AVALIAÇÃO DA IMDb
5,9/10
15 mil
SUA AVALIAÇÃO
Reunindo o mesmo elenco carismático da comédia dramática, Porque É que Me Casei?, Tyler Perry mostra o próximo capítulo da vida de oito amigos da faculdade que lutam contra os desafios da vi... Ler tudoReunindo o mesmo elenco carismático da comédia dramática, Porque É que Me Casei?, Tyler Perry mostra o próximo capítulo da vida de oito amigos da faculdade que lutam contra os desafios da vida conjugal em Por Que Eu Me Casei Também?Reunindo o mesmo elenco carismático da comédia dramática, Porque É que Me Casei?, Tyler Perry mostra o próximo capítulo da vida de oito amigos da faculdade que lutam contra os desafios da vida conjugal em Por Que Eu Me Casei Também?
- Prêmios
- 1 vitória e 4 indicações no total
Kaira Akita
- Keisha
- (as Kaira Whitehead)
Avaliações em destaque
I just caught this film it is about relationships, marriage and the concept of expecting perfection vs. the reality of every day life weighing in on relationships. I laughed often and cried several times as well.
On the whole this was white cinema done with black faces but such a trend is long over due (if I have to watch one more trailer about how hard life in the hood without anyone fixxing their situation or the benefits to selling drugs and pimping I may go on a shooting spree). However, don't let this fool you-the writing was top rate and while some dialogue rehash there was a lot of very original dialogue as well. My only real complaint of the film was its sterility in many shots a lack of warmth within some home settings and among the performers as a whole.
There seemed to be little genuine commaraderie between the actors particularly in the earlier scenes. They were supposed to be friends since college but they were stiff in their reuniting with each other.
Also there is the scene were the overweight wife is forced to drive to the reunion by herself and all the women are worried for her safety yet when she enters the cabin the next day no one runs over to greet her they wait for her to come to them. Despite some of these often repeated mistakes (not just here but in other movies) this movie was very very good. I enjoyed it almost as much as The Four Seasons but unlike the Four Seasons this film follows all the characters all the way through the film- a nice touch in giving overall closure. Janet Jackson was my least favorite; portraying the celebrated novelist who lost a child but the the other performances were powerful enough to over shadowed her lack of depth. This was the first Tyler Perry film I have seen and I must say his 2 weeks at top box office is well justified here.
On the whole this was white cinema done with black faces but such a trend is long over due (if I have to watch one more trailer about how hard life in the hood without anyone fixxing their situation or the benefits to selling drugs and pimping I may go on a shooting spree). However, don't let this fool you-the writing was top rate and while some dialogue rehash there was a lot of very original dialogue as well. My only real complaint of the film was its sterility in many shots a lack of warmth within some home settings and among the performers as a whole.
There seemed to be little genuine commaraderie between the actors particularly in the earlier scenes. They were supposed to be friends since college but they were stiff in their reuniting with each other.
Also there is the scene were the overweight wife is forced to drive to the reunion by herself and all the women are worried for her safety yet when she enters the cabin the next day no one runs over to greet her they wait for her to come to them. Despite some of these often repeated mistakes (not just here but in other movies) this movie was very very good. I enjoyed it almost as much as The Four Seasons but unlike the Four Seasons this film follows all the characters all the way through the film- a nice touch in giving overall closure. Janet Jackson was my least favorite; portraying the celebrated novelist who lost a child but the the other performances were powerful enough to over shadowed her lack of depth. This was the first Tyler Perry film I have seen and I must say his 2 weeks at top box office is well justified here.
First of all I must say that I don't understand the low ranking, it is truly an underestimation of this film. I must admit that while I am a Tyler Perry fan I have been underwhelmed by his previous box office offerings. This film for me was a welcomed departure from his other films, it just seemed more professional, well directed, and the casting was phenomenal. Evan though it was rather preachy it seemed much less "after-school-specialish" than his initial movies. Jill Scott was amazing, Tasha Smith was Hilarious, and Janet Jackson wasn't as boring as she usually is. I hope this film is a precursor of more to come from Tyler Perry.
You have to credit Mr. Perry for presenting to us what we so rarely get to see in American film; upper-class, professional African-American couples working through real-life relationship problems. Unfortunately, it's execution leaves a lot to be desired. Though Jill Scott turns in a spectacular performance, and Malik Joba and Tasha Smith are solid, the performances are uneven at best. It's a classic morality tale with more melodrama to fill an afternoon's worth of soap operas. Some of the characters are far too one-dimensional to be credible, including the absurdly sadistic Mike, and the nearly as absurd (and conveniently single) knight in shining armor, Sheriff Troy. There's something oddly antiseptic about the film. Even the arguments seem neat and clean, with well-defined in and out points. Sometimes it is shot like a film, sometimes (with awkward stage-like blocking), it is shot like a play being filmed in a theater proscenium. The screenplay (and direction) has some gaps of logic, but even more egregious is its exposition, which could be held up as a lesson to any aspiring screenwriter on how NOT to write it (eg, "Did you ever think we'd all turn out like this? Diane's a lawyer, I'm a doctor, you're a real estate mogul"). Unfortunately, this type of sloppy exposition abounds throughout. Realism and subtly take a vacation on this one, however, it's still a pleasant, if overly-simplistic, morality tale that's likable enough.
I really like all the conversations throughout. Despite the drama it's not bad. Some of it is hilarious too, hit or miss type, you either hate it or fairly enjoy it. I must say a lot of the drama escalates which is unfortunate so I understand why IMDb has it at 5.8. A lot of beautiful scenery and great dialogue that's for sure!
Before seeing this film or any other Tyler Perry production I, like many of you, had my doubts. But there is something quite engaging when watching this film. The thing I ask you to remember when watching this film is seeing what was produced with the resources at hand. Of course there are flaws and the emotions seem slightly pushed at times, but it was a good story full of love, understanding, fun, and laughter. Tasha Smith did an excellent in her role as did Tyler, Sharon Leal, and Jill Scott. You fall in love with these guys, all of them, and whats going on in there lives very quickly. I will admit that the cast of characters would be better suited for a television sitcom. But, with the amount of main characters in this film, i still say a job well done. I am most eager to see how their stories develop in the next movie and i also think that it would also be a wonderful idea to consider a television show going back to when they all first met and started dating and for it to be on a network like HBO or showtime, but that might be dreaming too high. Anyway, this was a successful film am I am excited to see the next film and some of the films Perry has put out that I've missed. Just check it out with an open mind.
Você sabia?
- CuriosidadesJanet Jackson was originally sought for a role in Madea - Reunião de Família (2006), but was unavailable. Tyler Perry was very keen to work with her so asked her to be in this film.
- Erros de gravaçãoDiane wouldn't be a defense attorney in a criminal/murder case if she were a top litigator at her law firm.
- Cenas durante ou pós-créditosSpecial Thanks to: Bishop T.D. Jakes (for the "80/20 Rule")
- Trilhas sonorasColor Me Blue
Written by Jay Weigel
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Why Did I Get Married?
- Locações de filme
- Pemberton, Columbia Britânica, Canadá(Village of Pemberton)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 55.204.525
- Fim de semana de estreia nos EUA e Canadá
- US$ 21.353.789
- 14 de out. de 2007
- Faturamento bruto mundial
- US$ 55.862.886
- Tempo de duração
- 1 h 53 min(113 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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