s containing intense drama , passion, twists , obsession , jealousy, guilt , and surprises . The movie has an autobiographical dimension, but that is indirectly, through the weird characters . Almodóvar told about ¨Abrazos rotos¨ or ¨Broken embraces¨ the following : ¨ I believe it is the most complex script I've ever written and during the writing of this film and also during the shoot, I did find myself in a different place. The way of making the film, the way of telling the story, the actors' tone and the way of editing was, you could say, a departure from some of my previous films. The film is much more balanced between the female characters and the male characters. This is also something new for me. I do feel that this film is a true declaration of love for cinema. I could almost say that cinema perfects all the irregularities, or the imperfections, of life¨ . And about Penélope Cruz : ¨Penélope was born to be an actress. She is someone who is extremely emotional, and if she was not an actress it could be a problem for her. It's luck she has chosen a profession that allows her to express something that would be too much for a normal person. Otherwise she would suffer a lot. And even now maybe she suffers too much¨ .

The main cast is frankly extraordinary , as Luís Homar as a blind writer who reaches this moment in time , but the sad past returns ; Penélope Cruz as the gorgeous Lena ; and José Luis Gómez as the jealous and obsessive Ernesto. The support cast is pretty good , such as : Blanca Portillo , Ruben Ochandiano , Lola Dueñas , Ángela Molina , Kiti Mánver , Mariola Fuentes , Carmen Machi ,Rossy de Palma , Alejo Sauras , Kira Miró and Chus Lampreave , Pedro's ordinary . Sensitive and enjoyable soundtrack by Oscar Winner Alberto Iglesias , Almodovar regular. Colorful and evocative cinematography by Rodrigo Prieto .

The motion picture was well directed by Pedrro Almodóvar , considered to be the most internationally acclaimed Spanish filmmaker since Luis Buñuel .He often uses symbolism and metaphorical techniques to portray circular storylines .His films often portrays strong female characters and transsexuals and he has directed one Oscar nominated performance: Penélope Cruz in Volver (2006) . His first films were in low budget and had certain success , such as Pepi, Luci, Bom y otras chicas del montón , Entre tinieblas , Laberinto de pasiones , What Have I Done to Deserve This? . Pedro subsequently made several hit movies . He spent 10 years writing the script for La mala educación (2004) (a.k.a. "Bad Education"), during which time he made such acclaimed films such as Todo sobre mi madre (1999) (a.k.a. "All About my Mother") and Hable con ella (2002) (a.k.a. "Talk to Her") , the script is based upon a short story he wrote as an adolescent, which was based upon his experience at a Catholic boarding school . Pedro has got a lot of hits with dramatic films as Talk to her , Volver , The flower of My secret , The sin I live in, Carne Trémula, Tacones Lejanos , Ley Del Deseo , Matador and many others.

Pedro Almodovar's latest, "Broken Embraces," is like a high-class telenovela for the art-house crowd.

Its love triangle - involving a film director (Lluis Homar), his gorgeous lead actress (Penelope Cruz) and her elderly, abusive boyfriend (Jose Luis Gomez) who's financing the film on which they're working - spans the period from 1994 to 2008. In the present time, the financier, Ernesto Martel, has just died, while the director, Mateo Blanco, who has since become blind, has plans for writing another film. But what's become of Lena, the girl of both of their dreams, in the intervening years?

Structurally, the movie divides its focus fairly evenly between the two time periods. The intricately plotted narrative unravels like a conventional mystery story, with clues being dropped in at key moments and character connections and motivations becoming ever more clearly defined as the movie goes on.

This isn't prime Almodovar, by any means, but the customary florid melodrama, color-rich palette and elegant direction make it a worthy addition to the director's oeuvre.

A wonderful film. One of Almodovar's finest, and probably the most accomplished work by Penelope Cruz, whose subtle performance as Lena is a real achievement. I was lucky enough to enjoy the film in a press preview, and simply adored it. The script is extremely complex, though this fact does not result in making the story difficult to follow. All characters are perfectly defined and handled by Almodóvar, in his rich, flamboyant style. I liked this film even more than Almodovar's previous "Volver". I found this more powerful, both visually and emotionally. The music score by Alberto Iglesias is simply alluring. Cinematography by Mexican Rodrigo Prieto is also very good. But the beauty of the film is basically due to the enormous talent of Señor Almodóvar. Thanks, Pedro!

Make no mistake this is a very accomplished film. However, it seems to me there is a significant problem with the first half hour. The characters as portrayed at this point are really wooden and do not ring 'true'. We're effectively being told a back story that seems to have no relevance to the story as it unfolds and ultimately how it concludes. This part could be dropped/cut without too much detriment. Of all of Pedro A's films this is the one that provides the most unexpected laughs. Oh yes please, I'd like to see that girl and the suitcase film - it looks great fun. Penelope Cruz is absolutely stunning - even when she is doing the bad acting routine she gets it spot on. Brilliant. She deserves far more recognition for her acting skills than she gets.

There's never been any doubt about Pedro Almodovar's unquestioned, unstoppable love for all things cinema, a fact that pops up frequently in his body of work, most notably the autobiographical Bad Education. Like that intrigue-heavy melodrama, Broken Embraces was shown in competition at the Cannes Film Festival, with many critics and bookmakers speculating about the director finally winning the Palme d'Or after many unsuccessful attempts (the closest he came, apparently, was with the stunning Volver). Of course, the movie received zero awards (with the top prize going to Michael Haneke, another "perennial loser" so to speak) and left many people who saw it indifferent. The reason? Almodovar keeps making the exact same films year after year.

The "hero" of Broken Embraces is a Spanish screenwriter (Lluis Homar, who played the older priest in Bad Education) who calls himself Harry Caine (a mixture of fictional character Harry Palmer and the actor playing him, Michael Caine, or possibly a play on how Italians and Spaniards phonetically pronounce the English word "hurricane"). He's blind, and has gone off on a soul-searching journey to deal with a tragedy that occurred 14 years earlier. As the mystery surrounding his past unravels, flashbacks are used to depict a "happier" time, when he could still see, was known as Mateo Blanco and tried to make his last film, on the set of which he met and fell in love with actress Lena (Penélope Cruz), who unfortunately was involved with another, more powerful man...

It's easy to see why people choose to dislike the film: they're right, there's nothing really original in the screenplay (the "solution" to the mystery is easy to guess), in fact Almodovar seems to be going on autopilot, hitting the melodrama button without bothering to make sure he's doing it the right way. But that doesn't mean he never does a good job: visually, Broken Embraces is as enchanting as Volver, and if there's one thing the director hardly ever gets wrong, it's casting: Penélope Cruz is beautiful and convincingly vulnerable at the same time, Homar elicits enough sympathy as Mateo/Harry, and the "villain" of the piece (José Luis Gomez) is acceptably solid.

As for the self-referential streak in Almodovar's production (there's at least one in-joke in every film), he really hits gold this time, with fake footage of Mateo's lost film coming off as a clever pastiche of earlier hit Women on the Verge of a Nervous Breakdown, which starred his other muse Carmen Maura. That scene alone justifies watching the film at least once. Broken Embraces may not be vintage Almodovar, but he's worth checking out even when he's "slacking".