AVALIAÇÃO DA IMDb
3,2/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA desperate criminal and a merciless posse become trapped in a remote Mexican ghost town by a vengeful demon.A desperate criminal and a merciless posse become trapped in a remote Mexican ghost town by a vengeful demon.A desperate criminal and a merciless posse become trapped in a remote Mexican ghost town by a vengeful demon.
- Direção
- Roteirista
- Artistas
María Alché
- Dora
- (as María Alche)
Andrés Bagg
- Lockhardt
- (as Andres Bagg)
Janet Bar Rembaum
- Mary Black
- (as Janet Bar)
Muni Seligmann
- Michelle Black
- (as Mariana Seligmann)
Avaliações em destaque
I remember years back as a kid the first Albert Pyun movie I saw was CYBORG, then after that I saw NEMESIS, and I enjoyed them both mainly because they looked cool, and as a kid I never really paid attention to the flaws or tried to over analyze the plot, I just liked CYBORG because I was a big Van Damme fan, and I liked NEMESIS because it was something different, and over the years every time I saw Albert Pyun's name on a film, I would immediately say that's the guy who directed CYBORG & NEMESIS, but of course, he has directed some terrible films, such as that URBAN MENACE junk and a few others that made me wonder if this actually was directed by the same guy.
LEFT FOR DEAD was the first Pyun movie I saw since TICKER, and compared to the other films I've seen before, it was nothing like any of Pyun's previous work, and I mean that in a good way, sure its no masterpiece, but it is also not the worst movie out there, I actually liked the storyline, it was very original and unfolded nicely, I'll also add that I am not a die hard fan of the spaghetti western genre so I guess its easier for me to accept it as it is, the acting was not all bad but also not all good, entertainment wise, a lot of people might find it a bit on the boring side, because it doesn't have any major action sequences or anything that will make you jump out of your seat, it is mainly focused on being more of a ghost story than anything else, other than that it has a part near the ending that is pretty gross.
I actually liked this film, and for those that consider it the worst movie you've ever seen, check out these titles, HUNTING SEASON, THE CAVERN and FIVE ACROSS THE EYES, then you'll know what's worse.
LEFT FOR DEAD was the first Pyun movie I saw since TICKER, and compared to the other films I've seen before, it was nothing like any of Pyun's previous work, and I mean that in a good way, sure its no masterpiece, but it is also not the worst movie out there, I actually liked the storyline, it was very original and unfolded nicely, I'll also add that I am not a die hard fan of the spaghetti western genre so I guess its easier for me to accept it as it is, the acting was not all bad but also not all good, entertainment wise, a lot of people might find it a bit on the boring side, because it doesn't have any major action sequences or anything that will make you jump out of your seat, it is mainly focused on being more of a ghost story than anything else, other than that it has a part near the ending that is pretty gross.
I actually liked this film, and for those that consider it the worst movie you've ever seen, check out these titles, HUNTING SEASON, THE CAVERN and FIVE ACROSS THE EYES, then you'll know what's worse.
Whilst searching for her missing husband Blake (Javier De la Vega), tough, pistol packing babe Clementine (Victoria Maurette) runs across a community of outcast whores who have fled the town of Amnesty after murdering the townsfolk, including its preacher (Andres Bagg) and his pregnant wife. These murderous women are also keen to lay their hands on Blake, for they believe him to be a rapist, but are unwilling to follow him into the deserted town, for this is where the spirit of the preacher patiently waits for revenge...
In my opinion, director Albert Pyun must suffer from severe Hollywooditis, a condition that causes untalented hacks to believe that they are actually successful Hollywood directors. The results are never pretty.
