A paleontóloga Kate Lloyd se junta a um time de cientistas na Antártica que descobriu um nave alienígena enterrada no gelo, e um organismo que parece ter morrido na queda.A paleontóloga Kate Lloyd se junta a um time de cientistas na Antártica que descobriu um nave alienígena enterrada no gelo, e um organismo que parece ter morrido na queda.A paleontóloga Kate Lloyd se junta a um time de cientistas na Antártica que descobriu um nave alienígena enterrada no gelo, e um organismo que parece ter morrido na queda.
- Direção
- Roteiristas
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- 6 indicações no total
Jonathan Walker
- Colin
- (as Jonathan Lloyd Walker)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It's hard for anything to compare to John Carpenter's The Thing. It's one of the greatest horror films ever made, some would argue *the* best. Thankfully, they didn't go the remake route here and instead opted for a prequel that depicted the events that happened in the Norwegian camp prior to the '82 version. In that regard, this movie does an impressive job at tying some knots like showing how the two-faced thing came to be, as well as the origin of the dog from the start of Carpenter's Thing. Sadly, that's where most of the praise ends.
The Thing suffers from what plagues many horror movies these days - underwritten characters and overwhelming CGI. One of the scariest things of Carpenter's version is the practical effects of the "thing". They were horrifying. Here, all subtlety is thrown out the window in favor of huge CGI monsters. It's effectively used in a couple scenes, but the monsters lose their scariness after a while and it just becomes gratuitous. The characters themselves are paper thin. What helped make the '82 version so fantastic is that we got to know the characters, their quirks, their personalities, and we were able to empathize with their situations. In this movie, half of the characters are interchangeable. I didn't even know most of their names. And worse yet, I didn't care about any of them. There's one particular scene that calls back to Carpenter's infamous blood test scene where I realized that most of these people are really dumb and I don't care if any of them die. That's not good in a horror movie. By that point it was just a waiting game for them to get picked off one by one.
The lead performances are strong. For the material they were given, Mary Elizabeth Winstead and Joel Edgerton do a fine job. But that simply isn't enough to carry a movie like this. The Thing is supposed to be scary, and for the most part, it isn't. That's a failure by horror standards. There's some face-value entertainment to be had here, but if you're looking for a substantial prequel to Carpenter's masterpiece, you'll be sorely disappointed.
The Thing suffers from what plagues many horror movies these days - underwritten characters and overwhelming CGI. One of the scariest things of Carpenter's version is the practical effects of the "thing". They were horrifying. Here, all subtlety is thrown out the window in favor of huge CGI monsters. It's effectively used in a couple scenes, but the monsters lose their scariness after a while and it just becomes gratuitous. The characters themselves are paper thin. What helped make the '82 version so fantastic is that we got to know the characters, their quirks, their personalities, and we were able to empathize with their situations. In this movie, half of the characters are interchangeable. I didn't even know most of their names. And worse yet, I didn't care about any of them. There's one particular scene that calls back to Carpenter's infamous blood test scene where I realized that most of these people are really dumb and I don't care if any of them die. That's not good in a horror movie. By that point it was just a waiting game for them to get picked off one by one.
The lead performances are strong. For the material they were given, Mary Elizabeth Winstead and Joel Edgerton do a fine job. But that simply isn't enough to carry a movie like this. The Thing is supposed to be scary, and for the most part, it isn't. That's a failure by horror standards. There's some face-value entertainment to be had here, but if you're looking for a substantial prequel to Carpenter's masterpiece, you'll be sorely disappointed.
First off, I will have to make a disclaimer: I love the 1982 John Carpenter's "The Thing". That being said, this review will try to be fair. Hopefully.
First off, "The Thing" is a prequel. I always have a fascination of prequels because they have a unique approach to writing in that the events must lead up logically to a movie already made rather than taking the idea of the first movie and going in different directions with it. This creates a lot of confinement and there have been some really cool prequels that, even in this confinement, still feel fresh and take whatever franchise into a new direction (case in point, From Dusk Til Dawn 3). So already, this movie has both a reputation to live up to (the 1982 movie is very highly regarded by John Carpenter fans, horror fans and even fans of good drama and story telling) and adding in the fact that the writers must somehow lead up to the original movie is a tough task to undertake. Overall, it was a valiant effort...but missed the mark.
