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IMDbPro

O Justiceiro Mascarado

Título original: Franklyn
  • 2008
  • R
  • 1 h 38 min
AVALIAÇÃO DA IMDb
6,0/10
18 mil
SUA AVALIAÇÃO
Ryan Phillippe, Sam Riley, and Eva Green in O Justiceiro Mascarado (2008)
The story of four lost souls inhabiting parallel worlds
Reproduzir trailer1:44
1 vídeo
21 fotos
Ficção científica distópicaSteampunkDramaFantasiaFicção científicaSuspense

Um retrato das vidas quebradas de quatro pessoas.Um retrato das vidas quebradas de quatro pessoas.Um retrato das vidas quebradas de quatro pessoas.

  • Direção
    • Gerald McMorrow
  • Roteirista
    • Gerald McMorrow
  • Artistas
    • Eva Green
    • Ryan Phillippe
    • Sam Riley
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    18 mil
    SUA AVALIAÇÃO
    • Direção
      • Gerald McMorrow
    • Roteirista
      • Gerald McMorrow
    • Artistas
      • Eva Green
      • Ryan Phillippe
      • Sam Riley
    • 92Avaliações de usuários
    • 83Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 indicações no total

    Vídeos1

    Franklyn
    Trailer 1:44
    Franklyn

    Fotos21

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    Elenco principal44

    Editar
    Eva Green
    Eva Green
    • Emilia…
    Ryan Phillippe
    Ryan Phillippe
    • Preest…
    Sam Riley
    Sam Riley
    • Milo
    Bernard Hill
    Bernard Hill
    • Peter Esser
    James Faulkner
    James Faulkner
    • Dr. Earlle…
    Stephen Walters
    Stephen Walters
    • Wormsnakes…
    Art Malik
    Art Malik
    • Tarrant
    Susannah York
    Susannah York
    • Margaret
    Richard Coyle
    Richard Coyle
    • Dan
    Kika Markham
    Kika Markham
    • Naomi
    Helmut Christian Kirchmeier
    • Street Preacher
    Hilary Sesta
    • Female Preacher
    Matthew Flynn
    Matthew Flynn
    • Cleric 1
    Janetta Morrow
    • Guilty Woman
    Doug Allen
    Doug Allen
    • Cleric 2
    Roger Frost
    Roger Frost
    • Washing Machine Preacher
    Sam Douglas
    • Saul
    Mark Wingett
    Mark Wingett
    • Frank Grant
    • Direção
      • Gerald McMorrow
    • Roteirista
      • Gerald McMorrow
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários92

    6,018.4K
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    Avaliações em destaque

    7kosmasp

    Attention

    This movie really is difficult. Not only to describe (it is far too complex for it's own good/commercial success), but also to watch and follow the plot. While there have been other movies who played with the time factor (and/or other stuff, which I won't say anything about here, so it won't spoil anything for you), not many refused to explain themselves to you.

    In other words: While many other movies with the same or similar theme, show you the same scenes twice (or maybe even more often), this movie does not give you this luxury. You have to stay focused to get it. Of course the main plot and the big details will be easy to grab. But again, only if you let yourself into the movie. But this movie allows you to watch it a few times and catch nuances, small things, you might not have seen/understood, the previous time(s) you watched the movie. A complex, but rewarding viewing experience then
    bob the moo

    I wanted to like it and, while it did engage me, it didn't come off as a total film and was disappointing

    The main page review for Franklyn on IMDb (at the time of writing) is telling. It is telling because the whole reason it praises (and indeed the only way it discusses) this film is in relation to the "popcorn cattle" that presumably won't appreciate this film. This I see a lot – anything different is seized upon by those seeking to elevate themselves above the normal cinema public – the same writer may also go out of his way to hate blockbusters whether he/she liked them or not. I can understand this approach to the film Franklyn because, superficially it does offer the Gothic thrills of a bigger budget film but with the creativity and intelligence that the interweaving, real/fantasy parts of the film bring. Or, could have brought I should say because the problem with the film is that it is not the intelligent, complex and well-written film that it (and those that rushed to love it for being different) wanted to be.