In this instance, poor Mr.Pyun is clearly under the delusion that he is Tony Scott, circa 2004, which explains why his low budget western/horror Left For Dead attempts to mimic Scott's dreadful, self-indulgent movie 'Man on Fire' so closely in style. Unfortunately for Pyun (and his audience), not only is he stricken with the urge to emulate one of Scott's most dire efforts, utilising all of the horrible visual trickery that made that movie such a chore to sit through (flickering imagery, desaturated colours, distressed filters, unnecessary freeze-frames, slow-motion, and even novelty subtitles for both Spanish and English dialogue), but the absence of a mega budget, A-list cast, and, more pointedly, any talent whatsoever behind the camera or in the editing room, makes this project an infinitely more painful viewing experience than anything Scott has ever dished up.
A lengthy prologue attempts to explain the back story to this steaming crap-fest, but is so poorly written that it does little to help viewers' understanding of the movie. The dreadful script, combined with equally awful acting and an over-reliance on absurd visual gimmickry, all go to make this one hell of a bad film which I genuinely believe deserves the lowest rating possible (others have rated this a 'one' to try and counteract the fake positive reviews, whereas I rate it that low simply because I genuinely hated it!).
Still, as much as I have suffered whilst watching this cack, I'm still able to spare a thought for poor old Pyun—if only his affliction had left him thinking he was Scorsese or Spielberg in their prime, things might have been different.
In my opinion, director Albert Pyun must suffer from severe Hollywooditis, a condition that causes untalented hacks to believe that they are actually successful Hollywood directors. The results are never pretty.
In this instance, poor Mr.Pyun is clearly under the delusion that he is Tony Scott, circa 2004, which explains why his low budget western/horror Left For Dead attempts to mimic Scott's dreadful, self-indulgent movie 'Man on Fire' so closely in style. Unfortunately for Pyun (and his audience), not only is he stricken with the urge to emulate one of Scott's most dire efforts, utilising all of the horrible visual trickery that made that movie such a chore to sit through (flickering imagery, desaturated colours, distressed filters, unnecessary freeze-frames, slow-motion, and even novelty subtitles for both Spanish and English dialogue), but the absence of a mega budget, A-list cast, and, more pointedly, any talent whatsoever behind the camera or in the editing room, makes this project an infinitely more painful viewing experience than anything Scott has ever dished up.
A lengthy prologue attempts to explain the back story to this steaming crap-fest, but is so poorly written that it does little to help viewers' understanding of the movie. The dreadful script, combined with equally awful acting and an over-reliance on absurd visual gimmickry, all go to make this one hell of a bad film which I genuinely believe deserves the lowest rating possible (others have rated this a 'one' to try and counteract the fake positive reviews, whereas I rate it that low simply because I genuinely hated it!).
Still, as much as I have suffered whilst watching this cack, I'm still able to spare a thought for poor old Pyun—if only his affliction had left him thinking he was Scorsese or Spielberg in their prime, things might have been different.
Not a bad film, unlike other reviews I have seen for it I believe that this film is a perfect example of a B-Film. The story line isn't too deep and the actors are not unbelievably gripping.
This being said the reasons most don't seem to like it are the exact reason it is an okay film, and an excellent example of a b-movie. Like all b-films it can be a mini-cult classic like almost every Bruce Campbell film and a background noise film, entertaining enough to be on in the background and for you to have focus every now and again.
If you want to watch an okay film I would recommend this for the sheer novelty, if you want to insult a b-film I would recommend another one like, erm, I know how many runs you scored last summer.
This being said the reasons most don't seem to like it are the exact reason it is an okay film, and an excellent example of a b-movie. Like all b-films it can be a mini-cult classic like almost every Bruce Campbell film and a background noise film, entertaining enough to be on in the background and for you to have focus every now and again.
If you want to watch an okay film I would recommend this for the sheer novelty, if you want to insult a b-film I would recommend another one like, erm, I know how many runs you scored last summer.
In the past 5 years the independent cinema here in Argentina and throughout South America has become quite accomplished. This is another example of taking an ordinary story and providing a artistic touch. The images are magnificent! And Victoria Maurette is amazing as Clem. She looks like she stepped into the film from a Sergio Leone movie. Wonderful eyes and face. She has amazing intensity and belief. She is a new star I think. The others were good but some like Marianna Seligman were just okay. At times she seemed embarrassing but Victoria overcomes the others and keeps the film a head above.