The entire concept of the monster of this movie is that it dissolves any sort of trust between people. When these people are in a confined location like Antarctica, it becomes a boiler room situation with wills being tested, fears being escalated and the overall sense of any safety even with someone you've known for a while completely in chaos. I feel that this Thing movie missed that sense of despair, confinement and overall breakdown of the relationships between colleagues and comrades and even enemies when a shape shifting impostor is thrown into the mix. This is made blatantly evident when over half the characters don't seem worthy of care by the audience. Most have no personality to connect to, and the sheer number of characters just makes it worse to get to know these people. So when they start dropping like flies, one really doesn't care a whole lot.
And really, that's the fundamental flaw with the movie and why the whole thing feels forced. The pacing wasn't as deliberately slow, the whodunnit aspect didn't feel properly in place, and finally...and again, this criticism is as a fan of the original movie...why on earth did the thing not try to hide more than it did? At one point, it seemed like the movie shifted gears into a simple monster movie with *insert beastly monster* just running around killing which was completely uncharacteristic of the original movie where the thing, even when found out, would try to make an escape to hide again...
So in all, as a standalone movie, it wasn't bad at all. It was a nice return to gory disgusting things that go bump in the dark. But as a prequel, it missed the mark I think the film makers were trying to hit. John Carpenter laid out a very specific and deliberate tone to the original movie that this one just couldn't seem to figure out how to replicate...no blood test needed to find this impostor.
First off, "The Thing" is a prequel. I always have a fascination of prequels because they have a unique approach to writing in that the events must lead up logically to a movie already made rather than taking the idea of the first movie and going in different directions with it. This creates a lot of confinement and there have been some really cool prequels that, even in this confinement, still feel fresh and take whatever franchise into a new direction (case in point, From Dusk Til Dawn 3). So already, this movie has both a reputation to live up to (the 1982 movie is very highly regarded by John Carpenter fans, horror fans and even fans of good drama and story telling) and adding in the fact that the writers must somehow lead up to the original movie is a tough task to undertake. Overall, it was a valiant effort...but missed the mark.
The entire concept of the monster of this movie is that it dissolves any sort of trust between people. When these people are in a confined location like Antarctica, it becomes a boiler room situation with wills being tested, fears being escalated and the overall sense of any safety even with someone you've known for a while completely in chaos. I feel that this Thing movie missed that sense of despair, confinement and overall breakdown of the relationships between colleagues and comrades and even enemies when a shape shifting impostor is thrown into the mix. This is made blatantly evident when over half the characters don't seem worthy of care by the audience. Most have no personality to connect to, and the sheer number of characters just makes it worse to get to know these people. So when they start dropping like flies, one really doesn't care a whole lot.
And really, that's the fundamental flaw with the movie and why the whole thing feels forced. The pacing wasn't as deliberately slow, the whodunnit aspect didn't feel properly in place, and finally...and again, this criticism is as a fan of the original movie...why on earth did the thing not try to hide more than it did? At one point, it seemed like the movie shifted gears into a simple monster movie with *insert beastly monster* just running around killing which was completely uncharacteristic of the original movie where the thing, even when found out, would try to make an escape to hide again...
So in all, as a standalone movie, it wasn't bad at all. It was a nice return to gory disgusting things that go bump in the dark. But as a prequel, it missed the mark I think the film makers were trying to hit. John Carpenter laid out a very specific and deliberate tone to the original movie that this one just couldn't seem to figure out how to replicate...no blood test needed to find this impostor.
You're stationed at an isolated outpost in Antarctica when you inadvertently discover a flying saucer type spacecraft beneath the frozen surface. Not long after you discover the alien pilot, trapped inside the ice sheet, looks like he may have been there for some time. Unfortunately, after recovering the entombed alien the protocols of containment are soon dispatched to a nearby bin and, before you know it, a rather excitable shapeshifting beast, who likes to take the form of bodies that have been turned inside out, and various other parts that should be internal and not external, is causing chaos and carnage and mayhem and disaster.
While not as good as the 1981 take, it is still a spectacular piece of masterful horror that continually delivers upon each subsequent viewing and provides some depth to the John Carpenter thriller.
While not as good as the 1981 take, it is still a spectacular piece of masterful horror that continually delivers upon each subsequent viewing and provides some depth to the John Carpenter thriller.
