Before the Rains

I had to hunt down where this film was playing - it was 70 miles away and I took a road trip to go catch it. The reviews have been so good, it is made by Sivan, has Nandita Das AND Rahul Bose so it seemed well worth the effort. Unfortunately I feel really let down by the film. It seems specifically made to cater to a Western audience and is less Indian than Darjeeling Limited! Sivan tells an engaging enough tale that the 90+ minutes do not hang heavy on your hands but the characters are not well etched at all. I went in expecting an Indian Ink (Stoppard) or a Passage to India (EM Forster), at the very least I was hoping for a Heat and Dust, but this is lower than that Ruth Praver Jhabvala fare.

Nandita Das plays Sajani, a woman who works as maidservant to the Moores family headed by Linus Roache as Henry Moores. While the wife (Jennifer Ehle) and son are away, Henry gets into an adulterous love affair with Sajani. With the help of TK, a local village man who is English educated, Henry is trying to build a road to improve the spice trade. Sajani is married to a brutish fellow, he does find out and all hell breaks loose. There is the obligatory tragic ending but you watch it from the outside with clinical detachment. The white man is a spineless fellow, the white woman a large hearted up-standing woman (like the white women in Lagaan, RDB).

Nandita Das has a meaningless role that she cannot sink her teeth into, Rahul Bose is equally wasted in the role of a man who is neither fish nor fowl, but caught between two cultures. So much could have been made of this character. Linus Roach plays the gutless white man exceedingly well, you hate him and yet you also know where he is coming from. Jennifer Ehle is wonderful in a small role as the woman full of empathy.

What Sivan does best is showcase the canvas, the photography is absolutely stunning. The locales are full of magic and every shimmering dew drop, the frog jumping into the pond, the mist rising from the tree tops, is all magically captured by his lens. Where he loses out is in etching the characters better, and having more to the story itself. This is a thin tale. He also fails at extracting the best from his stellar cast. Western audiences will love this tale of "forbidden love" - parts of it more graphically shown than we are used to seeing, the spineless British man, the Indian man learning the gentleman's game from the gentleman Henry, and in fact out-gentlemaning Henry in the end. I am sure they will also find most interesting some of the bizarre and arcane rituals that the "tribals' were practicing! I am disappointed because this one could have been so much more.

Being a native of Kerala and not knowing much of this movie, I went because my favorite Indian actors Nandita Das and Rahul Bose were in it. My hubby and I were in for a stunningly visual treat of our home state in India and were jumping for joy. Every frame was pure, with shadows and light and filters that just transported you and wanting to see more. I would liked the movie more if it had been stretched a little longer and see more deeper delving into the characters and the village life. Instead a limited dimension was presented. I was a little disappointed and left feeling like something wasn't complete in the application of the story. While the film focuses around the central characters,not enough time was spent on how the setup started but the movie picks-up almost mid-stream it felt like and therefore a little incomplete. There were seeming contradictions in the movie. exploration of each of the characters could have been done more deeply. I was sorry to see that Nandita Das was relegated to such a minimal role. Rahul Bose whose phenomenal acting could have been explored profoundly was also limited to more of a silent portrayal while his eyes spoke volumes. I wasn't sure where his loyalties were or whether he was really trying to live in two worlds and ultimately what is it that he stood to gain in the way of empowerment. The storyline is simple and did a good job around Roach's role and his moral conflicts. The actress who portrayed his wife as brief as it was very good and believable. The supporting actors all acted well (kudos to Indrajit and Lal and Mr.Thilakan as well-it was awesome to see these phenomenal actors on the big screen through such an artistic lens. It was a little discomforting to see the far from the truth portrayal of the tribal ritual. My huge kudos to Mr. Sivan- the quality of the cinematography is pristine and flawless and timeless. I hope you'll blaze forward with more courage at exploring in-depth portrayals of Kerala even more.

Santosh Sivan has already made a name for himself as an established cinematographer. With 'The Terrorist' he proved to be a competent director. Now comes another sensational directorial ventures, 'Before the Rains'. Visually, it's a feast for the eyes. Sivan's way of capturing the beauty and atmosphere of the natural rainforest setting as he stresses on the details to each and every one of his shots is simply amazing.

The intriguing premise of the story is derived of a novel concept. Sivan sensibly tackles themes such as love, class distinction, despair, guilt and betrayal and layers them well within the story and characters. He never goes over the top as he wonderfully manages to keep a low tone. Just when one would think the story would turn towards a predictable path, Sivan throws a surprising turn while staying true to the film. He extracts some incredible performances from his principle cast that includes Linus Roache, Rahul Bose, Nandita Das and Jennifer Ehle.

Overall, Santosh Sivan has improved as a director and continues to be a superb cinematographer. It's definitely a much better movie than 'Asoka'. I would like to see this director make more such films rather than opt for the usual loud Bollywood masala like 'Asoka'.

Before the Rains is a beautifully made drama set in south India in 1937. An engrossing story, it shows us what India was like and awakens our interest in foreign lands. But what stuck in MY mind was the extreme difficulty of having a sexual/romantic encounter in this time and place.

Young people these days take their sex fast and casual. There is no way they can ever understand the restraints of the pre-1960 era (let alone 1937). And this was the case in India, or in the USA. With most women married well before their 18th birthday, with marriage being respected by society, with the remaining single people mostly being (obvious) born losers, non or extra marital sex was virtually impossible, and could lead to the serious and multi-complicated downfalls portrayed in this movie. Easy to say had the lovers handled things wiser or smarter their ultimate problems might have been easier. But wait, they DID handle their situation wisely......

This gentle yet dramatic story of an ill-fated love affair between a colonial Brit (Linus Roach) and his beautiful Indian servant (Nandita Dass) reminds me of films of another era, perhaps Michael Powell's masterful Black Narcissus, where the mystical allure of India is powerfully dramatized. This simple yet effective story of longing, love, and sensuality, corrupted by jealously and betrayal, equally offers the viewer a canvas of raw color, dripping textures, and curious mysteries concealed within light and shadow. Films don't look like this any more, it is vivid and alive, and often reminds me of David Lean or John Ford. If the modern film world is harsh and uncompromising, this film's world is subtle and timeless... like India. The cast is superb, and I love the quiet torment and emotions of Rahul Bose, the man-servant with big trouble on his hands, and difficult choices to be made. Go see it for a movie experience long absent at the multiplex. Don't wait for the DVD - you won't be disappointed!