This film has been playing around Buenos Ares in a bad copy so I would very much like to watch with a good copy. The crew did a good job as well and the visuals, sound music were all A level. I hope they make a sequel to this as more Maurette is very good!
This film has been playing around Buenos Ares in a bad copy so I would very much like to watch with a good copy. The crew did a good job as well and the visuals, sound music were all A level. I hope they make a sequel to this as more Maurette is very good!
So, I finally got to see Albert Pyun's most recent effort. A strange western about a foreign woman (along with a bunch of local women) hunting down her ex (who happens to have impregnated the daughter of one of them) into a town haunted by a ghost who's sworn revenge over those women.
I was drawn by this film. Firstly, because it's Albert Pyun, and no matter how bizarre the film is, there's always something I find cool in his film. Secondly, the movie was shot in my country, and now checking with IMDb, it has an almost completely local cast.
Pyun abuses of the slow-motion effect in this movie. That and an excess of cutting during the "action" scenes produces annoyance. Other than that, the story was good, and it could have been improved with a better budget (no, I didn't say director). THere're tons of blood, deaths and gore too, which will please fans of horror/slasher movies.
Victoria Maurette, of whom I've noticed in stupid teen flicks, has left me stunned. I didn't know she could actually act, and matter of fact, I didn't even recognise her (again, thanks IMDb). The rest of the actors are OK too, especially the one playing Moebius Lockwood (who looks terrific), but she delivered quite a good performance. Too good actually.
This film should be held in the same light as Pyun's "Omega Doom". It has its resemblances and differences, some more noticeable than others. But they're both unusual, peculiar movies, which depart from standards.
Overall, it's watchable. Not a film to watch again, though. So much for a film which was supposedly the second part of a trilogy started with "Mean Guns", which is a film that I personally have watched at least 20 times, and I'd watch it 20 times more if I had the opportunity.
Albie, get back to that sort of flicks!
I was drawn by this film. Firstly, because it's Albert Pyun, and no matter how bizarre the film is, there's always something I find cool in his film. Secondly, the movie was shot in my country, and now checking with IMDb, it has an almost completely local cast.
Pyun abuses of the slow-motion effect in this movie. That and an excess of cutting during the "action" scenes produces annoyance. Other than that, the story was good, and it could have been improved with a better budget (no, I didn't say director). THere're tons of blood, deaths and gore too, which will please fans of horror/slasher movies.
Victoria Maurette, of whom I've noticed in stupid teen flicks, has left me stunned. I didn't know she could actually act, and matter of fact, I didn't even recognise her (again, thanks IMDb). The rest of the actors are OK too, especially the one playing Moebius Lockwood (who looks terrific), but she delivered quite a good performance. Too good actually.
This film should be held in the same light as Pyun's "Omega Doom". It has its resemblances and differences, some more noticeable than others. But they're both unusual, peculiar movies, which depart from standards.
Overall, it's watchable. Not a film to watch again, though. So much for a film which was supposedly the second part of a trilogy started with "Mean Guns", which is a film that I personally have watched at least 20 times, and I'd watch it 20 times more if I had the opportunity.
Albie, get back to that sort of flicks!
Você sabia?
- CuriosidadesVictoria Maurette's debut.
- Erros de gravaçãoGoldie impales Lockhart with her pick and leaves the pick buried him. However, when she runs outside to tell the others, the pick is slung across her back. When she returns to check on Lockhart, her back is bare and the pick is still in Lockhart.
- Citações
Mary Black: If I have to, I will baptize this baby in your blood.
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Detalhes
Bilheteria
- Orçamento
- US$ 98.000 (estimativa)
- Tempo de duração
- 1 h 24 min(84 min)
- Cor
- Proporção
- 2.35 : 1
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