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IMDbPro

El Greco

  • 2007
  • 1 h 59 min
AVALIAÇÃO DA IMDb
6,5/10
5,1 mil
SUA AVALIAÇÃO
El Greco (2007)
BiografiaDocudramaDrama

Adicionar um enredo no seu idiomaThe story of the uncompromising artist and fighter for freedom, Domenicos Theotokopoulos, known to the world as "El Greco".The story of the uncompromising artist and fighter for freedom, Domenicos Theotokopoulos, known to the world as "El Greco".The story of the uncompromising artist and fighter for freedom, Domenicos Theotokopoulos, known to the world as "El Greco".

  • Direção
    • Yannis Smaragdis
  • Roteiristas
    • Jackie Pavlenko
    • Dimitris Siatopoulos
    • Yannis Smaragdis
  • Artistas
    • Nick Clark Windo
    • Juan Diego Botto
    • Laia Marull
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    5,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Yannis Smaragdis
    • Roteiristas
      • Jackie Pavlenko
      • Dimitris Siatopoulos
      • Yannis Smaragdis
    • Artistas
      • Nick Clark Windo
      • Juan Diego Botto
      • Laia Marull
    • 17Avaliações de usuários
    • 9Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 12 vitórias e 2 indicações no total

    Fotos12

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    Elenco principal99+

    Editar
    Nick Clark Windo
    Nick Clark Windo
    • El Greco
    • (as Nick Ashdon)
    Juan Diego Botto
    Juan Diego Botto
    • Niño de Guevara
    Laia Marull
    Laia Marull
    • Jerónima de las Cuevas
    Lakis Lazopoulos
    Lakis Lazopoulos
    • Nicolos
    Sotiris Moustakas
    Sotiris Moustakas
    • Titian
    Dimitra Matsouka
    Dimitra Matsouka
    • Francesca
    Dina Konsta
    Dina Konsta
    • Maid
    Giorgos Hristodoulou
    Giorgos Hristodoulou
    • Duke Da Rimi
    • (as Yorgos Christodoulou)
    Dimitris Kallivokas
    Dimitris Kallivokas
    • Chacon
    Roger Coma
    Roger Coma
    • Father Paravicino
    Fermí Reixach
    Fermí Reixach
    • Don Miguel de las Cuevas
    • (as Fermi Reixac)
    Miquel Gelabert
    Miquel Gelabert
    • Cardinal
    Theo Alexander
    Theo Alexander
    • Manousos
    • (as Theo Zoumpoulidis)
    Yorgos Karamihos
    Yorgos Karamihos
    • Titian's Assistant
    • (as Yorgos Karamichos)
    Renos Haralambidis
    Renos Haralambidis
    • Auctioneer
    • (as Renos Charalampidis)
    Yorgos Charalabidis
    Yorgos Charalabidis
    • Greco's Father
    • (as Yorgos Charalampidis)
    Ricard Borràs
    Ricard Borràs
    • Older Inquisitor
    • (as Ricard Borras)
    Javier Coromina
    Javier Coromina
    • Younger Inquisitor
    • Direção
      • Yannis Smaragdis
    • Roteiristas
      • Jackie Pavlenko
      • Dimitris Siatopoulos
      • Yannis Smaragdis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários17

    6,55K
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    Avaliações em destaque

    Christos_Stamos

    Platitudes posing as profundities..

