O Julgamento de Paris

In 1976, in the Napa Valley, the perfectionist vigneron Jim Barrett (Bill Pullman) is the owner of the Château Montelena that is full of debts and near bankruptcy. Jim is unsuccessfully racking his wine trying to reach perfection. He has a problematic relationship with his hippie son Bo (Chris Pine) and his Mexican foreman and connoisseur Gustavo Brambila (Freddy Rodriguez) is secretly producing wine with his father Mr. Garcia (Miguel Sandoval). Jim hires the free spirit intern Sam Fulton (Rachael Taylor) from UC Davis to help him in the production of wine.

Meanwhile in Paris, the wine expert Steven Spurrier (Alan Rickman) that owns a specialized store has few clients. His friend Maurice Cantavale (Dennis Farina) advises him to promote his store and he decides to organize a blind tasting competition between the French and the American wines. He travels to Napa Valley to find the best American wines to bring to the dispute. He has a troubled meeting with Jim that refuses to participate in the competition. However Bo foresees the chance of survival of his father's business and gives two bottles to Spurrier. But soon he finds that the color of all the 500 bottles of chardonnay have turned into brown. Is Jim Barrett's business doomed?

"Bottle Shock" is a delightful movie based on a true story. This little but charming movie is not available on DVD in Brazil but only on cable ("O Julgamento de Paris", meaning "The Paris Judgement"), but I bought the American DVD following the advice of a friend of mine from California. The story has a pleasant screenplay with entertaining subplots that might or might not really happen, such as the triangle of love among Sam, Gustavo and Bo, that keeps the plot never boring. The cast has good names associated to the beautiful locations that make this little movie worthwhile watching. My vote is seven.

Title (Brazil): Not Available

America; home of the free, over-sized fast-food and trash TV—at least, that's what most Europeans like to comfort themselves in thinking about their distant cousins. So who then would think, that in the 1970's, only two hundred years into the countries recent history, that this very same country would be the forefront of a wine movement that would change the industry as it was known at the time? Quite honestly, nobody did, except of course, those few American "hicks" who knew what they were doing regardless of their history and position within the sophisticated-snob wine culture of France. Bottle Shock then, with it's attempt at re-telling that story alongside plenty of character-play and drama, achieves in doing what it sets out to do by crafting an uplifting, re-affirming two hours balancing debatable fact with fiction. It's an unassuming experience for sure; wine tasting and competition isn't exactly the medium's foray when it comes to delivering attention grabbing excitement from your average audience. Yet when it comes to simply offering a modest, albeit compelling and engaging character story fit with tangible emotion and relativity, Bottle Shock isn't bad at all—in fact, it's really quite palatable indeed.

For all that the general history behind the true story of Bottle Shock, and all that it does for the movie's plot, there still remains a distinct impression here that such involvements are secondary to the elements that are really on show here. Following five characters as they each seek out their place in life, Randall Miller's feature here sticks to the opinion that story can define characters, but that characters define the audience. Taken on a purely ostensible level, Bottle Shock would be a tired, dry and unwelcoming approach to documenting a piece of history fit only for aficionados of the wine trade. Yet by balancing out the script and action with some wonderful character developments and relationships, Miller and his ensemble of writers manage to craft a story that excites and compels by its final act, but only because the first two invest heavily in making you feel for those involved in such a struggle. The result is a slowly paced, somewhat uneven venture, but one that does eventually pay off through its use of catharsis which utilises that empathy to full effect.

Aesthetically speaking, the movie isn't all that bad either, gracing the screen with some wonderfully tranquil photography that constantly evokes wistful, whimsical emotions fit for the existential nature of the screenplay. Alongside the cinematography also lays the somewhat majestic, but grounded score penned by Mark Adler that manages to convey the same feelings provoked by Ozier's photography, creating a formidable, cohesive whole that really brings home the themes of the feature with poignancy.