I didn't go see The Thing in 2011 for two reasons. One, I was reluctant to support a prequel when what I had really wanted for thirty years was a sequel. Two, the movie seemed to have vanished from the theaters only after a few weeks. In the meantime, I only heard negative things(no pun intended) about this film so I didn't feel like I was missing out.
However, something really weird happened when I finally caught it on HBO. I liked it! No, I mean I really liked it. To be clear, the criticisms about it being an unnecessary and almost too similar story to John Carpenter's classic are all fair. And, like most sic-fi movies today, there is more cgi than I would care to see. But the people making this movie clearly worship Carpenter's movie every bit as much as any die hard Thing fan. They go to great lengths to match up to the events suggested from the 1982 version and I personally appreciate them doing so. I also liked their method of detecting who was the Thing. It was different than MacReady's test but it was original.(Nothing will ever top the petri dish sequence and dialogue, Carpenter and Russell just nail it).
If you're a fan of the original looking for something completely different or a "new take" on The Thing From Another world, than this movie is not for you. But if you're like me, and always wondered who put that ax through the door or what events led up to the two-headed thing burnt up in the snow at the Norwegion compound than I highly recommend this flick.
However, something really weird happened when I finally caught it on HBO. I liked it! No, I mean I really liked it. To be clear, the criticisms about it being an unnecessary and almost too similar story to John Carpenter's classic are all fair. And, like most sic-fi movies today, there is more cgi than I would care to see. But the people making this movie clearly worship Carpenter's movie every bit as much as any die hard Thing fan. They go to great lengths to match up to the events suggested from the 1982 version and I personally appreciate them doing so. I also liked their method of detecting who was the Thing. It was different than MacReady's test but it was original.(Nothing will ever top the petri dish sequence and dialogue, Carpenter and Russell just nail it).
If you're a fan of the original looking for something completely different or a "new take" on The Thing From Another world, than this movie is not for you. But if you're like me, and always wondered who put that ax through the door or what events led up to the two-headed thing burnt up in the snow at the Norwegion compound than I highly recommend this flick.
This is a prequel/sequel/reboot/rework to John Carpenter's 1982 classic horror The Thing. There is the big reveal twisting the story to loop it around. They could have played with this a lot more than what they actually did. It's convoluted but I'm willing to buy it. In fact, it added something interesting. Not the same for the FX.
The aliens are now almost all CG. That's a big problem since the original had some of the most iconic real FX. It's a spit in the face for fans to replace it with CGI and it doesn't look good anyways. Going inside the saucer is a big mistake. This stars Mary Elizabeth Winstead, Joel Edgerton, Eric Christian Olsen, but nobody really stands out. This is a good idea but executed without understanding the appeal of the original.
The aliens are now almost all CG. That's a big problem since the original had some of the most iconic real FX. It's a spit in the face for fans to replace it with CGI and it doesn't look good anyways. Going inside the saucer is a big mistake. This stars Mary Elizabeth Winstead, Joel Edgerton, Eric Christian Olsen, but nobody really stands out. This is a good idea but executed without understanding the appeal of the original.
Você sabia?
- CuriosidadesThe producers convinced Universal Studios to allow them to create a prequel to John Carpenter's O Enigma de Outro Mundo (1982) instead of a remake, as they felt Carpenter's film was already perfect, so making a remake would be like "painting a mustache on the Mona Lisa". However, the prequel still has the title of the original film, because they couldn't think of a subtitle (for example, "The Thing: Begins") that sounded good.
- Erros de gravação(at around 5 mins) When Kate is introduced, she is examining a cave bear. She is doing so under normal room temperature conditions. Hence the corpse of the animal will thaw and rapidly decay. Specimens like frozen animals are kept frozen all the time to prevent the decay.
- Citações
Adam Finch: So, I'm gonna get killed because I floss?
- Cenas durante ou pós-créditosSPOILER: There are a few short scenes during the first part of the end credits, which tie the ending of this film to the beginning of the 1982 film.
- ConexõesFeatured in De wereld draait door: Episode #7.31 (2011)
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- A Coisa
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 38.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 16.928.670
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.493.665
- 16 de out. de 2011
- Faturamento bruto mundial
- US$ 31.505.287
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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