    This is a film that tries too hard at "grandeur" and ends up nothing more than pompous dreck. El Greco's life and work are worthy of much better than this lifeless, corny exploration. The film boasts some of the most laughable, cringe-worthy dialog to grace the big screen -- a pretty devastating deficiency in what is supposed to be a "character film". In fact, I had serious trouble finding lines that were not shamelessly cribbed from dozens of period pieces which preceded this. I was half-expecting someone in the audience to break out with "nobody expects the Spanish Inquisition", as this material screams for the Monty Python treatment. Someone should tell the makers of "El Greco" that it takes more than costumes and passable set-pieces to create a period film ; most importantly, it takes believable dialog and characters. The protagonists in El Greco talk like persons living in post-Enlightenment Europe (and very often, like outright contemporaries of ours). I am sorry, but no Renaissance painter (much less El Greco) would try to defend his art in front of the Inquisition by stating that "all art is blasphemy anyways". A good indication of the quality of the film is the manner in which Theotokopoulos is presented as painting ; like most childish depictions, he doesn't paint, so much as "attack" the canvas, presumably because all great painters fence with their canvases (rolls eyes). Incidentally, rolling your eyes is something that you will be doing quite often, should you choose to suffer through the countless clichés in the film. Ranging from the "talented person in a foreign land", to the two dimensional "villain", and the "love for the villain's daughter", this film manages to take a historical personality and turn him into a typical Hollywood-derivative cliché. Quite the accomplishment. The narration, too, is particularly tiresome and trite ; I usually love movies with narration, and yet, with this one, it seemed like they managed to hit all the wrong, hackneyed notes from start to finish. And all of this without taking the ridiculous, deus ex machina excuse for a conclusion into account.

    Widely promoted as "the most important Greek production ever" (of which there seems to be a new one every year), El Greco seems bound to achieve considerable commercial success in the Greek market. But it is the kind of movie most people will claim to like, and no one will bother to see twice. Which, after all, is the true indicator of a film's appeal. We weren't expecting loud explosions and car chases on a production about El Greco ; but a reasonable, intelligent plot and dialog that would not make you squirm in your seat in embarrassment would have been nice.

    Not recommended. For those that missed it, worry not. You'll have another "greatest Greek production ever" foisted on you by the Greek television channel-sponsors to look forward to next year.
    9supermancc240

    A great film for a legendary man

    This film is the biggest production of Greek movie history.It cost 10,5 mil$ and was directed by a Cretan director, who wanted to tell the story of the biggest Cretan painter, and one of the greatest painters of all time, El Greco. The passion ,the film was made off, is profound and you can spot it all over the screen.The music by Vangelis is superb,cinematography makes the film to look like a live painting, performances are great and extremely vivid, sets and costumes are glorious.The movie was filmed at three countries, Greece, Italy, and Spain, which where the countries El Greco lived and created his masterpieces.If you know the work of Greco, this film is a grate opportunity to learn a lot about his life and where his passion came from.

    The tag line of this movie is "Can darkness overcome light?"
    5konstancev

    There is talk about the film getting an Oscar, I don't see how.

    I was as much excited about watching this movie as i was disappointed when i finally watched it. There is talk about the film getting an Oscar, i don't see how, it had no depth, the characters seemed out of place, there was no built up in their relationships with each other. This is true in many parts of the film like in the case of Titiano El Greco's mentor. The part of Titiano was played by an extraordinary Greek actor whose lines weren't more than 3. There should have been more fire between the student and the mentor, more dialogue more give and take, unfortunately Moustakas wasn't let to demonstrate his enormous talent and to add to the film as much as he could have. This is very much the case with el Greco and Guevara who kept calling each other "old friend" with irony of course. Almost nothing was shown about their relationship and about their opposite philosophies. The movie kept jumping decades forward without even scratching the surface of the two characters psyche which is a shame because the interaction of the two could have been extremely interesting and stimulating. All in all it was a movie with nothing but beautiful bright colours,great music but no heart.
    thinkMovies

    It just doesn't take off the ground

    The screenplay is at times good, the sets and costumes passable, the story is good and nearer to the truth than most biopics -it even attempts to wove social and philosophical themes into the life of a gifted artist and his relationship with the man who admired him but could not become him.

    But, the photography is standard fare -as if it were made for television. The cinematographer fails miserably to grasp the opportunity afforded by telling the life of a painter in authoring with light and shadow and colors. It seems they did nothing but use textbook light and print what was in the camera without any of the care that makes Spielberg's cinematographers worth applauding.