Unfortunately, the same cannot wholly be said for the performances that at times can come off as a little disjointed and lazy. As a whole, the cast do well to keep things interesting, and bring at least a little flavour to their characters, but a common thread of awkward phrasing and timing too often breaks the illusion that Miller attempts to weave. That being said, the feature at least boasts a fine introduction for many to the talent of Chris Pine who shares the lead spot here with a coming-and-going Bill Pullman. Again, it's a timid performance fitting of the feature's rather small-time nature, but it's certainly an inviting and oft compelling portrayal that works on many levels and even helps bring out the better sides of Pullman who plays his father. As a leading man here, and indeed giving the movie its finest performance next to an ever-arresting Alan Rickman, Pine offers plenty of reason to believe the young actor has a bright future ahead of him.

Despite all the good that the movie does however, there still remains a certain emptiness that resides within Bottle Shock's makeup. It's a feature that uplifts, and engages while it exists on screen, and yet fails to achieve a lasting connection that stays long after the credits have rolled by. In its place exists a fond memory perhaps, but one that probably won't be, and won't need to be revisited again any time soon. In that respect, Bottle Shock achieves a firm hold on its immediate audiences, but differs from its subject by neglecting holes within narrative that would otherwise have filled in lasting impressions upon those very same viewers. Nevertheless, although lacking in a few important areas of taste and refinement, Bottle Shock still permits an enjoyable and rewarding two hours of fine character drama that uplifts and tugs at heart strings.

• A review by Jamie Robert Ward (http://www.invocus.net)

While some people might immediately try to compare this film to Sideways, that would be a big mistake. Both films might share wine as their subject matter but diverge dramatically from there.

Bottle Shock tells an unknown story of Californian wine beating French wine in a surprise blind taste test (no one was more surprised than the French).

Having the US as the Underdog, seeing the passion of the wine makers and seeing the French being served makes this an absolutely wonderful 2 hours.

Bill Pullman was superb, Alan Rickman portrayed the quintessential snobbish Britt, Rachael Taylor was stunning and Dennis Farina was "Bacon Fat with a hint of Ripe Mellon!"

This past January I had the great joy of going to Sundance '08. In a cluster of some really enjoyable (and some not so enjoyable) films, Bottle Shock really stood out from the rest. Out of all the movies I saw, I can easily say that it was the best. It was really something to see two bigwigs like Alan Rickman and Bill Pullman go toe to toe with each other. To see these two mammoth talents opposite each other is almost reason enough to see the movie, but the great performances don't stop there. Freddy Rodriguez delivers on some very strong and moving parts in the film that literally had tears forming in my eyes (Freddy is one of the best young actors Hollywood has to offer). As someone already commented, Dennis Farina is absolutely priceless. You will fall head over heals in love with Rachael Taylor who carries herself with a classic silver screen charm. And Chris Pine shows why he is destined to be put on the fast track to fame (but don't take my word for it, he is Captain Kirk in the new Star Trek franchise). As a whole, Bottle Shock is simply wonderful. Oh… and not to forget one of the biggest characters in the film, the Napa Valley itself! This movie is so beautifully shot and set that it will take your breath away. This is one you MUST SEE!!

I recently got a chance to see Bottle Shock and I have to say I thought it was great. It's really charming and interesting in a very different way from Sideways, although because of all the beautiful Napa Valley photography, it still reminded me of it. It also has great characters and hilarious moments the way that film does. I highly recommend this film.

Based on a true story, it chronicles how California wine makers became serious contenders in the world competition of wine-- an honor previously assumed to be rewarded always to the French. It centers around a town of quirky up and coming wine makers, each with their own challenges to face. It's got a great cast, including Bill Pullman, Chris Pine, Freddie Rodriguez, Rachel Taylor, Eliza Dushku and the hilarious Alan Rickman. Rickman plays an English wine seller in France who's desperate to find the best wines to sell in his store. He travels to California to see if the rumors are true about California's wines. His performance alone is worth seeing this.

It's a charming, heartwarming movie that I think will do very well when it opens 8/8. Check it out, you wont be disappointed.

9/10