AVALIAÇÃO DA IMDb
7,5/10
4,5 mil
SUA AVALIAÇÃO
Uma recontagem animada definida para a suíte de Prokofiev.Uma recontagem animada definida para a suíte de Prokofiev.Uma recontagem animada definida para a suíte de Prokofiev.
- Direção
- Roteiristas
- Ganhou 1 Oscar
- 6 vitórias e 2 indicações no total
Avaliações em destaque
I loved this, watched with my 8 year old daughter. It has laughs and suspense and sadness and happiness.
The animation is incredible, especially the cat, and the characters are so endearing.
I enjoy having films for my daughter that aren't filled with inane dialogue and cute little witticisms, as there are really so few nowadays that are really funny for kids. She enjoyed just watching and listening to the music, as she was able to comment on what was happening, or what she thought of the characters, without being afraid of missing a line.
We recommend it to all.
The animation is incredible, especially the cat, and the characters are so endearing.
I enjoy having films for my daughter that aren't filled with inane dialogue and cute little witticisms, as there are really so few nowadays that are really funny for kids. She enjoyed just watching and listening to the music, as she was able to comment on what was happening, or what she thought of the characters, without being afraid of missing a line.
We recommend it to all.
This one might be controversial. In a time when animation studios like Pixar or DreamWorks create tons of successful high-budget animation films with lots of action and tension in it, one might wonder if there's still a place for films like these. Well, in my opinion, those are two very different animals. If you want action and suspense and you don't care about anything else, then go see "Toy Story 3" or "The Incredibles" and forget about this one.
This story is from a time when nothing of the above-mentioned existed and people weren't dreaming of flying superheroes. This is a down-to- earth picture which deals with philosophical issues, without being pretentious and without demanding to much of its viewers.
This particular realisation of that powerful and touching story is perfect in every way. Wonderful figures, a great attention to detail and an adequate rendition of Prokofiev's Suite altogether create a very genuine "Russian atmosphere". It is a true masterpiece and definitely deserves a wider audience.
This story is from a time when nothing of the above-mentioned existed and people weren't dreaming of flying superheroes. This is a down-to- earth picture which deals with philosophical issues, without being pretentious and without demanding to much of its viewers.
This particular realisation of that powerful and touching story is perfect in every way. Wonderful figures, a great attention to detail and an adequate rendition of Prokofiev's Suite altogether create a very genuine "Russian atmosphere". It is a true masterpiece and definitely deserves a wider audience.
In interviews on the DVD, Templeton says that hers is a darker Peter & The Wolf than others. Compared to Templeton's other work (the brilliantly crafted, deeply moving, but thoroughly distressing "Dog" and the creepy "Stanley", for instance), and considering the way she ends her "Peter", I'm not sure it's as dark as she thinks it is.
This Peter and the Wolf is clearly not for little kids (when the wolf eats Duck, Peter's best friend, there's no hint that she — swallowed whole in a single gulp in Prokofiev's tale, but taken in several gore-free bites here — is alive and quacking in the end), but for anyone old enough to appreciate the scope of this mini masterpiece, a rewarding discovery awaits.
The sense of connection between Peter and the Wolf is palpable. Two starving beasts get a taste of what they crave: The Wolf, a scrawny duck, and Peter, escape from his grandfather's stern, austere care. If you crave stop-animation with depth, substance, and beauty, you will find this brief film a 30-minute treat, too.
This Peter and the Wolf is clearly not for little kids (when the wolf eats Duck, Peter's best friend, there's no hint that she — swallowed whole in a single gulp in Prokofiev's tale, but taken in several gore-free bites here — is alive and quacking in the end), but for anyone old enough to appreciate the scope of this mini masterpiece, a rewarding discovery awaits.
The sense of connection between Peter and the Wolf is palpable. Two starving beasts get a taste of what they crave: The Wolf, a scrawny duck, and Peter, escape from his grandfather's stern, austere care. If you crave stop-animation with depth, substance, and beauty, you will find this brief film a 30-minute treat, too.
I recently caught the PBS showing of this Oscar winning short and was engrossed by the terrific stop motion puppet animation. It is among the finest animation I've seen and shows animators are still using many of the old techniques (non computerized) to good use.
Not only was the animation first rate, but I felt it offered a perfect accompaniment to Sergei Prokofiev's composition. I have fond memories listening to Peter and the Wolf as a child on my parent's record player. This adaptation provides a wonderful visual for the story that I only could imagine as a youth.
I also found the additional filmmaker's comments on how this project came together insightful. I have very minor qualms with this production as I have tried to reconcile my imagination of how the story should look with the creative vision of the directors of this film. Overall, it is a fine piece of work and was well deserving of its acclaim.
Not only was the animation first rate, but I felt it offered a perfect accompaniment to Sergei Prokofiev's composition. I have fond memories listening to Peter and the Wolf as a child on my parent's record player. This adaptation provides a wonderful visual for the story that I only could imagine as a youth.
I also found the additional filmmaker's comments on how this project came together insightful. I have very minor qualms with this production as I have tried to reconcile my imagination of how the story should look with the creative vision of the directors of this film. Overall, it is a fine piece of work and was well deserving of its acclaim.
This film earned the Oscar it got. Some very excellent traditional stop motion animation, combined with modern editing techniques.
The story is placed in a more modern world and given some new twists. A modern but deteriorating Russia set against an almost primal wilderness. The main character, Peter, has lost his Disney-like cuteness. And that's a good thing! He's a more streetwise but daydreaming Peter. Tough but lonely. The animation on the characters is simply superb. They even animated the fur of the wolf and cat!
Go see this animation as well as Dog, another one of Suzie Templeton's great little shorts.
The story is placed in a more modern world and given some new twists. A modern but deteriorating Russia set against an almost primal wilderness. The main character, Peter, has lost his Disney-like cuteness. And that's a good thing! He's a more streetwise but daydreaming Peter. Tough but lonely. The animation on the characters is simply superb. They even animated the fur of the wolf and cat!
Go see this animation as well as Dog, another one of Suzie Templeton's great little shorts.
Você sabia?
- CuriosidadesAt 32 minutes, this is the longest film to win the Best Animated Short category in the Academy Awards through 2010.
- ConexõesFeatured in Troldspejlet: Episode #36.7 (2007)
- Trilhas sonorasPeter and the Wolf Op. 67
Written by Sergei Prokofiev
Played by The Philharmonia Orchestra conducted by Mark Stephenson
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Peter and the Wolf
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 2.000.000 (estimativa)
- Tempo de duração32 minutos
- Cor
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