    The direction is honest but it falls into the trap of directing actors in what to do and how to do it, instead of allowing them to breathe their own life into the film, for themselves. The actors, most of the time are the slaves of the cinematographer as puppets in ever-changing dramatic photographs.

    Nick Ashdon portrayed the main character as well as he was allowed by a limp and insecure director -unfortunately watching Nick Ashdon as El Greco was an exercise in trying to remember that I was not watching Joseph Fiennes in Shakespeare in Love.

    Juan Diego Botto as Niño de Guevara must have, in rehearsals, given director Smaragdis an expression from a certain camera angle that the director liked a lot, so he must have asked Botto to keep repeating it throughout the movie.

    There are some really bizarre moments of editing that make you wonder whether the director was interfering in the editor's work without the skill to do so, or whether the editor sneaked-in a few cuts that the director missed before the release. Then again they might have both been trying to make a dramatic statement but the efforts bore no fruit.

    This film is a genuinely honest effort by a genuine Greek director and crew to make a labor of love in telling the story and the soul of a great man. I urge you to watch it with this in mind. Because otherwise you will watch a film where the director, despite his passion, just didn't have what it takes.
    10xerogo

    It is WORTH the cinema!!

    First of all, I don't think it is at all a DVD movie but an enjoyable film to watch at the cinema. The aesthetic of the film captures the audience's attention throughout the film. I personally think that the photography is excellent in the film as well as the direction. It tends to be a bit slow and without a lot of action but the audience understands that the film is not about action as it is an artistic and cultural film that tries (successfully) to bring out the souls of the characters to touch the audience. I agree that Dimitra Matsouka's performance was not strong enough but the performance's of Nick Ashdon, Laia Marull and especially Juan Diego Botto are well appreciated. The scenery and costumes are an accurate capture of the time period and beautiful to watch on screen. The plot is original as there are certain twists that one would not expect (for example El Greco's relationship with women)and the music is exceptional. The film is generally a great attempt on showing the potential quality of the Greek film industry throughout Europe. I think that there must be a good reason for 'El Greco' already winning 8 awards including best director in the Thessaloniki film festival!!

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The last acting performance by Sotiris Moustakas.
    • Erros de gravação
      Just after the battle, the wound on El Greco father's forehead changes places between shots, from left forehead to just over his eyebrow.
    • Citações

      El Greco: You once reached out for God, and your fingers closed on emptiness ; and you didn't learn. How can God speak to you when instead of loving you burn, ruin and spread hatred all around?

      El Greco: Now, of course, my turn has come - but you can't burn me... and I'll tell you why :

      El Greco: Because I've been burning all my life, my entire life ; not in the fire, in the light. I threw myself into the blaze of it.

      El Greco: You light fires because you're afraid to burn. You are afraid of the light and this is why I pity you, my old friend, Niño de Guevara.

      El Greco: Because you aren't wrong to be afraid, but every flame you light drives you deeper into the darkness and no matter how many people you burn, you will never escape it.

      El Greco: Can the darkness condemn the light?

    • Trilhas sonoras
      Ta dakrya einai dyo logio
      Performed by Loudovikos ton Anogeion

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    Perguntas frequentes

    • How long is El Greco?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 18 de outubro de 2007 (Grécia)
    • Países de origem
      • Grécia
      • Espanha
      • Hungria
    • Idiomas
      • Inglês
      • Espanhol
      • Grego
      • Italiano
    • Também conhecido como
      • El Greco - El último desafío a Dios
    • Locações de filme
      • Rhodes, Grécia(Castle of the Grand Master)
    • Empresas de produção
      • La Productora Vídeo Comunicació
      • Greek Film Centre (GFC)
      • Tivoli-Filmproductions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 9.620.040
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 59 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.78 : 1

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