    I went through a cycle with this film. At first I was engaged and curious, then that started to become a bit of confusion as my curiosity didn't get fed, this was then followed by a touch of impatience as things didn't seem to be coming together. Finally I ended up with a bit of apathy as the film brought itself together in a way that sort of didn't make sense, sort of seemed rushed and sort of seemed overly obvious and easy. And this is why the film doesn't work – because all the ideas, like the threads, just don't come together in a way that works. OK this might be a problem at the end of the film but this feeds backwards through each thread, keeping them separate, removing clarity and meaning each thread has to stand on its own. The fantasy world of Meanwhile City manages this, despite feeling like a cross between Dark City, V for Vendetta and Rorschach from the Watchmen graphic novel. However Emilia's thread feels, like her character, self-indulgent and petulant without anything to get the viewer into it and keep them there. Milo's thread sort of engages in regards the creation of fantasy worlds but it never really works or engages.

    It isn't "bad" though but it is never more than OK because it the central problem of it essentially not working as a single story and also struggling even as individual threads. The cast are a mixed bag. Phillippe makes for a tough anti-hero and has a much better presence than I expected him to have but doesn't have the material to work with, and spends his "best" scenes in a mask. Green puts her all into it and delivers the script well – unfortunately this means the problems with her thread and character are all up there for all to see. Riley is surprisingly weak; I recognise that that is an aspect of his character but his performance didn't do anything for me. Hill is strong and it is just a shame that the film doesn't reward his work with more – he certainly seems to have an understanding of where he fits into the film.

    The superficial appeal and intelligence of the film offer a potential that it never lives up but it does offer enough to make it feel like a shame when it fails to deliver. I'm sure the film will have a cult following but for me (and I imagine many casual viewers) it disappoints in its failure to come together with the intelligence and creativity that it should have had.
    8rooprect

    Oh my goth, what a good movie

    If you like dark, Gothic movies with both style & intelligence, this one's for you. First-time director/writer Gerald McMorrow makes a great debut with "Franklyn", a cryptic fantasy-thriller about 4 lost souls in different times & places, bound together by a mystery that slowly unravels to a brilliant climax.

    The story is told in fragments, and if you're not paying attention you might easily get lost. But that's what makes it so rewarding when you start to figure it out, and you realize what these people have in common.

    Most of the action happens in a nightmarish, dystopian world called "Meanwhile City". These scenes are reminiscent of the haunting works of Alex Proyas ("The Crow", "Dark City") with bits of Frank Miller's comic book style ("Sin City", "The Spirit"). There are also some refreshing, humorous nods toward Terry Gilliam ("Brazil", "12 Monkeys"). But what sets this apart from those dark, shadowy films is the juxtaposition of contemporary London, bright & crisp, like something you'd see by the German master Tom Tykwer ("Run Lola Run", "Heaven", "Perfume").

    If you don't recognize all those names, don't worry. The point I'm making is that McMorrow's directorial debut has elements of many great directors tied together in a fresh, original way.

    There's not as much action in this film as in most fantasy-thrillers. Depending on how you like your movies, that's either a good thing or a bad thing. I thought it was perfect because it lets the story breathe, and it gives us the chance to digest the slowly-unravelling mystery. There are interwoven themes touching on religion, individuality, family, fate, love & hate. And psychosis, which always makes things fun.

    And even though it may be light on action & explosions, there's tons of nice eye candy to keep you riveted. Speaking as a hetero male, by "eye candy" I mean Eva Green and her sexy goth wardrobe! (If I weren't such a hetero guy, I'd be tempted to become a cross dresser.) The 2 leading men are quite the lookers, too, both suave & classy in their own way. And if that's not enough eye candy, you can't miss the enormous sets & wide angle shots: breathtaking.

    If you're a fan of any of the directors/films I mentioned above, don't hesitate to check this out.
    8ldealberti

    Original and intriguing

    I've just come back from the premiere at the London film festival and I've thoroughly enjoyed, it but before I say anything, do not expect it to be "a mix between V for Vendetta and the Dark knight" which is a complete nonsense I read earlier, it's nothing like it.

    In fact, the sci fi element is only a small (albeit crucial) part to the story, most of it taking place in present day London.

