Sentimento de Culpa

If you view people as case studies in arrested development, then everyone has an issue, and everyone has a story. It's how each deals with his or her issue that makes things interesting in life. And when those issues interrelate to family dynamics, things can get down right convoluted, both as tragic and comic. "Please Give" is such a vehicle. Everyone's issue is not only personal but becomes a family matter at some level. And in the end there is some truth to the concept that blood is thicker than water. Like the movie "Crash" we see how seemingly random personal issues bounce off of the others in our lives, how we react to the consequences given our relative family dynamics, and how we may move on. In the center of this mini-maelstrom is Kate, whose issue of guilt appears to be the nucleus of all matters. Everything seems to spread out from there, and like a galaxy in the distant sky, things coalesce or spin off into directions brilliantly. As usual, whoever makes up the trailer for this tidy package misdirects us completely, which is why I hate trailers.....

Please Give (2010)

A sharp, witty, touching, slice-of-life gem of a movie directed by Nicole Holofcener. It has some of the trappings of an Indie movie, with very ordinary people taking the leads and quirky low budget filming and music to make it undramatic.

But the cast is top notch. The leads--there are four of them in a well balanced ensemble--are nothing if not believable. Maybe most impressive as an actress is Rebecca Hall, who played Vicky in "Vicky, Christina, Barcelona," completely transforming herself into an awkward, kindly, thoughtful and slightly whining young woman. Playing her sister is a hardened and unlikable Amanda Peet, who also has a Woody Allen feather in her cap, "Melinda, Melinda."

Then there is a moderne era antique store couple, Catherine Keener (a regular in the director's films) and Oliver Platt, a comfortable couple who buy their antiques people who have just had a relative with an apartment full of stuff die. Yes, there is some black humor, hilarious stuff, and there are layers of contemporary New York life with its superficial and materialist angst, and charm. As events compound, usually with conviction, the characters become more rounded and intriguing. And sympathetic. By the end, you feel for everyone, whatever their weird and sometimes selfish cores.

If the movie seems like a cross between Sex and the City and Six Feet Under, it's not a surprise--Holofcener has directed episodes from both series. Throw in her early apprenticeship under Woody Allen, and you get the humor as well as the high standards of writing and directing, combined, that Allen inspires. "Please Give" is slight, somehow, in its intentions. It takes a view of life that isn't so strange really, and where nothing all that unusual happens--the weirdness is just a reminder that we all have weirdness in our lives--and it makes it salient. That's the magic overall, lifting everyday traits into the light where they matter. Or matter differently. With a laugh.

Don't miss it!

A strong ensemble piece anchored by Catherine Keener, the movie is a funny and plausible reading of the neuroses of a functional, likable but in-pain group of working middle class New Yorkers.

What's most positive and enjoyable about the film is the desire of its characters to deal with their problems even when they're not aware they're doing it. But a natural striving to consciousness takes hold because they're all just open enough to admit they don't have all the answers. Watching them on a path that ineluctably carries them to self-awareness, and then each other, is one of the great movie pleasures of this year.

"Please Give" is an independent, character drama. What I loved about this film was the interesting array of characters that it presented.

The characters that were on display for us to watch were all well written, fully-developed, interesting and funny as they each struggled with their moral dilemmas. I found myself being able to relate to all of them in one way or another.

The writer also leaves enough to your imagination so you can decide how much these characters evolved or learned over the course of the film. As you think about them, you find yourself applying these lessons to your own life.

The lack of plot leaves you wanting more because the best movies are usually able to deliver both plot and great characters. Although this is not one of the top echelon of movies, the compelling characters makes this better than most films you'll be able to find today.

Please Give (2010) was written and directed by Nicole Holofcener. It's a very New York City kind of movie. The plot revolves around the purchase of an apartment by two urban professionals. (They're not that young, so they're not yuppies, although they probably were yuppies in their day.) At present, they make an apparently excellent living buying up old "classic" furniture, and reselling it in their storeroom. Catherine Keener plays Kate, the wife, and Oliver Platt is her husband Alex.

The problem with the purchase of the apartment is that it's still occupied by an older woman, and the agreement is that she will live there until she dies. Into the mix come the woman's two granddaughters--Rebecca Hall as Rebecca, the "plain" sister, and Amanda Peet as Mary, the gorgeous sister. (Rebecca Hall is only plain by Hollywood standards, and Amanda Peet is gorgeous by those same standards.)

The film has several plot threads moving forward simultaneously, but the one that interested me the most was Kate's ambivalence about her source of income. Obviously, if you're selling any used furniture--classic or otherwise--you have to buy low and sell high. However, Kate is clearly guilt-ridden about making money because she knows furniture value and the sellers--usually children of a recently deceased parent--don't know these values.

She also feels guilty about street people, and tends to give them ten- or twenty-dollar bills as she walks along the street. She really wants to help disadvantaged people, and checks out a residence for the frail elderly and a day program for developmentally disabled people to see if she can volunteer.

Catherine Keener is an appealing actor, and her character is basically likable. However, as I thought about it, Kate's guilt doesn't lead to any really effective action. Yes, she agonizes about the furniture, but she buys and sells it anyway. And, although her motivation to help the less fortunate is clear, she doesn't actually accept the volunteer positions. She thinks about them, and she cries, but she doesn't really do anything. Still, you can't deny the honesty of her emotions.

This is a movie in which, objectively, nothing truly major happens. However, the characters are changed by the events in the film. They are imperfect and they don't become perfect, but they're interesting and you care about them.

As I wrote at the beginning of the review, this is a very New York City kind of movie. It crackles with realistic NYC atmosphere, and you get a real sense of the city. I could almost feel myself walking along the sidewalk with Kate or Alex.

All in all, I think this is definitely a film worth seeing, and it will work well on DVD. My guess is that opinions about this movie will vary tremendously. I liked it, but others may have equally compelling reasons to dislike it. See it yourself and make your own decision.