Darling

A Swedish "Lost in translation" light, if you like: Young, spoiled (and seemingly zombie-like) rich girl gets a dose of reality check sliding down the upper-class ladder, as she loses her job, posh friends and is forced to get a menial job at a McDonald's. There she meets and befriends an older, gentle divorcée with a similarly sad past.

Small, satirical urban drama of our time's morals, shallowness and urban alienation is likable for sure, but the sparse, undeveloped info about most of its characters (which of course is the purpose) also gives the movie itself an anonymous feel of sketchiness... and waaay too short a running time to really score. Warm performance by Segerström, though, a promising debut by Meadows and nicely shot in a wintry Stockholm. Most critical point made about our modern city rut of life, is the fact that the almost only human and kind character gets treated the worst!

5 out of 10 from Ozjeppe.

I'm no regular commenter but I noticed there was none so I'll make a brief and simple one.

I liked this movie, it had a nice feeling and the characters were really cute. It's is about a young girl living and going out in Stockholm's richer areas. The problem is all her relationships with her friends and lovers are really superficial. Which she finds out for herself early in the movie, she also finds a true friend but she has troubles having a "real" relationship. The music was a bit repetitive but I liked the camera work. It also felt real, I live in Stockholm and in the area where it takes place and it felt real and like it in some ways truthfully reflected the life's of "brats" in Stockholm (there are spoiled who aren't brats in Swedish culture, it really doesn't have the same meaning as in English)

Poor dialogue, poor directing, poor editing and very poor acting (with one or two exceptions) summons up this film pretty much. I can only assume an actor such as Michael Segerström, one of those who actually performed some acting in this piece, wasn't very proud when he saw the final result. I really can't understand how the film managed to win Nordic Film Prize (Best Film), it scares me a lot to think of the competitors. The dialog often seemed very unnatural, but that might be the result of poor directing/poor acting. The music itself is really good, but it doesn't fit in to the film. Imagine yourself watching a film with only dialogue, and then at the same time listening to music from a totally different context. It's totally weird, and I mean weird in a bad way. This film is nothing but a waste of time.

This Swedish movie has had some nice press here. Maybe because of the long time passed, since such a movie was done.

It's about the posh nouveau riche and their empty lives. But it's too pedagogic. Everything starts from scratch, to make the audience understand that the poshs really do have these empty lives, on the contrary to the other main character, the 60-year-old unemployed. He's almost a Jesus figure, getting humiliated in different ways, both by his family and his young employers. But his goodness remains.

You could maybe have swalloved that, but the problem with the poshs is that they somehow are like extras with lines. No real complication here. Just a saga there the end is obvious. Or maybe not. The bus scene in the end suggests something else, but I'm not sure I want to see a "Darling 2".

This is a nice little gem. Accustomed to the normal staple of Swedish film, meaning ham acting, high school morality and utter lack of anything resembling film magic, this was a surprise. Good, subdued acting, a twisting and turning storyline that keeps you unprepared for what's around the corner and a fresh and unsentimental approach to it's subjects makes this "a film for the person who doesn't like Swedish film" as one of my friends said after the film. Add to that some funny and intelligent dialogue with the occasional one-liner and you have a film that is truly enjoyable and lingers in your mind afterwards. During it's one and a half hour it grinds itself slowly into some true and important insights of contemporary life, as well as eternal truths (yeah, really). Could have been a bit longer though, because the end comes about a little abruptly,