    It's more of a psychological drama, a bit of a slow starter as well until all the pieces are put together and it starts making sense. To be honest the less you know about the story, the better otherwise it will ruin your enjoyment

    The acting is excellent, I would say it really is Eva Green's movie, she shines throughout the movie with a rather difficult role and is absolutely beautiful. Sam Riley and Ryan Philippe are very good too although they have a little less material to play with.

    I think it's going to be hard sell as it is unlike anything I have seen, and if they try to market it as an action/sci fi movie, it will be very misleading but I still definitely recommend it if you're looking for something a bit different.
    7thesandfly77

    One In The Eye For The Attention-Deficienct Popcorn Cattle

    Yes, it's a slow, slow build-up featuring seemingly unconnected story threads, fantastical settings and comic-book characterisation. Yes, it's all a bit of a muddle at times, and plays like the disconnected fast-cut chapters of a cynically devise modern supermarket bestselling novel.

    But it's different.

    Not out-there different, just stoically different from the average Hollywood committee-designed faux art-slice. It's a film that refuses to bend to the will of popular expectation and also to the viewer's clamouring desire for exposition.

    For that it's to be applauded; it seems remarkable it managed mainstream distribution given the fact so many will be 'bored' ('man') awaiting the connections to satisfy their anticipation.

    And you may well gather what's going on before it's explained (with a little ultimate dubiety) on screen, but this is still a well-executed piece of cinema with a solid cast that dares to offer something a little different to current lame traits after seemingly setting itself up as just another by-the-numbers collage.

    Clever at times, atmospheric, beautifully shot with a good cast. Worth, nay deserving, of a watch as a mild antidote to patronising Hollywood mainstream. A solid seven out of ten.

    Interesses relacionados

    Clive Owen and Clare-Hope Ashitey in Filhos da Esperança (2006)
    Ficção científica distópica
    Alfred Abel, Brigitte Helm, and Rudolf Klein-Rogge in Metrópolis (1927)
    Steampunk
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
    Elijah Wood in O Senhor dos Anéis: A Sociedade do Anel (2001)
    Fantasia
    James Earl Jones and David Prowse in Star Wars: Episódio V - O Império Contra-Ataca (1980)
    Ficção científica
    Cho Yeo-jeong in Parasita (2019)
    Suspense

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Preests statement - "If a god is willing to prevent evil, but not able, then he is not omnipotent. If he is able, but not willing, then he must be malevolent. If he is neither able or willing then why call him a god? Why else do bad things happen to good people?" - is almost directly lifted from Epicurus, who is credited with first expounding the problem of evil. David Hume in his Dialogues concerning Natural Religion (1779) cited Epicurus in stating the argument as a series of questions: "Is God willing to prevent evil, but not able? Then is he impotent. Is he able, but not willing? Then is he malevolent. Is he both able and willing? Whence then is evil?"
    • Erros de gravação
      The man talking to Milo in the room where the red haired woman disappeared to and another unseen character added some tiles to his original cross shaped design on the table. After Milo leaves the camera tilts down as the man writes into his notebook and the additional tiles are gone, reverting back to the cross shape.
    • Citações

      Preest: If a god is willing to prevent evil, but not able, then he is not omnipotent. If he is able, but not willing, then he must be malevolent. If he is neither able or willing then why call him a god? Why else do bad things happen to good people?

    • Conexões
      Referenced in Film Junk Podcast: Episode 265: Date Night (2010)
    • Trilhas sonoras
      Catacombs Bar
      Performed by Ben Wynne

    Principais escolhas

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    Perguntas frequentes19

    • How long is Franklyn?Fornecido pela Alexa
    • What is the music used in the trailer?

    Detalhes

    Editar
    • Data de lançamento
      • 27 de fevereiro de 2009 (Reino Unido)
    • País de origem
      • Reino Unido
    • Idioma
      • Inglês
    • Também conhecido como
      • Franklyn
    • Locações de filme
      • Tabernacle Bar, Shoreditch, Londres, Inglaterra, Reino Unido(interiors)
    • Empresas de produção
      • Recorded Picture Company (RPC)
      • Aramid Entertainment Fund
      • Film4
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 6.000.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 1.279.576
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 38 min(98 min)
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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